Little Swee'pea

Like cartoon producer Max Fleischer's star character Popeye the Sailor, Swee'Pea first appeared in E.C. Segar's comic strip THIMBLE THEATRE. In the baby's animated debut, LITTLE SWEE'PEA, he is an effective foil for Popeye. Here, the sailor takes the baby to the zoo. However, Swee'pea escapes from his carriage and wanders along the cages of various large and dangerous animals. The bulk of the cartoon concerns Popeye's efforts to rescue Swee'pea from these beasts while trying to avoid being mauled himself.

As in most of the Max Fleischer Popeye cartoons I have seen, LITTLE SWEE'PEA has a lot of clever and enjoyable gags. One particularly inventive sequence has Popeye searching for Swee'pea in a hippo's cage only to find the baby right inside the hippo when the beast opens its mouth. One wonders why this particular zoo lacks any staff to prevent babies like Swee'pea from entering these cages. Then again, if anybody was around to stop Swee'pea we'd be denied the joy of seeing Popeye struggle with the animals, wouldn't we? For this cartoon, the Fleischer staff used live-action backgrounds. The results are impressive, creation a 3-D illusion. I've never seen the colorized version of LITTLE SWEE'PEA, nor do I desire to. From what I hear, the people who recolored this black-and-white cartoon obliterated these attractive backgrounds.

And there's always the joy of listening to Jack Mercer as Popeye. He provides an ideal voice characterization, a deep gravelly voice that nevertheless conveys a jovial warmth, revealing the sailor's golden heart beneath his rough exterior. One also gets to hear Mercer's muttered ad-libs, although in my opinion there aren't enough in this particular cartoon.

LITTLE SWEE'PEA, like most of the Max Fleischer Popeye cartoons I've seen, remains fresh and funny after over sixty years. Like all fine cartoons, this is essential family entertainment, testifying to the greatness of both the Max Fleischer studio and Jack Mercer.

Little Swee'pea (1936)

*** (out of 4)

Popeye asks Olive Oyl to go to the zoo with him but she's busy so she says he can take Little Swee'pea. Popeye does so and quickly regrets it as the kid keeps wondering off and getting involved with various animals.

LITTLE SWEE'PEA is another winning short from Fleischer's series where there's once again some good laughs and plenty of nice action. The real highlight here is a sequence where the baby is walking underneath the elephant, which keeps coming close to stepping on him. There's also another funny sequence where the baby keeps walking into the mouth of an alligator. The animation itself is of high quality as you'd expect and the action helps keep the film moving.

in this animated short,Popeye takes Swee' Pea to the zoo,and of course chaos and hi jinx ensue,with Popeye being pretty much oblivious.this is the 1st Popeye short i have seen,and i thought it was quite funny,and of course absurd.this is one of the short films from the Fleisher studio,who also did a number of Superman animated shorts,17 in all,i think.one of the funniest things about Popeye is his strange way of speaking,or mumbling rather.that and the fact that he always has a can of spinach on him no matter where he goes.of course,as soon as the can of spinach is drained,Popeye becomes super strong.in just over 7 minutes,there is a lot packed into this short.i really enjoyed it.for me,Popeye:Little Swee'Pea is an 8/10

This is basically a 'Baby Herman' movie: a baby keeps obliviously wandering into perilous situations, and then just as obliviously wandering out of them again ... while the frantic guardian, all too aware of the danger, keeps getting hurt. But at least this cartoon gives Popeye a change from his usual formula of trading punches with Bluto or some other menace.

Is Swee'Pea meant to be Olive Oyl's nephew, or is he her illegitimate son? Whatever he is, Olive dumps him on Popeye for the day. Popeye dumps Swee'Pea into the pram, and heads for the zoo. There's some nice multiplane animation during the trip to the zoo, and the sequence with the cartoon elephant seems to contain some rotoscoped footage of a live-action elephant.

Most of the gags are quite obvious. At one point, Swee'Pea rides bareback astride a leopard while the soundtrack plays 'Hold that Tiger'. Given that choice of music, why didn't the animators put Swee'Pea on a tiger instead of a leopard? I suspected that there was some gag coming up involving the leopard's spots, which wouldn't work as well with a tiger's stripes. Sure enough.

I dislike movies about babies, and I like cartoon babies even less. Popeye is funnier without Swee'Pea, and it's unfortunate that Olive's role in this toon is so brief that it gives her nothing to do. More for the impressive animation than anything else, I'll rate this 6 out of 10. The Fleischer Studio's cartoons were released through Paramount. After they lost Fleischer, the cartoons produced by Paramount's in-studio animation unit were consistently the worst animation output by any major Hollywood studio. Even the worst Fleischer Popeye cartoon is far better than any of the post-Fleischer Popeyes.

Many fine cartoons were seen with Dave Fleischer. Ones that were amusing and charming, though over-cuteness did come through in some efforts and the stories were always pretty thin, with appealing characters, outstanding music and visuals that were inventive and with innovative animation techniques.

While not quite one of my favourite Popeye cartoons, 'Little Swee Pea' is still very well made and great fun, with plenty of amusement and managing to not be too cute. This is not a Popeye versus Bluto cartoon, and another change of pace for Popeye, which are every bit as enjoyable and in a good deal of them even more so than the Popeye versus Bluto efforts. The premise is not an original one, so the cartoon is on the formulaic side, but 'Little Swee Pea' has enough invention to stop it from becoming predictable and repetitive, or too much so at least. It is a fine example of why Popeye and his cartoon appeal a lot to me and what makes them work so well is all evident here.

Olive Oyl is on the bland and underused side, but Popeye and debuting Swee Pea are dead on. Popeye is very easy to like and is is amusing yet easy to feel sympathy for, but despite being a baby Swee Pea manages to be an even more interesting character, avoiding being obnoxious or too cute and is both adorable and funny. Their chemistry/interaction was essential for 'Little Swee Pea' to work and sparkles.

There are many clever and very amusing to hilarious gags, the cartoon is hardly short-changed in this regard. A highlight is the sequence with the hippo. The asides and mumblings are even funnier and helped by Jack Mercer's ever genius vocal delivery, just wish there was more.

Regarding the animation, it is very good as always from this period. It's beautifully drawn and with immaculate visual detail, that doesn't ever feel cluttered or static, and lively and smooth movement. The music likewise, lots of merry energy and lush orchestration, adding a lot to the action and making the impact even better without being too cartoonish. Fleischer's direction is always accomplished and his style is all over it.

Jack Mercer easily steals the show when it comes to the voice acting, for all the above reasons.

In conclusion, very nicely done Popeye cartoon and a worthy introduction to Swee Pea. 8/10