L'isola della furia

This quickie from Warners packs a lot in its short one-hour running time. Just about everything is thrown in, love, betrayal, greed, jealousy, danger, monsters, etc. etc. I could go on and on! And then there's Bogart with a mustache of all things. He doesn't look too comfortable in it and his performance is a bit wooden and even amateurish but who cares. Margaret Lindsey manages to look positively child-like despite that husky voice of hers. If you get the chance look for her in "Please Don't Eat the Daisies" in a worthy cameo as a prima dona. In my humble opinion she was a most underrated actor. E.E. Clive is reliable as the wise doctor. Donald Woods is probably the weakest link here but again, who cares. There's so much going on the performances are almost irrelevant. There's even underwater photography and a cheesy octopus. This is great escapist fun and well worth seeing.

ISLE OF FURY (Warner Brothers, 1936), directed by Frank McDonald, is an obscure 60-minute feature most notable as one of the first starring roles of movie icon, Humphrey Bogart. Having made a promising start as the cold-blooded killer in THE PETRIFIED FOREST (1936), the studio kept Bogart busy in an assortment of major and minor film productions such as this. Though best appreciated playing gangsters or secondary to the studio's top actors of the day as Edward G. Robinson, Pat O'Brien and James Cagney, Bogart shows he can play the romantic hero as well. Supported by capable studio stock players as Margaret Lindsay and Donald Woods, with material based on the novel "The Narrow Corner" by W. Somerset Maugham, this edition was hardly original in concept considering that it was previously filmed three years earlier (1933) under Maugham's original book title with Douglas Fairbanks Jr., Patricia Ellis and Ralph Bellamy. Regardless of which film version adapted by a renowned author is better, both screen adaptations remain forgotten by film scholars.

Forward: "There still remain far from the lanes of travel, myriads of unmarked islands, the refuge of lost men." Set on the island of Tankana, the story opens with a private wedding ceremony of Valentine "Val" Stevens (Humphrey Bogart) to Lucille Gordon (Margaret Lindsay) during a massive thunderstorm outside. After taking the wedding vows. Val is informed of a boat nearly covered by high waves of an offshore reef. He runs out to rescue passengers, Eric Blake (Donald Woods) and Captain Deever (Paul Graetz) and brings them to his cottage. As Blake regains consciousness, the first face he sees is Lucille, and replies to himself as beautiful. With Val in charge of a pearl diving expedition, he's quite busy getting his native divers to work. Val allows Blake to keep Lucille company in his absence. After being rescued by Blake from being trapped by an octopus while diving in the ocean below, Val and Eric not only become the best of friends but offers Eric a job position working as his partner. Eric turns down the offer for reasons of his own. Rumor starts to spread around the island regarding both Val and Eric's past secrets and the possibility that one of them is wanted for murder of a Richard Lord back in the states. Also in the cast are E. E. Clive (Doctor Hardy); Gordon Hart (Grandpa Anderson); Tetsu Komai (Kim Lee) and Miki Morita (Oh-Kay).

It is often felt that second features tell a whole lot more than those on a two-hour range. ISLE OF FURY is one of them. Though the characters are not fully developed (The Lucille character lived on the island all her life and had made a promise to her now deceased mother to marry Val is not fully explained). Regardless of unanswered questions, ISLE OF FURY has enough material with interesting diving scenes to hold interest.

Available on DVD format, ISLE OF FURY gets some cable television exposure on Turner Classic Movies for those interested in watching Humphrey Bogart early in his Warner Brothers career, and a very rare instance where Bogey sports a mustache. (**)

They must have filmed half of the script and just called it a wrap. Poor writing and acting abound, and the mustache is worse than the octopus! Skip this one unless you really love Bogart.

...this is your film. I'm giving it four stars just based on the fact that the three leads - Humphrey Bogart, Margaret Lindsay, and Donald Woods managed to carry this thing as well as they did. The film opens on a wedding between Val Stevens (Humphrey Bogart) and Lucille Gordon (Margaret Lindsay), with Lucille having all the enthusiasm of someone who is using her life savings as a down payment on buying a house that she just doesn't like. The way WB has Bogart made up will make you realize why she feels that way if you don't just laugh out loud - bad perm AND bad mustache with bad perm. Donald Woods is the mysterious handsome stranger that shipwrecks on Val and Lucille's tropical island and almost interrupts the ceremony. When Woods' character regains consciousness after being rescued, he instantly begins giving reluctant bride Lucille bedroom eyes. If you think you know where this thing is headed from the beginning you'd probably be right, so I'm going to stop right there and let you watch and find out what happens. Just don't nod off and miss the hilarious scene of Bogart wrestling with a fake octopus that looks like it is right out of Ed Wood's Bride of the Monster.

I've seen Bogart in some odd films given his later film persona - the rather experimental "Midnight" and the early talkie "Bad Sister" - but this is the only truly bad film in which I've seen him, and by bad I mean dull and predictable.

Despite looking very much like a B-film and a rush job by Warner Bros. to produce an early Bogart film, ISLE OF FURY has enough intriguing elements in the story to make it worth watching if you're a Bogart fan. Even then, had enough presence to be worthy of better projects than this.

It's filmed on a small budget with a number of fake island sets except for a few outdoor scenes but gets off to a good start with a storm at sea and the introduction of a few strange characters. One of them is DONALD WOODS, rescued by Bogart's men from a storm when his boat is torn apart.

Woods takes an instant shine to Bogart's new wife (MARGARET LINDSAY) with just a suggestion that the relationship between Bogart and Woods hints at something in their past that neither wants to talk about. The romantic angle is handled awkwardly in the script and not played with much intensity by the trio involved.

The plot thickens and various incidents lead to a conclusion with but one surprising twist. Overall, the feeling is that the ending is more than a little abrupt without enough explanation about the characters or their motivations.

Strictly a surface telling of a story based on some original work by Somerset Maugham. None of the supporting roles are particularly well handled.