VALUTAZIONE IMDb
7,1/10
3241
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaAn automotive engineer bound for a holiday in Spain meets a sultry jewel thief.An automotive engineer bound for a holiday in Spain meets a sultry jewel thief.An automotive engineer bound for a holiday in Spain meets a sultry jewel thief.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria in totale
George MacQuarrie
- Clerk With Gun
- (scene tagliate)
Enrique Acosta
- Pedro - the Butler
- (non citato nei titoli originali)
Stanley Andrews
- Customs Inspector
- (non citato nei titoli originali)
Harry Antrim
- Chauffeur
- (non citato nei titoli originali)
Rafael Blanco
- Haywagon Driver
- (non citato nei titoli originali)
Stephen Chase
- Continental Palace Hotel Clerk
- (non citato nei titoli originali)
Blanche Craig
- Tourist Woman
- (non citato nei titoli originali)
George Davis
- French Garage Man
- (non citato nei titoli originali)
Anna De Linsky
- Servant
- (non citato nei titoli originali)
Harry Depp
- Gibson's Clerk
- (non citato nei titoli originali)
Recensioni in evidenza
if you liked Lubitsch's Trouble in Paradise, this is a lesser but still quite enjoyable version. Directed by Borzage and produced by Lubitsch, it is difficult to find but features a marvelous Dietrich and adorable Coop. The opening scenes quickly show you why Paris by Paramount was often considered better than Paris as itself. Charming lines like 'I'm going to put my hand in your pocket' were clever ways to overcome the Hays era constraints. The elegance of the era is well presented here combined with the straight up-ness of the 'good American' culture. There are also poignant references to the oncoming WWII through lines like 'Don't underestimate America, it's a big country', quite prescient since this was still 1936. If you like American Romantic Comedy of the 30's, you will enjoy this film...a shame they don't make 'em like this anymore.
Marlene Dietrich and Gary Cooper show an unexpected flair for romantic comedy that goes into high gear during DESIRE. They are surrounded by some expert supporting players, including Alan Mobray as a doctor who is "taken" by Marlene's sly and crafty jewel thief.
The plot is thin but pleasant and moves at a fast clip with ample chemistry between Dietrich and Cooper more than making up for the slight story. When Dietrich accidentally lets Cooper get away with the pearl necklace she has stolen, she has to follow him and lure him back with some fancy scheming. John Halliday has fun with his role as her consort in crime but it is Alan Mobray who has the plum supporting role as the doctor she so charmingly deceives.
Diverting entertainment with Dietrich expert as the exotic jewel thief under Frank Borzage's direction. The whole picture has such a light touch you'd think it was directed by Ernst Lubitsch.
The plot is thin but pleasant and moves at a fast clip with ample chemistry between Dietrich and Cooper more than making up for the slight story. When Dietrich accidentally lets Cooper get away with the pearl necklace she has stolen, she has to follow him and lure him back with some fancy scheming. John Halliday has fun with his role as her consort in crime but it is Alan Mobray who has the plum supporting role as the doctor she so charmingly deceives.
Diverting entertainment with Dietrich expert as the exotic jewel thief under Frank Borzage's direction. The whole picture has such a light touch you'd think it was directed by Ernst Lubitsch.
Gary Cooper (Tom) encounters Marlene Dietrich (Madeleine) on his way to holiday in Spain. Unknown to him is the fact that she has just stolen over $2 worth of pearls and is trying to smuggle them into Spain. She slips the pearls into his jacket pocket without him noticing so she can avoid the customs search. However, he takes off his jacket and packs it into his suitcase forcing her to stick with him until a moment arises where she can get the pearls back. Things don't work out as planned for her as when they part company, Cooper still has possession of the pearls. Her partner in crime John Halliday (Carlos) is not happy with her. When Cooper suddenly shows up again, he is still unaware that he is carrying the valuable pearls. Dietrich is romantically won over by him and this changes her plans.....
The film has a good cast with a special mention for Zeffie Tilbury as "Aunt Olga" who turns up late in the film - an old, frail lady on the outside but a cold, emotionless criminal at heart. She advises Dietrich to forget about love - it is much better to have the memory. There are many good scenes, eg, the end scene at dinner when Cooper gradually reveals to Halliday what he knows about the theft, the beginning scene when Dietrich is carrying out her scam, the scene at customs on the border of Spain where we are unsure of who is going to get busted and how, etc. The story gets going from the outset and is played with humour. Cooper is funny as the salesman, eg, when he discusses which is the better word - "delighted" or "glad" - to his boss before he goes on holiday. The strong cast keep the story going and it's a funny film. Good entertainment.
The film has a good cast with a special mention for Zeffie Tilbury as "Aunt Olga" who turns up late in the film - an old, frail lady on the outside but a cold, emotionless criminal at heart. She advises Dietrich to forget about love - it is much better to have the memory. There are many good scenes, eg, the end scene at dinner when Cooper gradually reveals to Halliday what he knows about the theft, the beginning scene when Dietrich is carrying out her scam, the scene at customs on the border of Spain where we are unsure of who is going to get busted and how, etc. The story gets going from the outset and is played with humour. Cooper is funny as the salesman, eg, when he discusses which is the better word - "delighted" or "glad" - to his boss before he goes on holiday. The strong cast keep the story going and it's a funny film. Good entertainment.
The DESIRE for a fabulous string of pearls has unexpected results for the beautiful thief.
Bearing the unmistakable impress of its legendary producer, Ernst Lubitsch, here is a stylish concoction of witty dialogue & sophisticated romance sure to please the most discriminating palate. It is a shame that the film is so badly neglected, as it is a joy from start to finish. With impeccable production values, the film is also a study in handsome sets & costumes.
Gorgeous Marlene Dietrich ravishes the eye with her sheer physical presence, but her beauty should not detract from her acting ability, which is considerable. She presents us with a woman of mystery & slowly, deliberately, allows us to acquaint ourselves with her character. She imbues it all with a real sense of humor, which makes her first scenes, in which she pulls off a classic jewel robbery, all that more delightful.
Rawboned & enthusiastic, there is very little mystery swirling about Gary Cooper, playing an American auto engineer working in Paris. Embracing all life might bring him in his first trip to Spain, he is wide open and ready for passionate romance when Dietrich blows into his life. Their screen time together is charged with sensual electricity which no Production Code could disguise.
Deftly underplaying the menace of his role, John Halliday is dangerously suave as a thieving prince' who manages to keep one step ahead of the law. Ernest Cossart & Alan Mowbray are wonderful as Parisian gentlemen who fall victim to Dietrich's schemes (one has his pearls purloined, the other gets his dignity damaged).
Elderly English actress Zeffie Tilbury is given an unusually choice role, playing the matriarch of the gang of thieves. Arriving late in the proceedings, with only a few scenes she is able to make us wish we knew a lot more about her character.
In much smaller roles, William Frawley as Cooper's boss & Akim Tamiroff, as a Spanish police official blinded by Dietrich's beauty, do well with their few minutes on the screen.
Bearing the unmistakable impress of its legendary producer, Ernst Lubitsch, here is a stylish concoction of witty dialogue & sophisticated romance sure to please the most discriminating palate. It is a shame that the film is so badly neglected, as it is a joy from start to finish. With impeccable production values, the film is also a study in handsome sets & costumes.
Gorgeous Marlene Dietrich ravishes the eye with her sheer physical presence, but her beauty should not detract from her acting ability, which is considerable. She presents us with a woman of mystery & slowly, deliberately, allows us to acquaint ourselves with her character. She imbues it all with a real sense of humor, which makes her first scenes, in which she pulls off a classic jewel robbery, all that more delightful.
Rawboned & enthusiastic, there is very little mystery swirling about Gary Cooper, playing an American auto engineer working in Paris. Embracing all life might bring him in his first trip to Spain, he is wide open and ready for passionate romance when Dietrich blows into his life. Their screen time together is charged with sensual electricity which no Production Code could disguise.
Deftly underplaying the menace of his role, John Halliday is dangerously suave as a thieving prince' who manages to keep one step ahead of the law. Ernest Cossart & Alan Mowbray are wonderful as Parisian gentlemen who fall victim to Dietrich's schemes (one has his pearls purloined, the other gets his dignity damaged).
Elderly English actress Zeffie Tilbury is given an unusually choice role, playing the matriarch of the gang of thieves. Arriving late in the proceedings, with only a few scenes she is able to make us wish we knew a lot more about her character.
In much smaller roles, William Frawley as Cooper's boss & Akim Tamiroff, as a Spanish police official blinded by Dietrich's beauty, do well with their few minutes on the screen.
Marlene Dietrich stars as a European jewel thief who comically pilfers an extremely rare and expensive pearl necklace from a renowned jewelry store in France. Making her escape through Europe, she keeps bumping into a persistent, not-so-bright, vacationing American motor engineer played delightfully by Gary Cooper. After blowing he and his advances off several times, she realized that he unknowingly has obtained her stolen prize, and now she must find him in Spain and play up to him romantically. The film is very breezy and light most of the way, and Cooper and Dietrich do a fine job together. Meanwhile, Ernest Cossart as the jeweler and Alan Mowbray as a psychiatrist who is an unwitting accomplice to Dietrich have a great comedic scene with each other early on in Mowbray's office. 7 out of 10.
Lo sapevi?
- QuizJohn Gilbert initially was cast as Carlos Margoli. Promised to be his comeback role after a string of flops, he filmed a few Technicolor costume tests with Marlene Dietrich (whom he was dating at the time). He had a heart attack in his dressing room only days before shooting started and immediately was replaced by John Halliday. A few days after his abrupt replacement, Gilbert died of alcohol-induced heart failure. Peggy Stallings' "Flesh and Fantasy" states that Gilbert and Dietrich were living together when she tried to use her influence to have him cast opposite her in the film. She withdrew her support when the actor renewed his friendship with former fiancée Greta Garbo. After this, Dietrich renewed her relationship with Gary Cooper, who got the part. Gilbert's fatal heart attack occurred on the same day Cooper's casting was officially announced by Paramount.
- BlooperTom's tie starts short and then is long and thin in the during the luggage search at the border. When long it is tucked slightly into his trousers and has no tie bar. At the start and end it is shorter and wider, and bears a tie bar.
- Citazioni
Aristide Duvalle: Cigarette?
Madeleine de Beaupre: No, thank you, I don't smoke.
Aristide Duvalle: Nor do I. A barbaric habit. One fills one's lungs and other people's eyes with smoke.
- ConnessioniFeatured in Marlene (1984)
- Colonne sonoreAwake in a Dream
Music by Friedrich Hollaender (as Frederick Hollander)
Lyrics by Leo Robin
Played during the opening and end credits
Played on piano and sung by Marlene Dietrich
Played as background music often
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Dettagli
Botteghino
- Budget
- 1.200.000 USD (previsto)
- Lordo in tutto il mondo
- 81 USD
- Tempo di esecuzione
- 1h 35min(95 min)
- Colore
- Proporzioni
- 1.37 : 1
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