Chatterbox

CHATTERBOX (RKO Radio, 1936), directed by George Nichols Jr., is a simple-minded little tale about a naive young teenager's inspiration in fulfilling her dream by becoming a stage actress against the wishes of her grandfather, only to learn the full meaning of life not really imitating art. The teenager in question is Anne Shirley, a young and prominent contract player for RKO Radio whose career specialized in playing such wholesome characters as presented in CHATTERBOX. As much as this sort of characterization might display her to contemporary viewers as a weak sister, she is, in fact, strong-willed without losing her feminine charm.

Inspired by Shirley's early characterization, which began with ANNE OF GREEN GABLES (RKO, 1934), where she was more of a chatterbox than she was in this production, Shirley does bring forth her titled-role in its early stages of the story as a lonely teenager whose only pleasure is constantly talking to anyone who would listen to her. Blending in the elements of ANNE OF GREEN GABLES (1934 - the talkative teenager) with Al Jolson in THE JAZZ SINGER (1927 - going against family authority by doing what she feels she's meant to do, and forbidden to return home) and Katharine Hepburn in MORNING GLORY (1933 - taking her profession so seriously that members of the troupe secretly regard her as goofy), the duration of the story concerns Jenny Yates (Anne Shirley), wanting to carry on the tradition of her deceased mother, an actress many years ago. She hopes to attend the upcoming presentation of the Village Players revival of "Virtue's Reward" (which her mother had appeared) being presented at the Hale Barn Theater. She is forbidden by Uriah, her grandfather (Edward Ellis) who warns her that once she steps out that door, like her mother, it will be locked to her forever. After she does leave home, Uriah has a change of heart and leaves the door unlocked, only to have it closed by their handyman, Michael Arbuckle (George Offerman Jr.) who does it in spite since Jenny knows enough about Michael, ranging from missing articles to the accidental burning of their barn, to get him fired. Jenny does return home only to find the door locked. With no other place to go, she hides inside the rumble seat of a car belonging to Philip Green (Phillips Holmes), a struggling young artist on his way to New York. After he arranges for Jenny in obtaining the lead role in "Virtue's Reward," reality sets in once she steps foot upon that wicked stage.

While Anne Shirley's presence makes the film, she's not in every scene. There are moments when time allows Uriah (Ellis) and Philip Green Sr. (Granville Bates) to brag about their ancestors, but on the whole, there are others in the cast worthy of honorable mention. Erik Rhodes, famous for his comedic Italian characters in two Fred Astaire and Ginger Rogers musicals (THE GAY Divorcée and TOP HAT), plays it straight as Archie Fisher, director of the theatrical troupe. Then there's Margaret Hamilton, three years before immortalizing herself as the Wicked Witch in THE WIZARD OF OZ (1939), as "Tippy," a sympathetic landlady, once an actress herself, whose one-on-one talk with Jenny about the realities of theatrical life comes across realistically and sincere; and a very young and blonde Lucille Ball, as a temperamental stage actress who wants nothing more than to get her back salary.

CHATTERBOX, a feel good movie that says it all in its brief 68 minutes, is one of many Anne Shirley movies produced during that time to be overlooked and forgotten due to lack of television revivals. Formerly shown on American Movie Classics during its early years during the 1980s to 1993, it can be seen whenever possible on Turner Classic Movies (at one point in time was shown as part of a viewer's request night), and available on video cassette through a private collector. Film buffs, take note: the title, CHATTERBOX, was later used for a 1943 comedy for Republic Studios starring Judy Canova and Joe E. Brown, which can stir up come confusion whenever found in the TV listings. While the premise to CHATTERBOX is basically a story much to the liking of teenage girls, it does win the appeal of others as well. (**1/2)

CHATTERBOX is a combination of drama and comedy.. The film was less predictable than I thought. Jenny (Anne Shirley), a young girl from Vermont, wants to be an actress. Her mother was an actress and her most famous role was in the 1890's stage play "Virtue's Reward". Jenny is a bit otherwordly, living in a world of her own, the bygone world of the 1890's. She meets a young artist/painter Phil (Phillips Holmes). She is secretly in love with him. He appears to be not interested in her. Reluctantly he takes her to a theatrical company in New York where she can get a part in her favorite play "Virtue's Reward": This melodramatic play has now become a comedy, but she doesn't know that and she takes the part very seriously. Phil worries about what will happen when she finds out the truth about the whole thing.

This is a wonderful film from start to satisfying finish. Perfect acting by the entire cast. Young Anne Shirley gives a terrific performance. She's very intense and she makes even the comedy parts dramatic and honest. Her trustfulness and enthusiasm are poignant. The very talented Phillips Holmes (now undeservedly degraded to B-films) is also surprisingly good and totally convincing. A remarkable film. I am hoping for a DVD release for a better print quality!

Once in a while a film shows up on TCM that is a small gem from the past. "Chatterbox" is just such a film. Set mostly in a small town, it stars Anne Shirley, little-known today, an actress who gave up a career in film while in her twenties. She lives in a mind-world of the late 1800's, a world of genteel manners, romantic writing, and little sense of irony. Her mother had been a noted actress and Shirley aspired to the same. The charm of the film lies in its detailed portrayal of small-town America. There is an honesty in the dialogue and behavior.

Without divulging too much plot, I must add that the revelation was Erik Rhodes, the pencil-mustachioed, gigolo of Astaire-Rogers movies, here, sans moustache,and Italian accent, a Broadway wise guy director.Throw in a very young and very blonde Lucille Ball and you have a diverting entertainment. The scene of Shirley's stage performance is wonderful.

Look for this film as a memento of an earlier, more innocent age.

This is an endearing movie of times gone by. Nice performances by Anne Shirley and Margaret Hamilton. Jenny wants to live out her dreams by acting in a part in a play her mother had played in previously. Her dreams are innocent and naive, and she is taken advantage of by shallow theater types who mislead her. She takes a hard lesson on real life in the theater and who to trust. Anne Shirley shows her talent in a challenging role. This movie is also interesting for the actors in it that one would not expect or show their talents as character actors -- Margaret Hamilton and Lucille Ball. This movie is not for everyone, but is likely to be well appreciated by those who cherish days when movies highlighted innocence and virtue.

Some big names in "Chatterbox" - Anne Shirley is Jenny, trying to get away from an impossible situation. Lucy is in here as a very blond "Lillian Temple", in one of her earlier, credited roles. Margaret Hamilton (Wizard of OZ !) is "Tippy", the kindly landlady. Erik Rhodes, who made those fun, silly, films with Gene Raymond and Ann Sothern, is here, speaking in his own, regular voice. I think this is the first time I have heard him speak without using a silly, out-landish accent. Rhodes is "Fisher", directing the group of actors in which Jenny so badly wants to act. What Jenny doesn't realize is that she is the comedic part of a show she has always taken seriously, since her mother was in it years ago. It's fun to see the big names in this one, but the story itself is pretty lame... like the episode (every episode) of "Threes Company" where things could have been cleared up SO much earlier if any one of ten people had said one simple thing. anyhoo. It's okay. Nothing too special. Directed by George Nichols... died quite young (42) after a car crash.