La carica dei seicento

The movie starts of as your average period drama with a love triangle and formulaic, typical '30's dramatic moments. However about halve way through the movie its story takes a turn and turns into a delicious action filled epic, with the charge of the light brigade at the ending as the icing on the cake.

I watched this film without really knowing what to expect of it. I knew Errol Flynn was in it, so I expected an adventurous movie with lots of memorable action sequence. The movie started of just like Michael Bay's "Pearl Harbor", with a love triangle story between the Errol Flynn character, his brother played by Patric Knowles and Olivia de Havilland. Flynn and de Havilland surely are one of the best screen couples of all time, so those moments are still better and more enjoyable than your average '30's love filled drama. But just like "Pearl Harbor" the best moments of the movie are in the second part, in the action sequences. The movie takes epic proportions in its action sequences, which are big and spectacularly brought to the screen. It makes the first part of the movie feel kind of obsolete and yes, it is definitely true that you can basically skip the whole first part of the movie, with the exceptions of a few sequences maybe, which are important for the development of the story and certain characters.

The story itself is quite fascinating, with the exception of the whole love triangle thing of course. It's based on true events, although the movie takes lots of liberties with the story but this really does the movie no harm. It doesn't make the actions of the light brigade seem any less noble or heroic, so the movie does the true story justice in my opinion. The several plot lines of the story are well developed in the story. I especially like the sequences with the political game between Surat Khan and the Russians with the British. There are some subtle sequences with some very well written and clever dialog. The drama in the movie is also surprisingly heavy. When you watch an Errol Flynn action flick you expect to see some lighthearted fun action sequences but in this movie the action is heavy, powerful and dramatic.

The cast is great! Errol Flynn is in his element as the popular and noble gentleman Maj. Geoffrey Vickers. Olivia de Havilland is also fine as always and it also was great to see David Niven in one of his first roles before he received real fame as an actor. It's amazing to see that he basically already looked the same in this movie as he did in movies that were made 40 years later. His role is quite small and not really significant but his presence is notable. Also really great was C. Henry Gordon as the cold-hearted villain Surat Khan, which starts of like a much warmer character. As the movie progresses he becomes more and more ruthless and he turns into almost a James Bond like villain, which works actually very well for such an adventurous action filled epic like this movie.

Based purely on all those things I just mentioned I would had rated this movie an 7 out of 10. But then came the ending...

Quite honestly, I was blown away by the ending. I simply did not expected to see such a large scale, complex action sequence in a 1936 movie. The charge in which literally hundreds of cavalry men, attack a Russian stronghold which is supported with numerous cannons is impressive to say the very least. Seeing all those hundreds of cavalry men, with Errol Flynn of course in front, riding up through the valley of death to an almost certain doom is extremely powerful. These are not CGI horses like for most part was the cast in the Lord of the Rings trilogy, this is the real thing! Horses and men flying around by the firing cannons and Errol's friends dying around him, as they come more and more closer to the Russians and Surat Khan. It such a arousing and spectacular filmed sequence that it still holds up by todays standards. Unfortunately also hundreds of horses and one stunt person got killed during the filming of the end charge. But to be honest, 1 person seems so few when you look at that sequences. I mean, men are flying and dropping from their horses like puppets, while horses ride around them within close range!

A classic epic. See this movie, if already alone for the unforgettable, arousing end charge of the light brigade.

8/10

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Director Michael Curtiz went all out in this 1936 version of "The Charge of the Light Brigade", and considering the era, he made a darn good job of it - sure, he threw history out of the window, and created a very fictitious story, but when it came to the actual Charge, it was a masterpiece of staging and direction. He was aided by that great pair - Errol Flynn and Olivia de Havilland (lovely as usual!) who kept the interest all the way through. The supporting cast was really star-studded, with Donald Crisp, Henry Stephenson, Nigel Bruce and Spring Byington, and in a very early role in his career, David Niven. If you had to pinpoint a weak link, it was Patric Knowles as Flynn's brother. But all that aside, it is a couple of hours of excitement and sheer entertainment while waiting for the Charge and what is going to happen to the nasty Surat Khan!! The remakes since, while having the benefits of far greater technical tools, falls way short of this epic.

This is Hollywood History at its best. It has nothing to do with the real Crimean War, the Battle of Balaclava, or the Charge of the Light Brigade. It has everything to do with Errol Flynn, Olivia deHavilland, Michael Curtiz, and Max Steiner. Basically, this is a quintessential Warner Bros. adventure film of 1936, one of the best of the breed.

The story starts in Southern California -- or rather, Northern India -- on the outskirts of the British Empire. This setting had been picked up and dusted off after 1935's "Lives of a Bengal Lancer", and would be recreated for "Gunga Din" a few years later, with the same locations and similar plots. Flynn leads a company of British lancers in skirmishes with the local rajah, the villainous Surat Khan -- you can tell he's the villain because of his evil goatee -- and a betrayal and a massacre leads to a mission of vengeance, which reaches its climax in Tennyson's Valley of Death in the Crimea.

Opposite Flynn is, naturally, Olivia deHavilland, without whom Flynn would be lost. Patric Knowles, who played Will Scarlett in Flynn's "Adventures of Robin Hood", is Flynn's brother; David Niven is his sidekick; and Henry Stephenson, Donald Crisp, and Nigel Bruce are the top brass. Director Michael Curtiz brings out another energetic performance from Flynn, although his character here lacks the depths of the heroes of "Captain Blood" or "The Dawn Patrol". Max Steiner's score complements the action perfectly.

"The Charge of the Light Brigade" is quite an epic production, and notorious for the number of horses killed in the battle scenes. That knowledge puts a bit of a damper on the excitement, but it also led to the safety restrictions in place today, banning trip-wires and ensuring the well-being of animals in movies; so, ultimately a good thing. No such measures were ever taken to protect history from the ravages of Hollywood screenwriters: Surat Khan and the country of Suristan never existed, nor did Flynn's 27th Lancers, and although there was indeed a charge at Balaklava, it didn't happen for the reasons depicted in this film. But Flynn and Curtiz didn't care, and neither should the audience.

Anyone who is expecting a factual retelling of the famous charge at the Battle of Balaclava in the Crimean War had better look to Tony Richardson's film from 1968. This particular Charge of the Light Brigade is a nice action adventure tale from the British Raj in the Kipling mold.

Of course this is all fictional. There's no such person as the evil Moslem ruler played by C. Henry Gordon who massacred a British garrison at a place called Chukoti in 1854. The reason for the famous cavalry charge did not happen so that the regiment could get to nail this dude for his crimes. Yet one thing I found contained more than an element of truth about British rule in India and some of our problems today.

At the very beginning Errol Flynn is accompanying E.E. Clive on a goodwill mission to Gordon. It seems as though there was a treaty with a promised subsidy from Her Majesty that expired with the death of his father. Even though they're not paying him any more to be the British friend, Clive still hopes for Gordon's friendship.

This in fact was how the British acquired 'friends' all over India, they ruled very little of it outright. They won a bidding war that was as acrimonious as the military conflict with other European powers which concluded with the French out of there altogether after the Seven Years War and the Portugese left with a couple of enclaves on the coast.

Clive in fact is one very large fathead, Flynn knows it only too well. In fact though this is how we're still acquiring 'friends' in that region which is now Pakistan.

Thrown into the politics is the rivalry between Errol Flynn and his brother Patric Knowles for Olivia DeHavilland. Originally Anita Louise was supposed to be slated for the part. But after the rave notices started coming in from Captain Blood before some of the romantic stuff was to be shot, Louise was substituted for Olivia DeHavilland and poor Olivia was typecast as the crinolined heroine until she left Warner Brothers.

Jack Warner spent a lot of money on this film. The whole garrison at Chukoti where the massacre took place was built from the ground, up; no miniatures were used. Thousands of horses were bought and about 200 were destroyed in the making of the final charge. So many animals were hurt the ASPCA stepped in and Charge of the Light Brigade got a lot of bad publicity among animal lovers. It did receive an Oscar for Best Assistant Director for the second unit work in depicting the charge when that was a category at the Academy Awards.

Errol Flynn said it was the roughest film he ever made in terms of pure physicality. It was pretty rough on Olivia DeHavilland as well who Flynn accidentally cold-cocked during a scene. These crinolined heroines do have it rough.

One of my favorite character actors, Henry Stephenson, plays the fictional Charles Masefield in this film. Stephenson in every film he did always embodied the stiff upper lip, attention to your duty ethic that the United Kingdom prides itself in. He's always a man of class and refinement. And he firmly believes in the John Ford mantra, when the legend becomes fact, print the legend.

Which is what Alfred Lord Tennyson gave us when he wrote that poem extolling the young men of that generation who died at Balaclava. We're watching the legend here.

Errol Flynn, riding high with the spectacular success of CAPTAIN BLOOD, re-teamed with co-star Olivia de Havilland and director Michael Curtiz in this epic tale, owing far more to Rudyard Kipling's prose than Tennyson's poem, or any attempt at historical accuracy. As one of several 1930s Hollywood forays into India during British rule (GUNGA DIN, LIVES OF A BENGAL LANCER, and WEE WILLIE WINKIE are other memorable examples), the films are often criticized today for 'whitewashing' British rule, and ignoring the plight of Indians, who were treated as 'second-class' citizens of the Empire. While this argument is valid, these films were produced as 'entertainments' at a time when America, still suffering from the Depression, craved escapism, not social commentary.

Flynn, with his trademark moustache restored, is Major Geoffrey Vickers, dashing British Lancer, who, as the film opens, saves the life of Indian ruler Surat Khan (played by veteran screen villain C. Henry Gordon) during a tiger hunt. While Khan despises the British, he has a blood debt to Vickers, which must be honored.

Between assignments, Vickers tries to be the devoted fiancé of beautiful Elsa Campbell (de Havilland), but in a twist from the usual Flynn/de Havilland teamings, she actually loves his brother, Perry (Patric Knowles, who would later play 'Will Scarlet' in ROBIN HOOD). The love triangle subplot is the least effective part of the story; fortunately, these interludes don't last long!

Courting favor with the Russians (represented by Stalin look-alike Robert Barrat), Khan gambles, correctly, that the British would never consider him capable of murdering women and children, so his attack on an undermanned Chukoti, and the subsequent massacre of all the inhabitants (save Vickers and Campbell, thus fulfilling his blood debt), creates a furor that rocks India, and a evokes a vow of revenge from Vickers and the Lancers, who'd lost all of their loved ones. Khan flees the country, joining his Russian allies in the Crimea.

Just in time to fulfill the title, the Lancers are reassigned to the Crimea, and discover that Khan is located with the cannon emplacements on the Balaclava Heights. Arranging to get his brother safely away from the action, Vickers forges orders to have the Light Brigade attack the Heights, and 'The Charge' begins...

While the Charge (created by second unit director "Breezy" Eason) is one of the most incredible scenes ever recorded on film, with hundreds of horsemen galloping in formation 'to the guns', there was a deadly price for the spectacle; the buried explosives and trip wires used to create realistic cannon blasts injured many horses, resulting in a large number of animals having to be 'put down'. Humane societies nationwide (and Flynn, himself, who was appalled by the needless slaughter) raised such an outcry that standards were established barring cruelty to animals, which are still in effect today.

Besides Flynn's heroic performance (yes, that really IS him, leaping a cannon on horseback), Donald Crisp, Henry Stephenson, and J. Carrol Naish (as an Indian) provide memorable support. And watch for a young David Niven, as Vickers' doomed fellow officer. Flynn and Niven were great friends, sharing a cottage in Malibu (nicknamed 'Cirrhosis-by-the-Sea', because of their wild parties), and their final scene together is far more poignant than any Flynn/de Havilland moments in the film!

While flawed, historically, and unquestionably bloody, THE CHARGE OF THE LIGHT BRIGADE retains its position as a 'classic', and proved to the WB that Errol Flynn was not just a 'one hit wonder'. Great things were ahead for the young star!