L'uomo ucciso due volte

But I just couldn't. I was deterred by the unnecessarily complicated plot, the repetitive lame jokes - everybody sneezing is not funny!, the annoying second banana to Mason - why did he even hire this goofball?, and the scenes that go nowhere. Warren William is a charming and jocular sophisticate, but films like this were his fate so much of the time after the precode era ended. Until the Lone Wolf series of films over at Columbia in which he starred, he really never again had a role that was worthy of him.

I found Wini Shaw completely unappealing and a terrible actress here, surprising since she really convinced me she was the Island of Manhattan in Gold Diggers of 1935. The only plus of this film is that Claire Dodd got a decent amount of screen time, but then again she was basically playing the same scene over and over again, being annoyed at William for leaving her on her wedding night, and nevertheless helping him with his work.

Back to the plot - Mason is going down the wrong path for the entire first half of the movie - the audience knows this, and yet during the second half he suddenly deduces the entire thing with zero clues. Unless Warren William really was legit in The Mind Reader (1933) all along, I just don't know how he figured this out.

Well maybe Della and Perry did live happily ever after at the end. Because neither Dodd nor William ever played these roles again in the Warner Brothers series. Or maybe being Perry is like being the Dread Pirate Roberts in The Princess Bride. The old Perry just convinces everybody the new Perry is the real thing then retires.

Just one more thing - There is an episode of the Perry Mason TV show with the same name and a similar storyline that is much better than this film. I would recommend that episode.

As it turned out I happened to see the TV version that Raymond Burr did on his hour long Perry Mason show. Spoiled it a bit because I knew who did the deed. Still seeing the same story done by another actor as Mason was interesting. And was it ever different.

This one started with Warren William as Mason and Claire Dodd as Della Street invading Judge Clara Blandick's chambers and demanding to be married. The barest hint of a romance was present on the Mason television shows. But off Della and Perry go to the apartment and then the plan is for a honeymoon lodge in the country.

All that gets interrupted by Wini Shaw toting a gun and demanding to retain Warren William in a blackmail scheme against the publisher of a Confidential type magazine called Spicy Bits. What she doesn't tell him is that her husband is the secret owner of the rag and she's been stepping out on him with a candidate for office.

In a confrontation Shaw actually believes she shot her husband, but as in television Perry Mason defends no guilty clients. That's a parameter not broken. And if you watched the series you know who did the crime.

What was fascinating to me in The Case Of The Velvet Claws was how Paul Drake's character was changed from a professional well dressed William Hopper who owned his own agency to Eddie Acuff, a rather seedy looking retainer who even got into a drag to tail someone.

The Case Of The Red Velvet Claws has some nice sparkling urban Warner Brothers type dialog handled with aplomb by William. That was a guy who did all kinds of series, Perry Mason, Philo Vance, and Michael Lanyard The Lone Wolf. And all sounded as urbane and sophisticated as Warren William was in real life.

Definitely for fans of Warren William if not Erle Stanley Gardner's sleuth with a law degree.

After the disgraceful silliness of THE CASE OF THE LUCKY LEGS, Warren William's Perry Mason seems back on firm ground in a film that takes itself much more serious without forgetting to include healthy doses of character humor. What sets this one apart from the others is Perry & Della getting MARRIED (a development completely forgotten in the follow-up that starred Ricardo Cortez) and Perry being the #1 murder suspect, having been to see the victim moments before he was bumped-- a situation he has all too often had to get his clients out of-- including the woman's husband in this case. She had threatened both Perry and her husband with a gun, and would only NOT be a suspect to anyone watching this because it would just be "too obvious"!!

Of WW's 3 Dellas, my favorite, Claire Dodd returns after having been absent from the previous installment. All 3 Dellas in the first 4 pictures have something to recommend them, I just happen to think Dodd is the most attractive (though Genevieve Tobin's was without a doubt the FUNNIEST). Sadly, Allan Jenkins, who played in cop in ...THE HOWLING DOG and "Spudsy" Drake in eps. 2 & 3, is replaced here by Eddie Acuff, who just doesn't seem to "work". Very oddly, Olin Howard returns as Coroner Wilber Strong from ...THE CURIOUS BRIDE, after having played a different doctor in the previous film! (Did anyone at Warner Brothers care about "continuity" in this series??)

The standard routine of set-up, murder, investigation and courtroom expose so far is limited to ...THE HOWLING DOG. In WW's other 3 films, he solves the murders at a dinner party, in his office during a medical check-up, and at the hang-out of the killer before moving on to the street in front of a hotel. The only time we see the inside of a courtroom in this film is when Perry & Della get hitched-- and when she tries to have it annulled. CRAZY!!

The other point of interest for me was actress Carol Hughes (my favorite "Dale Arden" from 1940's FLASH GORDON CONQUERS THE UNIVERSE) who is almost completely unrecognizable in here due to bright blonde hair and a southern accent.

I love Warren William's Perry Mason-- I DO! And I wish he'd done a lot more of these. But I also wish he'd done more like the 1st one, where at least, despite the huge differences, I could actually recognize the format and the character of the "real" Perry Mason, instead of this rambling comedic chaos WB kept foisting on audiences!

Case of the Velvet Claws, The (1936)

** 1/2 (out of 4)

Fourth film in Warner's Perry Mason series once again features Warren William as the lawyer. This time out Perry is about to go on his honeymoon when a woman kidnaps him at gunpoint and asks for him to blackmail a newspaper so that her name won't be brought up in a love affair which will ruin a big politician. The bribe doesn't work but soon the woman's husband ends up dead and Mason is the suspect. This is a pretty good film that's nothing special but it makes for a quick 63-minutes worth of entertainment. The best thing the film has going for it is the performance of William who also picks up after the previous film. He's full of charm and anger this time out and those are two things William can do with ease. Sadly Allen Jenkins isn't in this one. He's replaced with a new assistant played by Eddie Acuff and he's comedy just doesn't work. The case itself is pretty good as is the ending.

After a couple of seasons of the Perry Mason TV series (1950s-1960s), viewers were waiting and watching for the episode in which Mason would finally marry his secretary, Della Street. But the wait continued through more than two dozen TV movies in the 1980s and early 1990s. And Raymond Burr and Barbara Hale never did tie the knot. Actually, that was true to the Mason story as written by Erle Stanley Gardner in some 82 novels. Gardner wrote his novels up until his death in 1970, two of which were published after his death. And, while his readers knew that the criminal lawyer and his trusted right-hand woman would never marry, there was that hope among viewers that somehow the union would be made in one of the last films.

The reason for that hope sprang, no doubt to some extent, from the earliest Perry Mason movies. Way back in 1936, Perry and Della did marry, and it was in this, the fourth film which was made in 1936. Warren William and Claire Dodd had the roles in a script that was built around the couple's marriage. Gardner may not have liked the way his hero was portrayed in the early films, but William made an excellent Mason who was more sleuth and detective than lawyer. And the Warner Brothers team that wrote the marriage into this film made it work well.

The mystery of the book is still in "The Case of the Velvet Claws." But here it is cleverly developed around Perry and Della's marriage. And the marriage, honeymoon night with many interruptions, and periodic reunions of the newlyweds add wonderful humor to the story. This is a very enjoyable film, start to finish. I especially enjoyed how Perry handles a double-cross. Not just once, but twice. I think others will too. The only sad thing about this film was that it was to the be the last with Warren William in the lead role.