Caino e Adele

I have to respectfully disagree with the reviewer regarding his take that Marion Davies showed no discernible talent for comedy! Doing comedy was the prime talent that she excelled in. Even if this movie was not particularly memorable, Davies does quite well, particularly in the number with Sammy White--if anything, she's at her whimsical best. Marion Davies has always been underrated in her films, often by those who have not seen enough of her performances. Among those usually seen on TCM are Going' HOLLYWOOD(1933) and PEG O'MY HEART (1932), both pretty decent showcases for her. Her best features are more elusive, those produced during the silent era. Of these, one of the more available is SHOW PEOPLE (1928), one of her most highly regarded films. Her natural flair for comedy is in full force, and should put to rest any doubts about her so-called lack of comedic skills.

Clark Gable and Marion Davies star in this romantic comedy that is like a time capsule from the thirties, filled with scads of depression era words and phrases.

Davies plays hoofer Mabel O'Dare, who gets her big break due to a misunderstanding. Gable plays boxer Larry Cain, who makes it to the heavyweight title. Because their careers are bringing in only so-so box office, PR guy Reilly (Roscoe Karns) cooks up a scheme to gain them more press: pretend they are an item. You can probably predict the rest of the plot, though you might not anticipate that the unlikely pair will bond over a pork chop.

This film is filled with one-liners. It also features some impressive stage productions that might have you looking for Busby Berkeley's name in the credits (it's not there). As for the singing and dancing, they hold up, especially when compared with the standards of the day.

Davies might not be Loy or Rogers or Harlow, but she does a creditable job, so the sponsorship of W. R. Hearst might not have been necessary for her to pull down this part.

Overall, this is an enjoyable film.

This isn't a great movie. It's a passable comedy, with some clever dialogue.

The real interest is Marion Davies. She is remembered, inaccurately, as the inspiration and model for Susan Alexander in *Citizen Kane*, which was evidently not altogether the case. (Yes, Kane was certainly based on William Randolph Hurst, Davies' financial backer and lover, but Susan A. was evidently based on several women in her situation in the 1930s, including at least one actual would-be opera singer.) As a result, it is assumed that she had no talent.

As this movie shows, that wasn't the case. No, she was not a Judy Garland, or a Jean Harlow, or a Ginger Rogers, or a Jeannette MacDonald. But she sang and danced quite decently, and she did a good job with light comedy. (She was evidently in over her head when Hurst put her in historical dramas.) Gable is definitely the best thing in this picture, and does a great job creating the all-man prizefighter, but Davies holds her own.

As do several of the supporting comedians, especially Walter Catlett and Roscoe Karns.

As I said, not a great movie, but a pleasant comedy, and one that makes a case for Davies.

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I watched this again tonight. One thing that struck me about it this time was that, in the very large musical number in the second half of the movie, which just goes on and on and on - it's supposed to be part of the musical Mabel O'Dare is appearing in - Davies is given almost nothing to do. She just stands on top of the elaborate stage set in an elaborate costume and smiles. I kept thinking: if this were a musical with any other musical star, they would have had her doing a lot more dancing, and probably some singing.

The picture seems to be put together from a lot of other pictures (musicals, boxing, backstage on Broadway, romance), but the pieces are of little interest in themselves and don't fit well together.

To me, the many quick jokes are the best part of the picture. Also good are a dance number (in which Marion Davies is clearly outmatched), Roscoe Karns as a PR man, and Allen Jenkins as Clark Gable's boxing trainer.

Marion Davies and Clark Gable work very well together. Along with an all-star cast, CAIN AND MABEL is fast moving wise-cracking fun! The musical numbers are outrageous in presentation, especially the "I'll Sing You A Thousand Love Songs" number, which required building the largest soundstage in Hollywood (Burbank actually), Stage #7 on the Warner lot. It's not GONE WITH THE WIND, but it doesn't try to be; it's just fun.