Aggiungi una trama nella tua linguaFed up with Bluto's greed with his expensive river ferry service, Popeye, Olive and Wimpy decide to undermine the bully by building a bridge instead.Fed up with Bluto's greed with his expensive river ferry service, Popeye, Olive and Wimpy decide to undermine the bully by building a bridge instead.Fed up with Bluto's greed with his expensive river ferry service, Popeye, Olive and Wimpy decide to undermine the bully by building a bridge instead.
- Regia
- Sceneggiatura
- Star
Foto
Lou Fleischer
- Wimpy
- (voce)
- (non citato nei titoli originali)
Jack Mercer
- Popeye
- (voce)
- (non citato nei titoli originali)
Mae Questel
- Olive Oyl
- (voce)
- (non citato nei titoli originali)
Recensioni in evidenza
Bluto runs the ferry across the river, but he charges too much. So Popeye, Olive Oyl, and Wimpy start building a bridge. Bluto is not going to let things go on without his interfering in this pretty good episode in the Fleischer's long-running cartoon series.
The rate of gags is pretty swift here, and the animation techniques are top-notch for the era. The gag that Popeye and Bluto can pretty much dismantle the bridge bare-handed is a bit startling, especially once we see it assembled with cars racing across is. But it's all in good, clean if violent fun.
Although Dave Fleischer is, as always, listed as director, it would be more accurate to say he was the producer and the two lead animators the directors.
The rate of gags is pretty swift here, and the animation techniques are top-notch for the era. The gag that Popeye and Bluto can pretty much dismantle the bridge bare-handed is a bit startling, especially once we see it assembled with cars racing across is. But it's all in good, clean if violent fun.
Although Dave Fleischer is, as always, listed as director, it would be more accurate to say he was the producer and the two lead animators the directors.
This Popeye is one of my favorite shorts and my pick for one of the better ones in the series. My favorite character, one J. Wellington Wimpy, is prominently featured (with an amusing twist on his own well-known catch-phrase) and Bluto is smarmy, rude and surly, even for Bluto. A little something for almost everyone in this one. A little gem. Well worth watching and most recommended.
I've heard from a fair number of people about some of my specific comments, but also occasionally on my comments in general. So I decided to put down my approach to comments in general:
As a rule, I confine my comments to things I have (though there are exceptions) and to things I have liked (also with exceptions). Thus, there will be very few killer comments. Even when something I want to review doesn't quite work for me, I will say what I liked as well as what I didn't and leave it as an exercise to the reader to decide if it interests them. Different people like different things. Finally, I tend to review animated shorts, as animation tends to get short shrift, even here at the IMDb. There you have it, ladies and gentleducks. For any who are curious (all three of you in the balcony), that's my policy on comments.
I've heard from a fair number of people about some of my specific comments, but also occasionally on my comments in general. So I decided to put down my approach to comments in general:
As a rule, I confine my comments to things I have (though there are exceptions) and to things I have liked (also with exceptions). Thus, there will be very few killer comments. Even when something I want to review doesn't quite work for me, I will say what I liked as well as what I didn't and leave it as an exercise to the reader to decide if it interests them. Different people like different things. Finally, I tend to review animated shorts, as animation tends to get short shrift, even here at the IMDb. There you have it, ladies and gentleducks. For any who are curious (all three of you in the balcony), that's my policy on comments.
The begins with a very nicely-drawn shot of a harbor near a big city with automobiles being loaded onto big ferry boat ("Bluto's Ferry). The art on these 1930s black-and-white cartoons was outstanding times and sometimes overlooked because of Popeye's popularity as a personality.
This also is one of those Popeye episodes where our hero does not know Bluto, and vice- versa. He's just some big bully, as usual, that Popeye has to deal with sooner or later. He winds up having to deal with him on top of a half-built bridge. (Only in cartoons can a couple of people build a huge bridge within days or minutes!. Here Olive feeds Wimpy a hamburger and he sends up a rivet and Popeye stamps it into a girder.
The ending of this cartoon provides what has to be the greatest feat Popeye has ever accomplished in a few seconds. You have to see it to believe it and it made me just laugh out loud.
This also is one of those Popeye episodes where our hero does not know Bluto, and vice- versa. He's just some big bully, as usual, that Popeye has to deal with sooner or later. He winds up having to deal with him on top of a half-built bridge. (Only in cartoons can a couple of people build a huge bridge within days or minutes!. Here Olive feeds Wimpy a hamburger and he sends up a rivet and Popeye stamps it into a girder.
The ending of this cartoon provides what has to be the greatest feat Popeye has ever accomplished in a few seconds. You have to see it to believe it and it made me just laugh out loud.
In order to save the fares for a ferry crossing, Popeye and Olive decide, along with Wimpy, to build a fancy bridge. Of course, Bluto, the guy who runs the ferry is ticked and fights ensue. The key to these animated features comes from the cleverness of the confrontations in the pre-spinach period of the film. This has some nice things, including Olive getting her feet tickled and Popeye's head being used as a punching bag.
Dave Fleischer was responsible for many gems. Ones that were amusing and charming, though over-cuteness did come through in some efforts and the stories were always pretty thin, with appealing characters, outstanding music and visuals that were inventive and with innovative animation techniques.
'Bridge Ahoy!' is classic Popeye the Sailor. It is great and never less than very funny and most of them even hilarious, for me one of my favourite Popeye cartoons and one of the best Popeye/Olive Oyl/Bluto outings. Have always enjoyed many of the Popeye cartoons a good deal and like Popeye very much, Fleischer's efforts were always well animated and scored with lots of entertainment value and great chemistry between Popeye, Olive Oyl and Bluto. 'Bridge Ahoy!' has much of makes the Popeye series so appealing in its prime era and does nothing to waste the three main characters or make them less interesting.
The story is an interesting and beautifully paced one, never being dull, if formulaic (not uncommon with the Popeye cartoons). The humour and gags make it even more entertaining, the best parts are properly wild and are hilarious. The ending is one of my favourite endings of all the Popeye cartoons.
All the characters are great, though Olive Oyl's material is not quite as great as Popeye and Bluto's, though her and Popeye's roles are enjoyable and make them and their cause relatable. It is more with Popeye and Bluto where the cartoon especially entertains. The three are spot on and their chemistry drives 'Bridge Ahoy!' and has so much energy. Popeye is always amusing and likeable enough but for me Bluto is here the funnier and more interesting character. Wimpy is a good presence.
Furthermore, the animation is beautifully drawn and with enough visual detail to not make it cluttered or static and lively and smooth movement. The music is also outstanding, lots of merry energy and lush orchestration, adding a lot to the action and making the impact even better without being too cartoonish. Fleischer's direction is always accomplished and his style is all over it.
Voice acting is dynamic and of very good quality on the whole, Mae Questel is a good fit for Olive Oyl, the voice that most sticks in my mind for the character and who voiced her the best, but Gus Wickie is even better and gives Bluto so much life. Jack Mercer fares the same as Questel for Popeye.
All in all, great. 9/10 Bethany Cox
'Bridge Ahoy!' is classic Popeye the Sailor. It is great and never less than very funny and most of them even hilarious, for me one of my favourite Popeye cartoons and one of the best Popeye/Olive Oyl/Bluto outings. Have always enjoyed many of the Popeye cartoons a good deal and like Popeye very much, Fleischer's efforts were always well animated and scored with lots of entertainment value and great chemistry between Popeye, Olive Oyl and Bluto. 'Bridge Ahoy!' has much of makes the Popeye series so appealing in its prime era and does nothing to waste the three main characters or make them less interesting.
The story is an interesting and beautifully paced one, never being dull, if formulaic (not uncommon with the Popeye cartoons). The humour and gags make it even more entertaining, the best parts are properly wild and are hilarious. The ending is one of my favourite endings of all the Popeye cartoons.
All the characters are great, though Olive Oyl's material is not quite as great as Popeye and Bluto's, though her and Popeye's roles are enjoyable and make them and their cause relatable. It is more with Popeye and Bluto where the cartoon especially entertains. The three are spot on and their chemistry drives 'Bridge Ahoy!' and has so much energy. Popeye is always amusing and likeable enough but for me Bluto is here the funnier and more interesting character. Wimpy is a good presence.
Furthermore, the animation is beautifully drawn and with enough visual detail to not make it cluttered or static and lively and smooth movement. The music is also outstanding, lots of merry energy and lush orchestration, adding a lot to the action and making the impact even better without being too cartoonish. Fleischer's direction is always accomplished and his style is all over it.
Voice acting is dynamic and of very good quality on the whole, Mae Questel is a good fit for Olive Oyl, the voice that most sticks in my mind for the character and who voiced her the best, but Gus Wickie is even better and gives Bluto so much life. Jack Mercer fares the same as Questel for Popeye.
All in all, great. 9/10 Bethany Cox
Lo sapevi?
- QuizThis cartoon makes use of Dave Fleischer's Tabletop process, which animates the cels vertically between multi-plane set pieces in order to create the feeling of depth. Seen here when Bluto is chasing Oliver on the top of the metal rafters. The whole effect is lost in the color version, as the background is a flat redraw.
- BlooperThe driver's seat of Olive's car is on the right in the opening scene and on the left in the closing scene.
- Versioni alternativeAlso available in a computer colorized version.
- ConnessioniFeatured in Doing Impossikible Stunts (1940)
- Colonne sonoreI'm Popeye the Sailor Man
(uncredited)
Written by Samuel Lerner
Played during the opening credits and later in the score
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Dettagli
- Tempo di esecuzione
- 7min
- Colore
- Proporzioni
- 1.37 : 1
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