Aggiungi una trama nella tua linguaAt the Texas Centennial in Dallas Autry confuses two girls by being himself and his own stunt double.At the Texas Centennial in Dallas Autry confuses two girls by being himself and his own stunt double.At the Texas Centennial in Dallas Autry confuses two girls by being himself and his own stunt double.
- Regia
- Sceneggiatura
- Star
The Jones Boys
- Singers
- (as Jones Boys)
The Beverly Hillbillies
- Musicians
- (as Beverly Hill Billies)
The Light Crust Doughboys
- Musicians
- (as Light Crust Dough Boys)
Jack O'Shea
- Henchman Joe
- (as Jack O'Shay)
Recensioni in evidenza
This was almost a guilty pleasure to like. Gene Autry plays.. Gene Autry, a stunt double for the famous cowboy Tom Ford in his movies. When Ford skips town to go fishing, his agent is in a pickle as Ford is scheduled to work the Texas National Exposition1 The agent gets a brilliant idea to send Autry instead, since they are EXACTLY alike. Well almost.. You see when Autry arrives in Dallas for the fair, he is caught singing and is put on the fair's radio for all to hear! This radio station is broadcast everywhere! Everyone hears it! The Hollywood studio where Ford works is amazed and wants to book singing cowboy pictures! Problem is.. Other people hear it too.. Like underworld types Ford owes money to and, well, Ford himself! Again, I have no idea why I found this as enjoyable as it was. Probably the main thing was the originality's of the darn thing. I mean, we find out how cowboy films are made! I wonder if Gene Autry, who is playing a stunt man, had a stunt man for his stunt scenes? (He risked life and death though, playing certain "danger" scenes in front of a laughably fake screen). I also loved the fact that they shot ½ the movie at the actual fair itself. I guess they had a wild west show there. LOVE the song he sings at the show when he sings about shooting his injured horse, Champion. I mean, THAT'S ENTERTAINMENT!
The likable Gene Autry plays a dual role and has some good opportunities to use his variety of talents in this enjoyable B-Western. The story is light but entertaining, and it has some good musical numbers plus some comic relief from Smiley Burnette. The Texas Centennial setting also gives it some additional historical interest.
Autry plays both a bad-tempered movie star cowboy and his talented, good-natured stunt double, so the setup offers some good lighter moments in its look at the movie industry. The story starts with the stunt double filling in for the star at a public appearance, with numerous complications arising from there. Autry gets many opportunities to sing, and there are also some good action sequences.
Most of it works pretty well, because it generally allows Autry to use his strengths. Burnette also gets some good moments, and while the story is mostly used to showcase Autry and the other musical entertainment, it works too as a way of pulling things together.
Autry plays both a bad-tempered movie star cowboy and his talented, good-natured stunt double, so the setup offers some good lighter moments in its look at the movie industry. The story starts with the stunt double filling in for the star at a public appearance, with numerous complications arising from there. Autry gets many opportunities to sing, and there are also some good action sequences.
Most of it works pretty well, because it generally allows Autry to use his strengths. Burnette also gets some good moments, and while the story is mostly used to showcase Autry and the other musical entertainment, it works too as a way of pulling things together.
Gene Autry is the stunt double for a conceited western star and has to impersonate him after the actor bails out of a big personal appearance at the Texas Centennial, not knowing that the reason star went on vacation was to avoid paying his gambling debts. Gene gets in way over his head when he turns out to be a bigger hit than expected and gangsters show up to collect their money.
A pleasant, fictionalized account of how Gene Autry became a star, The Big Show offers an irresistible glimpse at the duties that befall a Saturday matinée western star. Despite a loose plot, it's really a lot of fast-paced, tongue-in-cheek fun.
Autry sings some great songs and along with sidekick Smiley Burnette, joins three legendary western groups, The Sons Of The Pioneers (with Roy Rodgers), The Light Crust Doughboys (a personal favorite), and The Beverly Hill Billies. Max Terhune and his dummy even show up for a quickie appearance. Sadly, The Doughboys and the singing group The Jones Boys are deleted from most, if not all video prints.
Although not really much of a western, Autry fans should be satisfied.
A pleasant, fictionalized account of how Gene Autry became a star, The Big Show offers an irresistible glimpse at the duties that befall a Saturday matinée western star. Despite a loose plot, it's really a lot of fast-paced, tongue-in-cheek fun.
Autry sings some great songs and along with sidekick Smiley Burnette, joins three legendary western groups, The Sons Of The Pioneers (with Roy Rodgers), The Light Crust Doughboys (a personal favorite), and The Beverly Hill Billies. Max Terhune and his dummy even show up for a quickie appearance. Sadly, The Doughboys and the singing group The Jones Boys are deleted from most, if not all video prints.
Although not really much of a western, Autry fans should be satisfied.
Mammoth Pictures star Tom Ford decides to go on vacation, but the studio's press agent Wilson needs to get ahold of him so he can make a scheduled appearance at the Texas Centennial in Dallas. The problem is solved when Wilson convinces Ford's stuntman, Gene Autry (Autry also doubles as Ford here), to go to the event impersonating Ford. The ruse works, but things go wrong when Autry decides to go on the radio singing, which Ford can not do. This ticks off Ford, who comes back to the studio to get Autry fired, but some gangsters are at the Centennial hoping to collect some of Ford's gambling debts from Autry. This film is good, but nothing more than a promo film for both the Centennial and Autry & the singing groups at Republic, as well as the studio itself. There are some pretty good action scenes at the beginning with Autry as the stuntman. Autry as Ford, however, doesn't convince anyone since his thespian abilities were never great (especially this early in his career). Fun to watch. Rating, based on B westerns, 7.
For one of eight films that Republic Pictures new singing cowboy star Gene Autry appeared in 1936, the studio did the unheard of thing and filmed part of the story at the Texas State Centennial at their state fairgrounds in Dallas. In fact the centennial was an integral part of the story.
In a film with plot elements similar to MGM's Callaway Went Thataway, Gene Autry plays two roles that of himself who is fearless stunt double who happens to sing to Tom Ford, arrogant movie cowboy who doesn't and also played by Autry.
In fact Ford has himself in some trouble with gamblers and has to lam out to parts unknown after his last pictures wraps. Which leaves the studio holding the bag because they promised an appearance by their star at the Texas Centennial. Studio head Charles Judel is nursing his growing ulcer as a result.
Then studio yes man William Newell gets the idea to get Autry to impersonate Ford and when he sings on the radio and in personal appearances, Mammoth Pictures figures it has a star with greater venues.
If you've seen Callaway Went Thataway you know what happens. The Big Show turned out to be one of Gene's better early westerns.
A lot of acts get in the act in this film and Gene has two special numbers, Nobody's Darlin' But Mine and Ole Faithful. The latter was a cowboyballad written in England and introduced in America by Bing Crosby on his radio show.
Gene gets to romance Kay Hughes and Smiley Burnette and Sally Payne are around for comic relief. One of Gene's better early Republic westerns.
In a film with plot elements similar to MGM's Callaway Went Thataway, Gene Autry plays two roles that of himself who is fearless stunt double who happens to sing to Tom Ford, arrogant movie cowboy who doesn't and also played by Autry.
In fact Ford has himself in some trouble with gamblers and has to lam out to parts unknown after his last pictures wraps. Which leaves the studio holding the bag because they promised an appearance by their star at the Texas Centennial. Studio head Charles Judel is nursing his growing ulcer as a result.
Then studio yes man William Newell gets the idea to get Autry to impersonate Ford and when he sings on the radio and in personal appearances, Mammoth Pictures figures it has a star with greater venues.
If you've seen Callaway Went Thataway you know what happens. The Big Show turned out to be one of Gene's better early westerns.
A lot of acts get in the act in this film and Gene has two special numbers, Nobody's Darlin' But Mine and Ole Faithful. The latter was a cowboyballad written in England and introduced in America by Bing Crosby on his radio show.
Gene gets to romance Kay Hughes and Smiley Burnette and Sally Payne are around for comic relief. One of Gene's better early Republic westerns.
Lo sapevi?
- QuizAlmost all the scenes were filmed on location at the (then) brand-new Fair Park in Dallas, TX, which served as the location of the 1936 Texas Centennial and has served as the location of the Texas State Fair since. Many of the buildings in the film still exist in what has been called the largest collection of art deco buildings in the world. Also seen is the Gulf Radio Studios building (this is not the WRR Studios; WRR is the only city-owned radio station in the country and still broadcasts from new studios adjacent to Science Place II). The lagoon was pretty barren back then, and Dallas trolley cars which served downtown at the time had just been expanded to Fair Park to service the Centennial. The Cotton Bowl, which was constructed in 1930 and renamed The Cotton Bowl for the Centennial, is seen briefly in the background as Gene Autry rides out of the Cavalcade set in the chase scene.
- BlooperThe Light Crust Doughboys and The Jones Boys appear in the credits, but do not appear in the shortened (54 minutes) version, but along with some additional action they appear in the original (71 minutes) movie.
- Citazioni
Lee Wilson: Oh why was I ever born?
Gene Autry: Now this is no time for riddles.
- ConnessioniFeatured in Gene Autry: White Hat, Silver Screen (2007)
- Colonne sonoreThe Martins and the Coys
(1936) (uncredited)
Music and Lyrics by Ted Weems and Al Cameron
Performed by Gene Autry, Smiley Burnette and The Beverly Hillbillies
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Astro por Aclamação
- Luoghi delle riprese
- Fair Park, Dallas, Texas, Stati Uniti(1936 Texas Centennial Exposition)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 11 minuti
- Colore
- Proporzioni
- 1.37 : 1
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