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Some weeks ago I expressed my absolute enthusiasm for 'The Thin Man (1934),' a delightfully humorous murder mystery/comedy classic, starring the inimitable comedic marriage of William Powell and Myrna Loy as husband-and-wife detectives Nick and Nora Charles. This original film, after a solid box-office run and four Academy Award nominations, spawned a respectable five sequels, and a radio and television series. 'After the Thin Man' is the first of these sequels, released in 1936.

As the original trailer for the film proudly proclaims, 'After the Thin Man' brought back the three writers of the original hit (Dashiell Hammett, Frances Goodrich and Albert Hackett), the same director (W.S. Van Dyke) and, of course, the three huge film stars in Powell, Loy and, of course, Asta the dog (the wire-haired terrier whose birth-name was Skippy). True to its promise, the film is every bit as witty, hilarious and suspenseful as its predecessor, masterfully melding Nick and Nora's playful banter with another twisted mystery of love, betrayal, blackmail and murder. And look out for a memorable supporting performance from a young James Stewart, who was yet to hit it big with the likes of Frank Capra and Alfred Hitchcock.

The sequel takes place just a day or two after where 'The Thin Man' left off, as Nick and Nora prepare to depart from the train that brought them back home to San Francisco. Like the original film, the actually murder mystery is quite a messy one, though the writers have luckily decided to tone down, just slightly, the number of interwoven threads this time around. With nothing in mind but sleeping for a month, our favourite detective couple are surprised to walk into a welcome-home party held by people they don't even know, before they are invited to Nora's Aunt Katherine's (Jessie Ralph) house for dinner. Whilst there, Nora's cousin Selma (Elissa Landi) reveals that her husband, Robert (Alan Marshal), has been missing for three days.

The filmmakers have, once again, managed to round up a terrific cast to complement the talents of its two sparkling leads. I particularly enjoyed the contribution of Jessie Ralph as Aunt Katherine, who absolutely detests Nick and addresses him as "Nich-o-larse!" Nick's obsession with alcohol also continues, though he maintains his uncanny ability to switch painlessly between a drunken stupor and completely alert sobriety. The good-natured inter-marital sledging that made the original film so enjoyable still carries a razor-sharp wit, and, in one hilarious sequence, Nick even goes as far as pretending not to recognise his wife so she can be temporarily detained in a jail cell.

'After the Thin Man' is one of those very rare occasions when a sequel is good enough to sit shoulder-to-shoulder with its predecessor. A mixture of clever writing, talented directing and an infectious chemistry between the cast members worked to ensure that the partnership between Nick and Nora Charles would be a prolonged one.

Although this film was released in 1936, it is as entertaining and fresh today as ever, and is certainly much better than any of the over-long and over-produced movies that Hollywood produces today. This is the second in the excellent "Thin Man" series and the viewer can see that the series is really in full stride. The delightful cast of street types who are old friends and cronies of Nick's are a joy to watch. The interplay between William Powell and Myrna Loy has never been matched and is to be treasured. What a great surprise for me to see Penny Singelton, who later played "Blondie" in that long running series. Ms. Singelton sings and dances up a storm as a cabaret performer and she is an integral character in the plot of this engrossing "whodunnit". Another nice surprise for me was seeing Jimmy Stewart in one of his earlier roles. He definitely had leading man type looks. As per usual, Powell, as Nick Charles, unmasks the murderer in the climatic scene where all suspects, the police, and assorted others are present. In most movies, I tend to find pets rather annoying as they distract from the plot of the film. But, for me, Asta is the one exception to this thesis. He is so entertaining and no Thin Man movie would be complete without his antics. In summary, all I can say is that this is a SUPERB film. Catch it on Turner Classic Movies or find a video at your' favorite store or online retailer.

The Thin Man series.........a lifestyle which probably never really existed but wasn't it fun? Lots of money, booze and murder all wrapped up in a neat little package. Nick and Nora, looking sophisticated, solving everyone's problems while consuming a case of various spirits, and loving each other dearly. What a life!!

This second entry in the series really holds up well.....usually sequels are much weaker but not so here. The supporting cast is great with the exception of Penny Singleton (Dorothy McNulty at this point in her career and before she went on to play Blondie). She is like fingernails on a blackboard.....that voice!!! And look for her dance number when she almost falls backward after slamming into the side of the stage! I found her very irritating. Elissa Landi is a little bit over the top as well but she is so attractive that it doesn't matter much. Jessie Ralph is the prototype of the battle axe from hell and Joseph Calliea is his usual suave, oily crook. Then there is James Stewart, before his days of stardom......you have to look twice to be sure that it is the same man. We are so ingrained in his later stuttering, hesitant persona that it is difficult to recognize him......and he was quite handsome!

But of course it is William Powell and Myrna Loy that carry the show as the charming sophisticates whose repartee is brisk and surprisingly modern. There was never a better light comedy team on film (well, maybe Tracy and Hepburn). Thank heavens they are captured on film forever.

Watch this film....you'll love it. Plus there is the added bonus of seeing San Francisco in the 30's.....and don't forget Asta!!!!

Of the six entries in "The Thin Man" series that were released between 1934-1947, none of which are bad, this one is the best. This second entry has the most plausible story, best cinematography (San Francisco on a cold foggy New Year's Eve night), and is perhaps the most amusing of the lot. This episode is noticeably longer than the other six, mostly due to an extensive homecoming sequence that opens the film, but this does not detract from the film in any way. And if you are a fan of Asta's, he gets more screen time in this outing than any of the others (interestingly, in Dashelle Hammett's book, Asta is female).

Of course the chemistry on screen between Myrna Loy and William Powell is unsurpassed, that's why they would ultimately be cast together in 14 films during their careers. Besides the early and very well done performance of James Stewart, look for a young and brunette Penny Singleton (later "Blondie"), billed under her real name of Dorothy McNulty, playing the role of Polly for all it's worth. It's also fun to remember when you're watching veteran character actress Jessie Ralph play the stodgy Aunt Katherine, you are looking at a woman who was born during the Civil War.

All of the key Thin Man ingredients are here: a clever who-dun-it (with more suspects than any other Thin Man film), beautiful photography, exquisite fashions and decor, jokes as dry and plentiful as the martinis, a performance or two of the popular music of the day, and an ending that will surprise you. As I said, all of these Thin Man films are great fun, but this one is the best.

I was spurred to watch this one after having seen David Niven and Maggie Smith's spot-on parody of Nick and Nora in 'Murder By Death'. Nick spends most of this one either drinking or drunk, but doesn't let that prevent him from solving the crime of course. Myrna Loy is wonderfully aloof in a fine comic performance. Although it involves murder, the tone is almost exclusively light hearted. The plot was almost a little too complicated, the type of thing that 'Murder By Death' so effectively mocked. It seemed as though the script wanted to make it so that anyone could have been a suspect (one of which is James Stewart in a fun role)which normally would be a good idea, but can make it a little confusing (and I'll admit that I wasn't paying 100% attention, but the light-heartedness seems to almost encourage you not to take it all seriously...which is why 'The Thin Man' movies are so much fun in the first place!)