Fratelli di sangue

Appearantly this was the last comical short which starred the two boys in the leading roles. Too bad they didn't ended it with a blast. But still, this movie is just as good as most of their other works of course and it has some good and entertaining moments in it.

The story is just above average. It's your typical Laurel & Hardy stuff in which the boys get into some serious and unlikely trouble again. It's nothing special but the story and the movie in general serves its purpose to entertain and amuse its viewers.

The movie begins good with some typical slapstick moments. This is Laurel & Hardy at their best. After that the boys get into some more trouble, which also involves of course once more one of their wives and luckily it also involves James Finlayson again. His role is quite small and not really that impressive but his presence alone is more than enough reason to consider this movie an entertaining and above average one. All of the comical moments are rather predictable but executed very well, due to some good timing and acting by especially Stan Laurel and Oliver Hardy. The ending of the movie might feel out of place but nevertheless it's pretty entertaining to watch Stan Laurel imitate Oliver Hardy and vice versa. They both did a good job at imitating each other there and it surely made me laugh.

All in all it's a well made, consistent comedy by James W. Horne, who probably was the best and most consistent director of Laurel & Hardy pictures. Not their best or most memorable work but nevertheless a worthy last comedy short by the famous comical duo.

7/10

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Thicker Than Water is one of Laurel and Hardy's more consistently funny shorts. It sees Ollie being henpecked by his tiny wife (Daphne Pollard), but when Stan suggests that Ollie take charge, things go terribly wrong (how could taking advice from Laurel be anything but trouble?).

The film kicks off with an amusing washing up routine, Ollie cleaning the plates, with Stan drying them and then passing them back to Ollie to wash again. When Ollie sees what Stan has been doing he tells him to put the plates elsewhere, so Stan stacks them on a lit gas burner; Ollie picks them up to put them in the cupboard, burns his hands and drops all of the crockery. So far, so chucklesome.

A little later, Laurel and Hardy regular co-star James Finlayson arrives at the house to collect payment for the Hardy's furniture, which leads to a clever verbal exchange between all of the characters akin to Abbott and Costello's famous 'Who's on first?' routine. Following this, Stan tells Ollie that he should pay for the furniture outright with his savings, but Mrs. Hardy disagrees. Egged on by Stan, Ollie goes to the bank to withdraw the cash, but instead of paying for the furniture, he mistakenly spends the money on a grandfather clock in an auction (the price going sky high thanks to Stan). On their way home with their purchase, the clock is smashed to pieces by a lorry.

When Mrs. Hardy discovers what has happened, she loses her cool and hits her husband over the head with a frying pan (climbing on a chair to do so). In hospital, Ollie requires a blood transfusion, with Stan as the donor, and the results are unexpectedly bizarre.

Not only does this short deliver solid laughs at regular intervals, but it also features some wonderful transitions, Stan pulling the next scene from the side and dragging it across the screen. It's clever stuff for the time and really adds to the fun.

Maybe not the best of Laurel and Hardy's many short subjects, but definitely has some novel twists--such as having them pull the sequence to a close by sliding the image across the screen to make way for the next shot. And the ending is a clever switch of the Laurel and Hardy personalities after a blood transfusion goes awry.

The boys begin by pulling a "who gave who the money to pay so and so" that's about as classic as the Abbott and Costello "Who's on first?" routine. DAPHNE POLLARD is Oliver Hardy's harassed wife who is so diminutive that she has to climb a chair in order to hit him over the head with a frying pan after one of his crazy schemes (at an auction) ends up with him having to turn over all their money for a grandfather clock which gets crushed by a truck.

Enjoyable romp for Laurel and Hardy fans. The twist ending serves as the icing on the cake.

Another fabulous short from Stan and Ollie, this time finding Ollie with money troubles, drawing his (and his wifes) savings from the bank to pay off their furniture! One thing leads to another, but I won't spoil it if you haven't seen it! Brilliant, and some of the lines in this movie are classic! 7.5/10

Stan Laurel and Oliver Hardy were comedic geniuses, individually and together, and their partnership was deservedly iconic and one of the best there was. They left behind a large body of work, a vast majority of it being entertaining to classic comedy, at their best they were hilarious and their best efforts were great examples of how to do comedy without being juvenile or distasteful.

Although more than fine in its own right, 'Thicker Than Water' is most notable for being their last short film, meaning them in the lead roles and not just a cameo appearance. Didn't find 'Thicker Than Water' one of the duo's best, in a filmography that was mostly solid to classic (only '45 Minutes from Hollywood' misfired for me but that was very early on when their partnership and style hadn't formed or evolved and when Hardy especially was not being used well), nonetheless it is still very good and has much of what makes Laurel and Hardy's work as appealing as it is.

Flaws are very little and more nit-picks really. The story is slight and a bit disjointed.

Do also agree to an extent that while the ending is very funny, it also felt a little tacked on.

More often than not though, 'Thicker Than Water' is great fun, not always hilarious but has enough amusing parts. It is never too silly, it doesn't lose its energy and the sly wit is here, some of the material may not be new but how it's executed actually doesn't feel too familiar and it doesn't get repetitive. The physical comedy comes thick and fast and choreographed and performed beautifully, and the witty verbal interplay shines every bit as much. The beginning is one of the duo's funniest.

Laurel and Hardy are on top form here, both are well used, both have material worthy of them and they're equal rather than one being funnier than the other (before Laurel tended to be funnier and more interesting than Hardy, who tended to be underused). Their chemistry sparkles and after taking time their early efforts to fully form it certainly felt well established from 'Two Tars' onwards and since then has not let up. Their comic timing is impeccable, both in the physical comedy than the verbal.

'Thicker Than Water' looks good visually, the energy is there from start to finish and the direction shows a sense of being at ease with the material and doesn't let it get too busy or static. Daphne Pollard and James Finlayson are great support.

Overall, very good. Not essential or classic Laurel and Hardy, but a good representation of them. 8/10 Bethany Cox