Stars Over Broadway

Floundering music producer Al McGillevray (Pat O'Brien) is considering suicide when he hears the beautiful voice of bell boy Jan King/Kiskwski (James Melton). He takes on the amateur. At a competition, they encounter driven singer Nora Wyman (Jean Muir). As Jan gains success, he loses his way.

This is not my kind of music. I don't want that to influence my review, but it does not help. I can do without this Pat O'Brien character and I don't find Melton that good as an actor. He's obviously a better singer. I actually like the comedic side characters. They save little moments within a rather bland movie.

"Stars Over Broadway" (Warner Brothers,  1935), directed by William Keighley, introduces two new personalities to the screen, but to short-lived movie careers, Metropolitan opera tenor James Melton, and radio vocalist, Jane Froman, the latter best known as the subject matter for the 1952 biography "With a Sing In My Heart" starring Susan Hayward. In spite of Froman's name listed second in the list of players, she has little to do. The story mostly revolves around the third-billed Melton while Pat O'Brien, whose name heads the cast, returns to familiar territory as a hard-working talent scout promoting a new singing discovery, a role he has done several times with resident crooner, Dick Powell, most recently in "20 Million Sweethearts" (1934). While Melton doesn't measure up to the popularity of Powell, his singing surpasses the typical rise and fall show-biz story.

The scenario begins at New York City's Madison Square Garden where Al McGillevray (Pat O'Brien), a down-and-out agent in desperate need of cash yet refusing job charities from friends. After a gathering with newspaper reporters at Danceland where he is told he's all "washed up," Al returns to his hotel room with the intentions of ending his life. At that very moment he takes his gun from the drawer, Al encounters Jan Linzimski (James Melton), a singing porter with a pleasing voice and immediately abandons his suicidal tendencies to promote his latest discovery, renamed Jan King. Al sacrifices everything he has for the sake of Jan, working odd jobs and long hours to help pay Senior Minotti (William Riccardi) for his singing lessons, placing him in auditions at talent shows and radio programs where he sings contemporary songs instead of his major preference, opera. In time, Jan makes it to the top of the charts, but with success comes failure after teaming with Joan Garrett (Jane Froman), a singer who leads him to wild parties and heavy boozing causing serious damage to his voice and performances that puts an end to his career on Broadway. Feeling somewhat responsible for his setback, Al makes every effort to bring Jan back to his senses regardless of their serious argument that put an end to their partnership. Adding to Al's worries is Norma Wyman (Jean Muir), a young hopeful from Connecticut wanting a chance at a singing career herself, but because he doesn't want this nice girl to end up like Jan, Al does his best to discourage her while she makes every attempt to succeed, in spite of setbacks and tragedy.

Other featured players include Frank McHugh as "Offkey" Cramer, a song plaguer; Marie Wilson as Molly, a telephone operator and Cramer's love interest; and Frank Fay as the sarcastic radio talent show master of ceremonies whose big encounter of the evening being a group of children called "The Morgan Family." Appearing in smaller parts are Paul Porcasi, Eddie Kane, E.E. Clive, and heavyweight boxing champion, Jack Dempsey, playing himself.

The motion picture soundtrack, with new songs by Harry Warren and Al Dubin include: "Carry Me Back to the Lone Prairie" by Carson J. Robison (sung by James Melton); Guiseppi Verdi's "Aida" (Melton); "Open Up Them Pearly Gates" (sung by "The Morgan Family"); "You Let Me Down" (sung by Jane Froman in a torch song manner); "Coney Island" (sung by quartet); "Where Am I?," "Where Am I?" (both sung by Melton); "At Your Service, Madame" (with Jane Froman, Melton and male chorus); "Ave Maria" (sung by Jean Muir) by Franz Schubert; and "Aida" (finale with Melton).

While Bobby Connolly and Busby Berkeley are given joint collaboration credit as dance directors, only the eight minute "At Your Service, Madame" survives as its sole production number play enacted entirely in song. "September in the Rain" is often credited among the list of songs in STARS OVER Broadway, but is non-existent in the final print. It's reportedly a lavish scale dance number supervised by Berkeley that was either abandoned prior to filming or deleted upon completion.

In spite of occasional revivals on cable television's Turner Classic Movies since its premiere in 1994, "Stars Over Broadway" remains a forgotten item among the list of 1930s Warner Brothers musicals. Whenever it does turn up, it's usually part of TCM's tribute to either Busby Berkeley or tune-masters, Warren and Dubin. Of the three Warners musicals to feature Melton, "Stars Over Broadway" showcases him to best advantage, especially the singing category, but the screenplay, reminiscent to those used in early sound musicals or those produced at MGM whenever its turns dramatic, lacks strength or high points needed to make this something memorable. While Melton and Froman didn't fare well as screen celebrities of Hollywood, they obviously scored better individually whether at the Metropolitan, radio, television, or as stars over Broadway. (***)

This begins with failed agent Pat O'Brien planning his suicide. A porter in his building catches his ear with his cowboy song. Could this be the new star to make his name and fortune? The porter is James Melton, who soon is taken to an operatic vocal coach presciently named Menotti. Menotti sees him as someone who could be a star at the Met with five years of training and Melton's "Celeste Aida" is sung in a fine tenor.

O'Brien wants quick results, though, and betrays him, making him a more popular-style singer who can rake in the bucks. He does and stardom goes to his head but he takes to the sauce, betraying O'Brien in return.

This is not the first time I've seen O'Brien in a role that suggests gay or closeted gay feelings. The reconciliation between these two is strange indeed for a scene between two men in a mid-thirties movie.

O'Brien wants to make a star of Jean Muir, too, but Menotti hears her "Ave Marie" sung in church and doesn't think she has the goods. She and O'Brien end up together but the movie is really about his and Melton's characters.

It is dark and quite elegant, a touching movie whose title has little to do with it and is misleading. Perhaps O'Brien smiles once but if so, it is the exception rather than the rule. His performance is subdued and he seems beaten down.

Hoary old chestnut about the rush to stardom, losing control when you're at the top and setting things right. If you're a fan of light opera than you'll enjoy Melton's singing but his acting is strictly dinner theatre quality and he photographs like a cross between Dagwood Bumstead and a shiny lemon.

Fortunately the film has Pat O'Brien, Frank McHugh and Marie Wilson to inject some life into the proceedings but even with them it's an average affair.

The real reason to catch this is the presence of Jane Froman in the cast. The singer famed for her war work and catastrophic accident immortalized in With a Song in My Heart didn't make many films and while this one isn't much she sings beautifully.

"Stars Over Broadway" is a good musical review film and light drama set in New York. Pat O'Brien stars as Al McGillevray, an entertainment promoter and manager. His is a typical role of a sour puss, and this is not a very good role for him. But, what is good about this film is the singing by James Melton and Jane Froman. Melton was an opera tenor who also sang popular music, as he does both in this film, and very well in a few songs. And, this is the only feature film that has Jane Froman with a supporting role as Joan Garrett, and singing three songs. She was a highly regarded singer and has second billing to O'Brien here.

Froman was an attractive singer with a distinct, wonderful voice who entertained on stage, radio and the nightclub circuit in the 1930s through 1950s. She sang in the Ziegfeld Follies and had her own TV show on CBS. She was one of the earliest entertainers to sign on for the USO program to entertain GIs during WW II. But on her February 1943 plane flight to Europe, she was seriously injured when the plane crashed in the river bay before landing in Lisbon. Froman spent a long time in recovery, and had many operations during her lifetime for injuries to both legs and one arm.

After recovering in a Spanish hospital, she returned to the States for many more months of recovery. She was able to sing again, but had to sit in a wheelchair or be supported standing. She then flew back to Europe to entertain the troops during the last year of the war. After that she sang a few more years in the States and then settled down in her hometown of Columbia, Missouri. She has three stars on the Hollywood Walk of Fame for radio, recording and television.

It's too bad Froman didn't appear in any of the many musicals that were being made in the late 1940s and early 1950s. Her voice was distinctly remarkable and she had a very good stage persona. Those who enjoy her singing and would like to hear more might watch the biopic musical that was made about her life. It's an interesting and entertaining film, and Froman sings all the numbers that are then dubbed for Susan Hayward who plays her part. The film is "With a Song in My Heart" of 1952, by 20th Century Fox.