La maschera di mezzanotte

By the sheer brilliance of his charismatic on screen presence, William Powell raises this picture out of the commonplace to something special. His grace and bearing made him the picture of dapper sophistication, and no one, save for Fred Astaire, looked better in white tie and tails than William Powell.

Here he co-stars with Ginger Rogers, and speaking for myself, I did not miss Myrna Loy. Ginger Rogers was more attractive and energetic, and was a breath of fresh air. And he was not playing Nick Charles or Philo Vance. Your regard for Ms. Loy may be the key to your appreciation of "Star Of Midnight".

It sounds like a rare jewel, but the Star of Midnight of the title is about the star of a Broadway show called "Midnight". She is missing, and in fact, never appears in the movie, despite a screen credit. The mystery is to find out who kidnapped her and who killed some of the guys looking for her. The plot is confusing, but if you are a William Powell fan, it won't matter; go with it.

The plot was a bit loose and incredulous, but no movie with William Powell and Ginger Rogers can be bad. It slightly resembles the much better film, The Thin Man (1934), but it was fun nevertheless. Powell and Rogers have good chemistry together and provide some of the comedy with their antics, with other comedy supplied by inept police officer, Robert Emmett O'Connor. I guessed who the murderer was early, but couldn't provide the motive until it was explained.

So, how does Ginger Rogers stand up against Myrna Loy? Rogers has the comedy chops. She's shown that in movies like The Major and the Minor. She trades quips with Powell much like Loy. She snoops like Loy. She drinks like Loy. But, she isn't Myrna Loy...

If the Thin Man series had never been, I would've enjoyed Rogers' performance more. It was a fun movie: An incomprehensible mystery where the murderer seems like a name drawn out of a hat at the last minute. The judge from Miracle on 34th Street plays Swain the Butler. The man who played Inspector Henderson in Night at the Opera plays a cop in this movie as well.

There is a nice chemistry between Rogers and Powell, but it just doesn't rise to the chemistry between Powell and Loy. Powell's detective character needs the stern eye of a sophisticated woman like Mrs. Charles to keep him humble. Makes for better comedy...

All in all, though...a good movie...

As previous commenters have said, this is a slight but fun reworking of The Thin Man. It's a fun way to spend a couple of hours. There's plenty of sizzle between Powell and Rogers (of course, Ginger's no Myrna, though). The plot is slight, but who really cares?

Check out the set design for Powell's apartment -- it's classic 30's luxury. The bathroom alone is worth watching for. It could fit in to any modern McMansion easily. This is an RKO picture, but I thought the sets were every bit as good as the ones that Cedric Gibbons and Edwin Willis were doing over at MGM during the same period.

Kudos also to the costume design. Ginger Rogers changes outfits more times than I could count. Powell, of course, looks elegant even in a bathrobe, but surely no star ever looked as good as he did in white tie.

STAR OF MIDNIGHT could easily be mistaken for a Nick and Nora mystery, so similar are the central characters played by WILLIAM POWELL and GINGER ROGERS. Powell is his usual debonair self as a lawyer who sets about to solve a murder he becomes mixed up in and Ginger is her charming self as the girl who wants to marry him some day. The police even suspect Powell may have committed the murder of a gossip columnist.

The mystery is full of suspicious looking characters who might be at the bottom of the crime, but a quick look at the cast and I guessed who the murderer was before the plot even unraveled. From then on, I concentrated on the art deco settings for Powell's pad, especially that modern looking bathroom shower.

PAUL KELLY has a good tough supporting role and RALPH MORGAN is a distinguished looking gentleman (a more serious version of his brother, Frank Morgan), and LESLIE FENTON does what he can with the role of another suspect. GENE LOCKHART is amusing as Powell's butler.

Typical murder mystery from the '30s combining screwball comedy and the usual twists and turns.