Paradise Canyon

While I admit that having the same music for all of John Wayne's Wild West movies from 1933-1935 is somewhat tiresome, the movies themselves are really great. On critic complains that the heroine in Paradise Canyon wears modern dress, and the medicine show drives a model T type truck with a homemade trailer attached, I think this indicates that the movie is set in the twenties and not the 1890's. Also the villain is Yakima Canutt who is never boring, at least to me. Modern movies could take a lot of pointers from these old ones. I love the humor, romance, fantastic horseback riding and stunts, and the gorgeous scenery, even if it is black and white. I highly recommend all of these early movies featuring John Wayne. And don't miss "The Big Trail" from 1929 either!!!!! WOWEE!!!

John Wayne's final Lone Star cheapie has him playing a government agent with a huge hat trying to bust up a counterfeiting ring. He does so by joining the traveling medicine show of Dr. Carter (Earle Hodges) and his pretty daughter Linda (Marion Burns). They always had a pretty daughter in these things. Anyway, the bad guy's named Curly Joe. He's played by stuntman extraordinaire Yakima Canutt. At least you know the stunts are good. Hodges is fun as the medicine show huckster. There's also quite a bit of comedy and some songs including one about suspenders that needs to be heard.

Is it just me or are those the loudest horse clops you ever heard? Also, I'm not sure what era this was supposed to take place in. Lone Star wasn't known for caring about historical accuracy in these cheap B westerns. There were usually shots of telephone poles and the like in the background. Here there are 1930s-era cars and clothes but everything else says Old West. This western, like the other B's made in the '30s, will seem pretty much like kids stuff today. But there is some fun to be had with it. Fans of the Duke might want to check it out. Avoid the version with the bizarre modern electronic score added.

Yakima Canutt and his gang of counterfeiters try to run his former partner Dr. Carter and his medicine show out of town before the "doctor" recognizes him and quite possibly blows the whistle on Canutt's involvement in a recent string of bogus bills. Luckily for Carter, undercover lawman John Wayne is the show's new trick shooter.

The last film Wayne made for Lone Star/ Monogram Pictures, this is more light-hearted and less action packed than other entries. It's still good fun with a few decent action scenes and stunts.

The best thing about it is the wonderful scene featuring the medicine show in all it's glory, including the sales pitch, music, and a trick shooting demonstration.

This is really just a rehash of half a dozen other plots written by Robert Tansey, and not even the charisma of the Duke can rescue it from mediocrity. Here he is "Wyatt" leading an US government investigation into a counterfeiting ring on the border with Mexico. He teams up with "Doc. Carter" (Earle Hidgins) and his daughter "the Princess" who run a medicine show - not sure if they may or may not be involved. There are plenty of frame-ups, doubles crosses and even some Federales as Wayne soon gets on the trail of Yakima Canutt ("Curly Joe") so now we know to expect some fun rough and tumble. It's fine, this - just nothing at all to mark it out as in any way special.

For fans of Lone Star-Wayne only. It's a pretty slender installment from our friends at Paul Malvern's production company. Wayne's an undercover G-man on the trail of counterfeiter Yakima Canutt. On the way he hooks up with medicine man Doc Carter (Hodgins) and his sloe- eyed daughter (Burns). We see a lot of the medicine show and some of it is a hoot—The Texas Two whose down-home ditties are memorably corny. But reviewer Chance is right: Hodgins takes up too much screen time for a brief 50-minute feature. Too bad producer Malvern didn't pop for a location shoot at scenic Lone Pine. That would have compensated for a lot. Instead, the boys have to ride around the scrubby un-scenic outskirts of LA. He did however pop for a well-staffed chase scene at the end. Then too, there is the usual hidden hideout that fascinated Front-Row kids like myself, along with a dramatic plunge off a cliff. But the sum-total is rather plodding and not up to the usual high-action standard. (In passing— sorry to say I counted 3 "trip-wire" induced falls, which make for a dramatic tumble of horse and rider, but is unfortunately often fatal to the horse. Happily, these stunts were eventually banned. On a more upbeat note-- for a really entertaining look at how these Saturday afternoon specials were made, catch Hearts of the West {1975}.)