Mississippi

I haven't seen Mississippi in years but would buy it if released to video. Sometimes less is more and that is the case with W.C. who is hilarious in a supporting role. I suspect the movie would raise the PC bar higher than it's owner cares to leap, but if you get a chance to see it and you are a Field's fan it is well worth the time.

I love W.C. Fields films. This was THE reason I watched "Mississippi"...to see and hear Fields. However, I've hesitated for some time because I really LOVE Fields but am not exactly a huge fan of musicals....especially comedy musicals. "Mississippi" certainly is a comedy musical with a romantic subplot as well. As a result, often the comedy certainly is secondary...well, perhaps tertiary, as there's also a plot involving a Quaker and his perceived manliness. Some folks like this sort of thing, but like the Laurel & Hardy films "March of the Wooden Soldiers" and "The Devil's Brother", I am a bit cold about this sort of hodgepodge...so my hopes for "Mississippi" were rather low.

The story is set mostly on a riverboat filled with entertainers (much like in the movie "Showboat"). Fields plays the captain of the ship (though he calls himself 'The Commodore') and has a few funny interludes here and there. But the main plot involves Tom Grayson (Bing Crosby)...who is engaged with Elvira. However, when Grayson is challenged to a duel over nothing of great importance, he refuses. After all, he's a Quaker AND the matter simply didn't seem worth killing a man over anyway. Well, in antebellum Southern society where Elvira lives, a man isn't a man unless he blows another man's brains out over the least little afront and so she breaks the engagement because Grayson is supposedly a coward. This provides an opportunity for Lucy (Joan Bennett), as she secretly loves Grayson...but she's being sent off to a girls finishing school and he's headed for a job on the riverboat. In the meantime, aboard the boat, the Commodore begins telling everyone that Grayson is the notorious Colonel Steele...a singing killer!!!

While towards the end of the film Crosby doesn't act very Quaker-like, I was surprised that I enjoyed this film and it's various plots. The singing wasn't great, even if the songs were by Rodgers & Hart, but the two subplots were pretty enjoyable. It's well worth seeing...though I would have preferred all Fields and nothing else! By the way, I am pretty sure today that many would be offended by this film. It depicts a highly idealized view of the South and slavery. It also has Fields using a pejorative slur that IMDB won't even allow me to write in this review! A word that was perfectly acceptable back in 1935...but certainly not in 2020. I say watch it...but just be aware of this.

Have been trying for years to find a copy of this one. Saw it a few times and enjoyed it more each viewing when it was on TV back in 60s Los Angeles. Crosby playing the 'Killer' Col Steele/Tom Grayson is a totally different Bing at times, although he does manage to belt out a few tunes. If you liked Gail Patrick in 'My Man Godfrey' you'll also enjoy her in a very similar role here, as the sister who does not appreciate a good man. But the real treat is Fields as the riverboat captain. He's only a supporting character here but his scenes with wooden Indians and his recollection about shooting off a man's nose are hilarious. FIND IT IF YOU CAN AND ENJOY!

a nice film about South. beautiful music, high class cast, humor and honor. in fact, a wonderful work because it has charm and courage, a new manner to present delicate problems, a brilliant Bing Crosby, magnificent performance by W. C. Fields ( sure, that could not be a real surprise ) and a wise director who does more than honorable job. the mixture of naivety and ironic picture of society, the fight scenes and the cards play scene, the songs and the air of lost world, soft, bitter and refreshing are pillars of a film who , at second sigh, seems be more than a classic but image for a state of soul. a nice movie. but only at first sigh. because, after a short time it becomes a kind of experience.

Mississippi is truly a wonderful movie, Fields or otherwise. Foremost is the music itself and the wonderful depiction of the old south. Crosby's singing is delightful, and, in fact, many people felt he'd stolen the movie from Fields upon its release. Field's humor is great with many wonderful bits. Blowing cigar smoke, for example into the barrels of unshot guns to show he was the one who fired is truly wonderful. The tone of this movie is so light and airy, and the love for the subject matter is so apparent that it adds an additional dimension to a movie that can stand strongly on its own. The love story might be viewed as sappy by our current sensibilities, but, given the time, it is lovely to view. The Singing Killer indeed!