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James Buchanan and Joan Hawthorne meet on a park bench one day. Buchanan is sulking away about his impending marriage which is sure to be a loveless one, while Hawthorne is perusing the job vacancy adverts in the paper completely baffled by her lack of suitability for all the positions. Once the pair strike up a conversation it becomes apparent that both of them could help each other if they are prepared to take a risk, the risk would mean posing as a husband and wife team and entering the service of Mike Rossini, but little do they know that Rossini is something of a local wise guy, love and gangsters.......interesting.

If You Could Only Cook slips firmly into the category of films that deserve to be called charming, simple in structure and honest in its intent, it's a most enjoyable piece that leaves a long and warm impression after the initial viewing. There are many different reasons why so many old black and white pictures get termed classics, with one of the main instances being the ability to have longevity of entertainment values. It only really becomes apparent with a film such as this when you compare it with the more modern day romantic comedies, where today's directors and writers are prepared to force the issue with star appeal and cloying scripts, here the makers are fresh with zippy dialogue and charm personified.

Jean Arthur is Joan, a wonderful bone structured face and a lovely fulsome figure, she's a smashing actress that carries off the required romantic humour with consummate ease. Playing off her with equally excellent results is Herbert Marshall as James, many other actors could do no worse than to watch Marshall when they want guidance in the art of line delivery, peachy and carrying a great presence, Marshall remains a sadly undervalued old time performer. Villain duties fall to Leo Carrillo {Rossini} and the wonderful Lionel Stander as henchman Flash, while all the supporting members come up to the requisite charming standards. But ultimately it's a team achievement across the board, from the writing to the wink at the end of the piece, If You Could Only Cook is a smashing film that makes one feel all the more richer for having sat thru it. 8/10

This dry, low-key romantic comedy is very satisfying. Arthur is excellent, and Marshall is well cast as an automobile executive who wants to get away from his stuffy board of directors and his pushy fiancé, and finds happiness posing as a butler (initially so that Arthur can get work as part of a butler-cook team). Lionel Stander (as he often does) steals the show as the acerbic sidekick of gangster Carillo, and he's given some great lines. Carillo is pleasing, too, as the gangster who wants to live like the gentry, and who's romantically interested in Arthur, but who's willing to hold back because he's a gourmet and is even more interested in retaining her as a cook. The best thing about the film is that it never gets tripped up in excessive plot complications, or telegraphs its humor. Giving Carillo a gustatorial as well as romantic interest allows him to take certain actions without burdening the romance of the principals. And, after giving us enough of a glimpse of the snotty fiancé to know what Marshall's in for, the film has the grace not to show her face again; no silly "scheming" or tiresome bared claws. In the final scene, when all are trying to convince Arthur through a locked door that she should marry, they move from straight arguments to playing roles in a "routine," but there's no winking and signaling to signify a change in technique, it just flows quickly and naturally. The film has enough confidence in the unfolding of the relationship between the principals that the intrusion of other characters and mechanical "plot complications" can be kept to a minimum Thus Carillo's proposal and interference at the denouement serves mainly to allow Arthur to voice her feelings about Marshall, and Carillo actually brings them together rather than holding them apart. Nice film.

The Austin Film Society showed this entertaining old film last week on election night. The receptive audience found laughs in many lines that still seem current, especially about unemployment, the want ads and being broke.

Jean Arthur looked lovely in this movie, and Herbert Marshall was perfect. What a wonderful voice that man had! My husband thinks that his walk may have inspired C3PO's formal motions, although the robot had a metal leg, not a wooden one like Mr. Marshall's.

Lionel Stander was already in full bellow, many decades before 'Hart to Hart', and Leo Carillo was a treat as the gangster employer. It was a surprise to hear them use the term 'wise guy' for a prospective member - I didn't realize it was already being used back then.

If You Could Only Cook had been made over at MGM, Jean Arthur would have had her pick of leading men like Robert Montgomery, William Powell, Robert Young, or Franchot Tone all of who might have been a bit more believable as the auto tycoon who gets tired of his stuffy board of directors and walks out on them. As it was Columbia Harry Cohn got her Herbert Marshall is far better cast in more mature parts like in The Little Foxes or the head of MI5 in The List of Adrian Messenger. He really hasn't the touch for light fare like If You Could Only Cook.

That's what happens to Marshall though, he walks out on his board of directors and a week before his wedding to Frieda Inescourt who's from a family with an old name, but no dough. On the park bench he runs into Jean Arthur who is one of the great mass of unemployed. They get to talking about food and Arthur sees in the want ads one for a married couple to be cook and butler on an estate. On a whim as these things are in screwball comedies, Marshall and her agree to pose as husband and wife.

What they don't know is that who's hiring them is gangster Leo Carrillo who's particular about his food. Not unusual because if you remember Goodfellas the wise guys in stir were very particular about their food and were rich enough to buy what they want in the joint. Carrillo's number two, Lionel Stander, thinks these two just don't sound right.

The rest of the film is the normal antics of mistaken identities and mistaken motives and finding out who really loves who after all. It's not a bad film, but not particularly a memorable one.

But If You Could Only Cook attained a status way beyond its own importance in film history by becoming the object of a fraud perpetrated on the foreign markets by Harry Cohn. Seems as though when the film reached Europe, Cohn advertised it in the foreign markets as being a Frank Capra Production. When Capra found out about it, he went ballistic and ultimately his connection with Columbia was severed.

The story is described in great detail in Capra's memoirs and the whole saga is a great example of the power those studios had back when they were at their height.

In fact that whole story might make a great movie.

This is a rather simple plot for a film, but due to exceptional writing, deft direction and the winning acting of Herbert Marshall and Jean Arthur, it's a wonderful movie. This is a great old romantic film that would be great to see with someone you love.

Marshall plays the CEO of a huge car manufacturing company. When his ideas are rejected by the board, he gets annoyed with the business. At about the same time, he meets Arthur, who has no idea he's a rich big-shot. She actually thinks he's an out of work schnook and convinces him to apply to a job with her--she as a cook and he as a butler in the same household. Since Ms. Arthur is so charming and sweet, he agrees and neither she nor the employer know his true calling. Later, this misunderstanding REALLY gets out of hand, but I don't want to spoil the film by explaining further.

The bottom line is that the freshness and delightful nature of the film make up for the fact that the plot line is pretty hard to believe. Unless you are an old grouch or hate old films (people like this need to be shot), you will like this film.

Interestingly, the film was so good that Columbia Pictures' president, Harry Cohn, tried a "fast one". Since Frank Capra worked at the studio and was now famous for IT HAPPENED ONE NIGHT (having practically swept the Oscars) and since IF YOU ONLY COULD COOK was such a sweet film, it was marketed as a Capra Film--even though Capra had NOTHING to do with it!! As a result, Capra sued and Cohn nearly lost his job until it was all smoothed over and tempers subsided.