Mariti in pericolo

Don't let the first ten minutes put you off. You might get the impression that it's going to be a stuffy drawing room comedy about people you're not going to like but you'd be wrong - it becomes an engaging and genuinely funny old fashioned farce.

The biggest revelation this picture gives you is that men's swimwear in the 30s was insanely ridiculous. The second revelation is that Kay Francis' dress could only exist in a world where gravity didn't exist - logically that shouldn't stay up! All that aside, this film after a slow start eventually turns into a charming silly comedy in the same vein as TOP HAT.

We've got a bunch of people stranded in a country house swapping bedrooms with the wrong partners, plots to break up a marriage, plots to save a marriage, plots to bring two people together, plots to steal diamonds and.... well it's not that important, just enjoy the trip.

OK, the first ten minutes doesn't shout out to you: this is going to be fun but stick with it because it really is. Kay Francis and George Brent were never going to win any Oscars but they are perfect in something light like this - they do make a great romantic couple. Likewise Genevieve Tobin, once you get used to the affected accent, also shows a real talent as for comedy whilst also adding a bit of class.

Overall it's put together perfectly. The script is tight, witty and fast, the acting natural and believable and the direction, although nothing spectacular is professional but most miraculously of all is that dress!

After Kay Francis retired from films, she was recognized. "Aren't you Kay Francis?" someone asked. She answered, "I was."

Certainly no one had risen higher than Francis and had stuck it out, even when Warners filled her scripts with words that had 'r' in them to play up her speech impediment, and even when she could only get roles at studios like Monogram and Republic. Tough isn't the word.

Here she's at the height of her career, very glamorous, in "The Goose and the Gander," from 1935. Besides Francis, the film features George Brent, Geraldine Tobin, John Eldredge, and Claire Dodd.

At a party, Georgiana (Francis), whose husband left her for another woman, overhears that woman (Tobin) planning a weekend affair with another man (Brent).

Georgiana puts together an complicated plot whereby the cheaters wind up at her house, and her ex comes over and catches them. The situation that brought them to her house (too complex to go into - it concerns no gas and a quarantine) brings another couple to her door - jewel thieves!

As others have pointed out, this was probably written during the precode era and rewritten to meet the Code. The only thing that confused me is that Brent and Tobin were going to spend the weekend together and present themselves to Georgiana as a married couple. So she naturally puts them in one bedroom. Tobin has a fit and forces Brent out onto the roof! What were they planning on doing on this weekend? Play cards? It made no sense, even though it was funny.

Very cute comedy, and Brent looks quite handsome. Nice to see Francis in something besides a turgid melodrama. She not only suffered well, but she had a nice comedic style.

Kay Francis is a divorcee who happens to overhear her ex husband's new wife (Genevieve Tobin) plotting an assignation with her would be lover (George Brent). Francis hatches an elaborate plot to lure Tobin and Brent to her holiday home, and then expose them to her ex, so that she can get him back. However, things start to go wrong, not least because Francis begins to be attracted to Brent, and he to her. and the plot becomes even more confused by a couple of jewel thieves, until just about everyone is pretending to be someone else, in fact it reminds me a bit of a PG.Wodehouse novel, which generally contain several imposters. It is all quite hilarious.

The best thing about this romantic comedy is how good it looks thanks to cinematographer Sidney Hickok. This 1935 but the interior scenes look like they were shot in the 1950's. Hickok was a brilliant cinematographer whose career began in the silents and he would go on to shoot such films as The Big Sleep, Dark Passage, To Have and Have Not, A slight Case of Murder, Gentleman Jim and the sci-fi classic Them. Charles Kenyon wrote the story and the screenplay about a woman who overhears the woman who stole away her husband planning a weekend affair with another man so she hatches an elaborate plan to embarrass the woman and her ex by diverting the cheating couple to her home and getting her ex to come over to catch them. Another couple who are jewel thieves are inadvertently lured into her trap and things start getting complicated. It's a good story and a good cast with Kay Francis, George Bret, Genevieve Tobin, John Eldredge, Claire Dodd, Ralph Forbes, William Austin and Helen Lowell. With the rampant infidelity theme this story was probably written with pre-code Hollywood in mind but with the code going into effect the year before it's release it was filmed as a little less salacious. Alfred E. Green who would make such films as The Jolson Story and The Jackie Robinson Story directs. it's a fun little film and I would give it a 7.0 out of 10.

This is an interesting little Kay Francis programmer, co-starring her frequent leading man George Brent. It's a small and delicate Warners melodrama. It aroused my interest because of Francis.

I liked "Goose and the Gander" but it is not one of Francis' best roles. The plot is a bit baffling and sometimes hard to follow but it is fun and entertaining picture thanks to the charm of Francis & Brent.

This is one of three films Francis made with Brent in 1935. The others are "Living on Velvet" and "Stranded".