Il fantasma galante

Scotsman Murdoch Glourie (Robert Donat) dies a coward in a battle with the rival MacLaggan clan. Murdoch is forced to haunt the family castle until he can get a MacLaggan to admit that one Glourie is worth fifty MacLaggans. Two hundred years later, his descendant Donald Glourie (also played by Donat) has to sell the castle to pay off debts. Pretty American Peggie Martin (Jean Parker) convinces her wealthy father to buy the castle and ship it, stone by stone, to the U.S.

Enjoyable British romantic comedy with a good cast and pleasant tone. Robert Donat shines in dual roles. Jean Parker is adorable and likable. Eugene Palette is always a treat. The rest of the cast is mostly made up of Brits and are fun to watch. While I do like it, I admit it drags some in the middle after a strong start. It finishes nicely though.

I first saw this film as a child on TV in Australia round 1973 - at which time it was already a very old film and I was only 7 years old.

I guess the fact I'm now 38 and writing about it means it stuck in my mind rather strongly.

I wanted for years and years to see it again and finally did in around 2000 - 27 years later. The childhood magic was still there.

Donat is wonderful. The whole story - escapist, romantic, spooky, fun and historically rich in yes - we know a rather fantasised way.

This is a feel-good film. Films similar to this are being made now - often called 'chick flick's and suchlike, but basically, what is wrong with a movie that makes you feel good? Not really deep, not really cerebral, but magical, funny, heartfelt, and a true escapist experience from our current modern lives,

Absorbing, fun and lovely.

Watch and Enjoy!

Have to say I'm mightily surprised to see some users here state this film is purely escapist entertainment, nothing more, nothing less. Since it ignites its comedy heart with a satirical flame, I do feel that the jovial nature of the beast has meant that the tongue in cheek nature of René Clair's first English speaking picture has been missed by some.

Murdoch Glourie {Robert Donat} is head of the Glourie clan, during a vociferous argument with the laird of the Maclaggen clan, he is so furious about the besmirching of his family name, he pegs out and dies before correcting the unjust smear on the family name. Switch to the modern day and his descendant Donald {Donat again} is frantically trying to keep the monolithic Glourie castle from collapsing under the weight of financial pressure. Hope springs in the form of love, and the beautiful Peggy Martin {Jean Parker}, but with her comes her ebullient father Joe {Eugene Palette}, and his intention to relocate the castle to Florida. Now this is something that Murdoch's ghost is particularly not happy about, and he promptly sets about haunting everyone in sight whilst the selling point fervour of a Ghost coming to America brings about mirth and intriguing problems.

Yes this film is a fantastical light hearted comedy, but its portrayal of American habits is satirical genius, covering materialistic urges and prodding the ribs of the press, The Ghost Goes West is a truly classic film in the Preston Sturges 1940s mould. What else can you think when you see a press headline stating "Kilted Scottish Phantom Fails To Show"? René Clair was annoyed by the interference from producer Alexander Korda, to the point he thought about taking his name off the credits, he didn't have to worry tho, because the film is still his, and crucially, American audiences took it firmly on the chin and embraced the picture for the delightful nudge nudge romp it is. 8/10

"The Ghost Goes West" is a cute movie which is an interesting hybrid. It's directed by the famous French director René Clair, stars the British actor Robert Donat and many of the actors are Americans! It sounds odd...but it all works very well.

The film begins two hundred years ago. Murdock Glourie (Donat) is the son of a noble Scottish lord but he ends up embarrassing himself and losing the family honor when he's supposed to be out acting manly and fighting a war. He ends up getting killed by mistake and his father curses him to roam the family castle until he regains their honor.

Years pass. The family fortune is gone and the castle is a wreck. Donald Glourie (also played by Donat) has a mountain of debts and he and his creditors see no escaping it...until some goofy Americans with more money than common sense see the place and decide to buy it! Oddly, while Donald tries to keep the family out of the castle after midnight (when the ghost appears each night), the daughter (Jean Parker) sees the ghost and thinks it's Donald...and she thinks this version of 'Donald' is pretty sexy! Regardless, the goofy father (Eugene Palette) decides to move the castle, stone by stone, to Florida....and he invites over a bunch of rich swells to see the castle AND the ghost. What's next? See the film.

This is a cute film with a nice comedic touch and a touch of romance. While it's all very slight, it's handled well by Clair and the film is a delightful outing. Well worth seeing.

When a haunted Scottish castle is dismantled and removed to Florida THE GHOST GOES WEST, too.

Made under the auspices of producer Sir Alexander Korda, acclaimed director René Clair & distinguished author Robert E. Sherwood, here is a fine little film--very popular in its day--for thoughtful intellects, about things which go bump in the night. Or, rather, one thing in particular: a kilted phantom doomed to stalk his ancestral castle until his family's honour is avenged--irregardless of the actual physical location of his old stones, or whatever romantic complications may ensue.

Handsome Robert Donat brings just the right amount of sophisticated humor to the dual roles of the ghost and his 20th century descendant. The lovely Jean Parker is splendid as an American rich girl very happy to take the Highlands real estate if Mr. Donat comes along with it. Playing her father, Eugene Palette exhibits both bluster & bemusement as the merchant grocer determined on buying old Glourie Castle, ghost and all.

Morton Selten & Hay Petrie have amusing short roles as clan lairds who are fierce antagonists. The marvelous Elsa Lanchester appears far too briefly at the film's conclusion as a paranormal enthusiast.

Acknowledgment should go to Vincent Korda for his atmospheric sets. And just what is the difference betwixt a thistle in the heather & a kiss in the dark?