Sui mari della Cina

Not just a routine trip from Hong Kong to Singapore for Captain Alan Gaskell(Clark Gable). There is a treasure trove of gold hidden on board. Among the passengers are two women of the captain's past: Dolly(Jean Harlow), the brash blonde bombshell and Lady Sybil(Rosalind Russell), the prim and proper socialite from England. Wallace Beery is a 'blow hard' gambler that is not to be trusted. Also in the cast are Lewis Stone and Hattie McDaniel.

Raiding pirates, one hell of a typhoon plus love on the high seas...a very good adventure film with tense action. Gable and Harlow are dynamic together. Tight direction from Tay Garnett. Special effects are superb.

High seas adventure with Gable as a run-down captain and Harlow as his lover. Complications involve Rosalid Russell, as a high society widow Gable was in love with before. Harlow takes up with Beery to make him jealous, but ends up being forced to join him in his plot to help pirates rob the ship. Harlow and Gable remain a knockout A-class pairing, and the character roles are well-handled. Juicy dialogue and gory action are also plusses.

"When I want you to sound off, Golden Bell, I'll pull your rope"--Harlow to Yu-Lan in "China Seas." There's not another actor, alive or dead, who could make that line work, but Harlow finds both the obvious comedy and the hidden pathos in it. (The pathos stems from her realization that she's out of her league, and her fear that the others at the table are looking down their noses at her.)

She, Gable, and Wallace Beery, are perfectly cast here. Harlow is the sassy, brassy, slightly shady blonde who's impulsive and emotional, but who really wants to do the right thing. Gable is of course steady and solid, all man, in charge, unflappable, ironic, and irresistible. Beery is by turns roguish, charming, tough, and menacing.

Roz Russell does a fine job as an old flame of Clark's who shows up for the voyage. Her British accent holds up pretty well. Lewis Stone plays the cowardly 3rd Officer who is out to repair his reputation, a far cry from his future as Judge Hardy. And Robert Benchley does his familiar drunkard routine.

Besides being well-cast, the film is exciting, with tropical storms, piracy at sea, and complicated romances. The special effects are excellent for the era, and the pacing is lively. Really a fine film.

China Seas is a sort of follow-up to Red Dust, with the addition of the sort of all-star cast pioneered in Grand Hotel, only set on board a passenger ship instead of in a hotel. As in Red Dust, the central plot element involves a triangle featuring Clark Gable and Jean Harlow. However, this time the hypotenuse is occupied by Rosalind Russel rather than Mary Astor.

By the time China Seas was produced the infamous Hayes Office was already busily enforcing standards of decency in the film industry. Consequently, the action is a good deal less steamy than in Red Dust. Nevertheless, the Gable-Harlow chemistry is still very much in evidence, even if their byplay has been somewhat toned-down.

Another major element of the plot involves piracy against modern (1930s) shipping in the Far East. Some viewers might find that notion a bit far-fetched. However, it is far less absurd than one might think. In fact, it is still going on today (2012)!

It is a relief to see a vibrantly entertaining film that is well-crafted as a finely made chair. Like most chairs, this film is no classic like "Citizen Kane" or "Gone With The Wind" but it's exciting with charismatic leads like Clark Gable and Jean Harlow. The chemistry between the two is gripping, even if a lot of their encounters in this movie are rather repetitious of the "I love you but I shouldn't" variety. One can see why Gable and Harlow were cast together at every opportunity MGM had from "Red Dust" onward. The other supporting actors are quite good especially Wallace Beery as a slippery villain. While Robert Benchley is quite amusing, his drunk act starts getting really old after a while. Also, it's quite sobering to realize that Benchley would die in 1945 from the effects of long-term alcoholism. In sum, despite some unhappy reminders of Hollywood's racism of times past, this is a fine film that probably served as one source of inspiration for Spielberg's Indiana Jones series of films in the 1980s.