Sui mari della Cina

Not just a routine trip from Hong Kong to Singapore for Captain Alan Gaskell(Clark Gable). There is a treasure trove of gold hidden on board. Among the passengers are two women of the captain's past: Dolly(Jean Harlow), the brash blonde bombshell and Lady Sybil(Rosalind Russell), the prim and proper socialite from England. Wallace Beery is a 'blow hard' gambler that is not to be trusted. Also in the cast are Lewis Stone and Hattie McDaniel.

Raiding pirates, one hell of a typhoon plus love on the high seas...a very good adventure film with tense action. Gable and Harlow are dynamic together. Tight direction from Tay Garnett. Special effects are superb.

It is funny, sexy, exciting, and every bit as resonant today as 1935- really saying something for a post-Code picture.

It's MGM of the period all the way. Bang bang bang, nonstop action, mile-a-minute dialogue. Basically a shameless retread of Red Dust, I actually like it a lot better than Red Dust. It's also got a dash of Shanghai Express, which is fine. Maybe it's the fact that I'm drawn to "souls at sea"" pictures and ensemble films about disparate groups thrown together by fate, their bizarre stories intertwining.

And what an ensemble this film boasts: There's Harlow, who by now could act, working her sex-clown routine with total confidence- fierceness to the Nth degree. Acing scene after scene, playing off Gable and Wallace Beery and Hattie MacDaniel (who has a rare good role, although not as substantial as it could be) just wonderfully. She should have gotten a Best Actress nomination for this.

Then there's Gable as Gable. Roz Russell is stuck playing one of the dour, humorless Brits MGM frequently cast her as in the thirties (see also Night Must Fall and The Citadel ). Donald Meek and Lewis Stone and Robert Benchley and plenty of others, all making the most out of their bits.

The stories are tight, every character compelling, and great dialogue all wonderfully pieced together. I don't often agree with Leonard Maltin or find his assessments of films too astute, but he is completely correct when he calls China Seas "impossible to dislike."

China Seas, a minor title in the classic film library, is the film to show to win people over to the "Black and White" side and show them how exciting and entertaining a classic movie can be.

China Seas is a sort of follow-up to Red Dust, with the addition of the sort of all-star cast pioneered in Grand Hotel, only set on board a passenger ship instead of in a hotel. As in Red Dust, the central plot element involves a triangle featuring Clark Gable and Jean Harlow. However, this time the hypotenuse is occupied by Rosalind Russel rather than Mary Astor.

By the time China Seas was produced the infamous Hayes Office was already busily enforcing standards of decency in the film industry. Consequently, the action is a good deal less steamy than in Red Dust. Nevertheless, the Gable-Harlow chemistry is still very much in evidence, even if their byplay has been somewhat toned-down.

Another major element of the plot involves piracy against modern (1930s) shipping in the Far East. Some viewers might find that notion a bit far-fetched. However, it is far less absurd than one might think. In fact, it is still going on today (2012)!

A good cast and lots of action highlight "China Seas," a 1935 film directed by Tay Garnett and starring Clark Gable, Jean Harlow, Wallace Beery and Rosalind Russell.

Gable plays Alan Gaskell who is captain of a ship sailing from Hong Kong to Singapore. He's in love with the refined Sybil Thorndike (Russell) and attempting to reform his some of his bad habits.

He has a constant reminder of his former life, however, and that's his old girlfriend Dolly (Harlow) who wants him back. When the ship is hijacked by pirates looking for gold, Gaskell wonders how much Dolly and her drinking buddy, MacArdle, were involved.

Gable and Harlow worked extremely well together and give good performances here, and there's a lot happening - a typhoon and the pirate attack - which make for good adventure.

Derivative but very enjoyable.

A pretty good movie with an excellent cast and some decent special effects. Gable is at his best and the same can be said for Beery , Sir C. and Harlow. I haven't seen many Harlow films but I'm assuming that her stock character is the one she portrays here , a sort of bad girl with a heart of gold, a lovable moron who speaks first and thinks later. The kind of woman who (if she were your wife/girlfriend) would ruin a party and make a big scene if she became jealous. In other words the kind of woman most men might stupidly have casual sex with and then realizing what an idiot they were saddled with, run away from as fast as they could. I'm guessing many depression era women could identify with her low class stubborn pride but now she seems like an annoying , shrill, infantile idiot constantly seeking approval. As a portrait of this kind of woman , Harlow is magnificent. You might want to strangle her or throw her overboard but she's always watchable, the bra less gowns help.