Rocky Mountain Mystery

Rocky Mountain Mystery exists in that parallel universe where the old west never really ended but continued on well into the nineteen-thirties and forties, usually inhabited by Gene Autry, Roy Rodgers, Tex Ritter, and sometimes even a very young John Wayne.

The characters ride horses, use oil lamps to light their way, and seemingly live a frontier existence under territorial law, all with six-guns on their hips. The viewer either forgets or is unaware that this is supposed to take place in modern times when suddenly the cowboys encounter modern cars, telephones, radio, and electricity. I sometimes wonder if the depression era children who were the films' main audience actually believed the west was really like this.

This is an above average B-western and a great example of what modern experts are calling "horror western" due to their odd plots and sadistic mystery villains. I prefer to call them mystery or suspense westerns.

Rocky Mountain Mystery effectively mixes an Old Dark House plot with frontier themes. It's not as chilling as I'd like but it does have a creepy fiend dressed in black complete with gloves, hat, and cape; a killer that prefers to crush heads in a hydraulic press but isn't afraid to menace a pretty girl with a straight razor either! The ending is quite surprising and well plotted.

Wow, that stamping machine that pounds raw ore into dust may be the star of the show. It's scary as heck as a few unfortunates find out. The plot's an okay whodunit, taking place in modern age boondocks, sort of a mixture of six-guns and Ford flivvers. Then too, how about those run-down shacks and interiors, including the monster ore house that's a real eye-catcher. These amount to real old movie oddities.

Cast-wise, there's a sneaky family of suspects to choose from, with Mrs. Borg looking like Frankenstein's mother as the likeliest candidate. Too bad Scott-- still early in his outstanding career-- has little more to do than stand around like a handsome hunk. In short, he's wasted. Instead it's Chic Sale who gets the screen time for a series of mostly amusing antics as a deputy sheriff, no less. Whether his role appeals to viewers, however, is likely a matter of taste. Also, should mention Ann Sheridan as the sweet ingénue, still a long way from the sassy hussies she perfected over at Warner Bros.

Anyway, the plot may not be anything special, but many of the visuals are, thanks to what the pro's call "mise-en-scene". Then too, I'm glad Scott went on from his near nothing role here to the great Boetticher westerns of the 50's and 60's. So, all in all, give this novelty a try.

Randolph Scott at this point in his career when he wasn't doing other films was learning the western genre in a series of films that Paramount's B unit was doing from Zane Grey novels. In this particular one, Rocky Mountain Mystery, Grey tried his hand at a detective story and skilfully combined the genres.

Randy's a mining engineer, but he's turning amateur sleuth to find out what's happened to his brother-in-law, who no one has heard from. Upon arriving at the scene he meets deputy sheriff Chic Sale who's investigating the murder of the owner of a mine. The two of them decide to join forces.

The film is set in the contemporary west, at least the contemporary west of when Zane Grey wrote the story. There's reference to Chic Sale's son killed in the Great War and how Scott reminds him of his late son. When these two arrive at the mine, there's a lot of interesting people living there.

As it turns out there's quite an intricate scheme working there of which the homicide is only one aspect. I wish this film had been given a bigger budget and the A treatment because the film had potential.

Young Ann Sheridan is the female lead, this is probably one of her first films in that regard, she'd be signed by Warner Brothers next year.

However the important reason to see the film is the appearance of one of the great stage stars of the last centuries and notorious personalities. Mrs. Leslie Carter (and that's how she was billed) has the role of family matriarch of the clan at the mine and even in her old age you can tell what a beauty she was back then. Her acting is also decent, no exaggerated stage mannerisms from back in her day when she learned her craft from David Belasco.

Her divorce from her husband was one of the great scandals of the day. Divorce back in her time was scandalous in and of itself. She was left penniless by the divorce, but Belasco seeking to capitalize on her notoriety, took her under his wing and trained her in the thespian arts. People exploiting their celebrity, some things never change. You can see her story in the film, The Lady With Red Hair starring Miriam Hopkins and Claude Rains.

By the way she was billed under her former married name to take advantage of the fact that was how the public knew her and to stick it to her ex.

Even without Mrs. Leslie Carter, Rocky Mountain Mystery is a decent film, I wish had been given better production values by Paramount.

My primary interest in seeing this movie was to catch an early appearance by 'Sheridan, Ann' (qv) where she actually appears in a few scenes and not just in a bit part. She does a nice job with this early effort but is hampered by some fairly clunky dialog. I'd dare any actress to make this dialog come alive, never mind one who is just starting out.

Aside from Miss Sheridan, Randolph Scott is good as the lead but he is also a victim of a story, and script, that doesn't have much to offer. But at a running time of only an hour and combined with an early glimpse of a future star, there are worse ways you could spend an hour.

This is definitely a "B" type western, but Randolph Scott does his normal star role as Randolph Scott. "Chic" Sale's performance as the "old timer" is very entertaining, the plot is decent, and everything moves along. Some interesting little add ins, like the two dogs. You can also see Ann Sheridan before she learned to act.

All in all a little better than average for this era.