L'isola del tesoro

... based on Robert Louis Stevenson's book, from MGM and director Victor Fleming. Jackie Cooper stars as Jim Hawkins, a boy working in his mother's seaside inn. One night a crusty old sea dog named Billy Bones (Lionel Barrymore) arrives with a large chest which he zealously guards. When circumstances lead to it being opened, a treasure map is inside, which inspires Squire Trelawney (Nigel Bruce) to sponsor a sea voyage to look for the hidden booty. Jim goes along for the journey, and befriends a one-legged sea veteran named Long John Silver (Wallace Beery) who may turn out to be more than just a ship's cook.

I read Stevenson's book as a kid, but I never watched any of the many film adaptations until fairly recently, when I watched the 1990 TV movie version starring a young Christian Bale as Jim and Charlton Heston as Long John Silver. This MGM version manages to do more in less time, and I liked Beery in the Silver role much more than Heston. Cooper, on the other hand, gives an awful "movie-kid" performance that pulled me out of the story with almost every line he uttered. I tend to be overly harsh on kids in movies (I'm not a fan), so letting that slide, this is an enjoyable adventure tale with excellent costumes and settings. This was a big hit for MGM, and helped spur a boom in nautical films and other period adventure movies, such as the following year's Captain Blood and Mutiny on the Bounty.

Yes here is a good adventure yarn from a famous novel; a treasure map, a seafaring trip to an island with pirates too, lost treasure, and characters with names such as "Black Dog" etc etc However what distinguishes this version of the tale in my opinion is the relationship between cabin boy Jim Hawkins and the wily old one legged sea lag Long John Silver with the parrot on his shoulders. Childhood trust and innocence is constantly revealed yet betrayed by the adult against the child. Both these characters dominate the movie and quite a study in how an understandably gullible youngster is constantly hoodwinked by the older rogue. Outstanding performances from both actors and all in all this is an entertaining and thoughtful picture. 7/10.

I have seen most versions of Treasure Island. This is one of my favorites. Not what I would call erotic in any shape or form. Good Beery and Coogan vehicle with plenty of pirates and treasure hunting as other versions. The story line is not much different than any other. It seems a bit brighter and more lighthearted. Although none are very true to the story this one is a decent adaptation of the Robert Louis Stevenson book. I happen to like the casting of Lionel Barrymore, Otto Kruger, Lewis Stone, and Nigel Bruce in this gem. Their defense of the Island Stockade is exciting. It has more replayability than all but a couple. It is great fun for the whole family for a lazy afternoon. A notch above most except perhaps the one with Charlton Heston. I certainly hope to see this on DVD since I would add it to my collection.

I noticed, like some of the other reviewers, that few in the film had the necessary British accents needed to play these characters well. However, despite this, the movie is an excellent version of the Stevenson novel--mostly due to good acting, great sets and the nice MGM polish you'd expect from one of their top productions.

As far as the film goes, it's one of the earliest of the Wallace Beery films that teamed him with a cute kid--a formula that was repeated again and again up until Beery's death in 1949. Considering that according to his co-star, Jackie Cooper, Beery hated children and did little to hide it off camera--so I am sure in some ways Beery probably wished this and "The Champ" hadn't been so successful!!

As for the story, it's the often told story of "Treasure Island" by Robert Louis Stevenson. It's reasonably faithful to the story and is better than other versions I have seen. However, I have NOT seen the very famous Robert Newton version (by many seen as the best), so I cannot say the 1934 version was the best--though many of the newer versions tended to be a bit more dull. Like it or not, the Beery-Cooper schmaltz was entertaining--and I can see why audiences fell for it by the millions!

By the way, like so many releases from Turner Entertainment, this film includes many wonderful extras from the same studio (MGM) from the same year as this feature's release. Turner also does this with many of their classic Warner Brothers releases as well--making them excellent values for customers.

It is easy to spot great acting in this movie. Wallace Beary is great cast as Long John Silver. Jackie Cooper gives another fine child performance. As a matter of fact, the entire cast does very well.

What might be over looked often is that part of the reason this is so so good is that it is well based on the Robert Lewis Stevenson novel. The rest goes to the most often overlooked Direction of Victor Fleming.

Fleming proves in this early film that his work in the films Wizard of Oz & Gone With The Wind is no accident (some critics have called him an erratic Director for hire). He does a great job directing this cast & this story. Some of the sequences show how good a director Fleming really is.

After seeing this film recently, I am now convinced that Victor is a much better director than his detractors give him credit for. While this film does not have all the whiz bang special effects that newer pirate films have created, the great acting & directing more than makes up for that.

Add to that the amazing fact that this film brings in so much good stuff that it only needs 101 minutes to cover a major novel is enough to make you wonder if some of the new longer films about pirates just aren't very efficient in telling their tales.