Student Tour

Jimmy Durante is in here, so we know there will be piano playing, singing, and dancing. Charles Butterworth is here, clearly for the dry, word play and humor. Nelson Eddy is here for the long, baritone solos. Betty Grable and assorted co-stars make for the love stories that abound. There's a plot in here somewhere about the rowing team taking a world tour on a ship, if they can pass the exams. They are "aboard the S.S. Acadia"... somewhere on the back lot, although at the time, the thought of going to Thailand and India probably seemed quite exotic to the viewing public. Running gag about Professor Lippincott (Butterworth) being presented with his own China girl, which only confuses him. He keeps trying to lose her... with NO success. Phil Regan is the captain of the rowing team, and he (and everyone) get in and out of trouble throughout the film. This thing goes all around the mulberry bush, but it's fun to go along for the ride. The big ending is the final race ... somewhere. This shows now and then on Turner Classics... up to 90 votes, currently. Catch it if you can. Some fun, big names in here, many of which would go on to be HUGE Hollywood names. Directed by Chuck Reisner, who had started as actor/director in the early days of silents, and moved easily into the talkies. It's a fun one, with a pretty good story line.

This film manages a difficult feat--making Charles Butterworth and Jimmy Durante unfunny. Two of the greatest comic supporting actors of the 30s are completely done in by their lines.

And the film casts two singers who can't act as the romantic leads, Maxine Doyle and Phil Regan.

Add to this the spectacle of a "Chinese sage" selling his daughter to an American for $50. 1930s films didn't have to be politically correct, but slavery had been abolished 70 years before. Is it funny when it applies to Orientals?

The film has another chance at humor when it discusses philosophy. When students don't know who Descartes was, the professor decides he'd better check to make sure he has the name right. This is supposed to be funny?

The Freed-Brown songs are nice. But it's off-putting to see Nelson Eddy (whose song goes on too long) with a moustache.

When you watch films made during the Depression, it's often hard to imagine that there even WAS a depression! After all, most of the folks are employed and have tons of money in the pictures...and "Student Tour" is a great example of this dissonance between Hollywood's depiction of the era and reality. This film is all about a pampered crew team that goes on a world tour...and you wonder how most audience members could have even cared about any of this.

I found "Student Tour" to be a surprisingly dull movie considering it stars Charles Butterworth and Jimmy Durante. Believe it or not, with these two it wasn't funny in the least and it sure should have been with this pair. But the writing was the problem...the film just never delivered.

The story begins with the Crew team from Bartlett College learning that they failed their philosophy exams. So, the professor (Butterworth) agrees to allow the team to be tutored while they're on their world tour...so when they return they can retake and hopefully pass the final exam. Through the course of their trip, there is a LOT of singing and dancing, a lot of boorish behavior from some members of the team and not much in the way of laughs.

So, if you're REALLY into rowing, you might enjoy this one...otherwise, it's a dull and disappointing film.

This was one of Charles Butterworth's few leading roles. Though Jimmy Durante was top-billed, I believe, from watching it recently, Butterworth was on screen more in a more pivotal role. He was amusing to watch due to his mild manner and voice, which reminded me of Wilfred Hyde-White. The plot concerns a college rowing team on an ocean voyage. Butterworth is a professor sent to chaperone. Durante is their coach. The film is of interest because Betty Grable has an early appearance. I give it 7 stars in consideration of it's age, compared to, say, a 9-star W.C. Fields comedy or Astaire-Rogers musical. It's rare to find anything with Butterworth nowadays.

This disappointing MGM musical steals some of its plot from "Good News" and the rest from "Anything Goes". Durante is top billed, but he is only used for comic relief for the sappy romantic plot. And there isn't much in the way of comedy. The musical numbers were written by Nacio Herb Brown and Arthur Freed and I was looking forward to hearing some buried gems. Unfortunately, this was not the case. Except for Durante's specialty number, which I believe he wrote, the songs are not tuneful or memorable. The performances of these numbers are dreadful. There just isn't much here.