Gli amori di una spia

This film tickled me. Myrna Loy plays the real-life Germany spy 'Fraulein Doktor' who is in Constantinople (aka Istanbul, aka Stamboul) during WWI, trying to snoop out who in the Turkish chain of command is selling information to the British. The prelude to sending her there may remind you a bit of 007 meeting M before a mission, minus the sophisticated gadgetry, but including the description of various codes and signals. It's clear early on that this film just made it in before the Hays Code began enforcement in 1934, as Loy takes a bath and dries with a towel that's a little too small, and we learn that part of her duties as a spy involve seducing those she wants information from. There's a great scene where she helps stop a traitor in their ranks who is delivering information via a false tooth that's hollowed out, and that's how the American (George Brent) gets involved in it all.

Brent is charming and has some funny banter with her, but gets a little annoying in how aggressive and possessive he becomes when the two start falling for one another. I confess I would have been happier had she remained stronger and aloof. However, with that said, I loved how intricate the plot was, and the twists and turns along the way. With deception the order of the day, it's fun to watch all involved manipulate their way through situations, and as 'out there' as the premise is, the film has an authenticity to it, and feels ahead of its time.

There are several cute scenes with Loy, who shows at least a little bit of an edge as well as a playful and loving side. Is she completely believable as a spy? Probably not, but she is fully engaging and a delight to watch. Lionel Atwill and C. Henry Gordon are also strong in the roles as the German chief of spies and Turkish high commander, respectively. The film's pace is right and Director Sam Wood includes some nice touches with his cuts, streets scenes, and even a brief exotic dancer. Herman J. Mankiewicz's screenplay is smart, and holds together.

I may have given the film an even higher rating, as after its strong start and 'ok' middle, it had a number of fine moments down the stretch, but I have to say, I hated the ending, which was a shame. Overall though, it's hard to fathom the negative reviews and low average rating – this one is quite enjoyable.

MYRNA LOY uses her exotic beauty well as a German spy who finds herself being wooed by a persistent American medical student (GEORGE BRENT) who follows her (stalks her is more like it) until she finds herself succumbing to his charms. Their relationship, although it becomes intense, is played out with humor and wit, helped by a script that is totally unpredictable in the amount of twists and turns it takes to get to a rather abrupt conclusion.

C. HENRY GORDON has a prominent role as a Turkish commander and LIONEL ATWILL gets some humor out of his role as her boss in espionage. Loy is photographed with great care and looks exquisite in her Orry-Kelly costumes. She appears to be enjoying her role here almost as much as the "Thin Man" roles she would soon be playing opposite William Powell.

As with all espionage yarns, the plot gets thicker as things go on and anyone who dozes off will have a hard time getting back on track--that's how complicated the yarn gets before the happy ending.

All told, it's a trifle but a pleasant one in the careers of Myrna Loy and George Brent, who is a little livelier than usual in his playful role.

It's unusual in that the story is about espionage and counter espionage (and perhaps counter counter espionage) among the Germans during World War I, at a time before America entered the war.

Myrna Loy plays a German spy, sent by her spy boss (Lionel Atwill) to find out whether the head of the Turkish forces (very well played by C. Henry Gordon) is a double agent, spying for the British. The Dardanelles are involved, and military secrets. Myrna's life and mission are complicated by the fact that George Brent, an American studying medicine in Germany, is accidentally arrested in a dentist's office, during the ambush of Leo G. Carroll, who is also a double agent. Rudolph Amendt (who would play the mad doctor in She Demons nearly 25 years later) has a small role.

There are nuns in this movie, and a convent, at the opening and closing. Myrna, having outed Mata Hari as a double agent, herself falls in love, jeopardizing her work. There is some very clever dialogue in this film, as well as a little bit of well placed humor, and a great scene in which C. Henry Gordon writes secrets in invisible ink on Myrna Loy's naked back.

It's 1915. The Germans are wondering about British plans in Turkey. Annemarie, codename Fräulein Doktor (Myrna Loy), is brought into the office of German intelligence head von Sturm. She's actually working counter intelligence and accuses Mata Hari of turning for love. She vows never to fall in love. She is ordered to follow Douglas Beall (George Brent) to determine if he's a British spy. Ali Bey is a Turkish commander whose loyalty is suspect.

Apparently, there was a real person behind this fiction. It starts with plenty of intrigue including a possible real outing of Mata Hari. It's a functional espionage film although the tension is never that high. It doesn't have good action or dark realism. It is sorta like Mata Hari but the character doesn't have the exotic feelings. It also doesn't exude the sexuality. It's a bit bland but it does have Myrna Loy.

Before her sophisticated flair for comedy was discovered, Myrna Loy played many roles that relied on her exotic beauty.

One is Stamboul Quest from 1934, also starring George Brent. Loy plays a German spy, Annemarie, a sort of Mati Hari, a love 'em and leave 'em type adept at gathering information.

In 1915, her boss, German Counter-Intelligence Chief Von Sturm (Lionel Atwill) asks her to go to Turkey, as he believes Ali Bey, a Turkish Comannder for the Dardenelles, is selling secrets to the British.

While she is attempting to carry out this mission, she meets Douglas Beall (Brent) and although she fights it, she falls in love with him, helping him to get into Turkey as her servant under her passport. This makes for many complications.

Melodramatic, with Loy luminescent as well as resplendent in her various outfits. Brent is mustacheless and lively, though in later years we would see a mustached and more somber version.

The plot is a little complicated, but the two stars are worth seeing.