Sock-a-Bye, Baby

You just have to be a certain type to appreciate the humor in cartoons like this. It takes a certain sick sense of humor, something not everyone has. Cartoons like "Boom Boom", one of the first Porky Pig cartoons with his co-star, Beans the cat, in which the two spend the whole film dodging malicious bombs with minds of their own. And the present film, in which Popeye proves even more of a bully than Bluto himself ever was. This was the REALLY early days, when Popeye would beat the living crap out of anyone and anything in his path. The cartoon is stuffed with gags, including the theme song which here is, naturally, the lullaby "Rock-A-Bye Baby", which is punctuated with all kinds of violent sound effects.

Like I said, it takes a certain type to savor this.

Popeye begins this with his familiar song but an unfamiliar role: rocking a baby to sleep in its carriage on a sidewalk outside. When nearby Harpo Marx's harp playing wakes up the baby, Popeye kills him with one sock, and poor Harpo is now playing his harp with a halo over his head.

More crazy scenes occur, like Popeye singing and playing a banjo; the baby taking his pipe, smoking it and blowing smoke rings. From that point, the whole story is Popeye doing whatever he can to stop noise, so the baby will go back to sleep and stay that way.

Outrageous scenes follow. Popeye's solution to everything, at least in these first-year cartoons, is to sock it - whether it's people or an inanimate object. You cannot believe the damage - and the number of people he killed - our "sailor man" does in this story. In real life, he would spent his entire life in jail, if the jail could hold him!

Popeye and a baby are out in the streets. He's desperately trying to keep from waking the baby with all the street noises. He punches out Harpo. There is a noisy music school. He sinks a ship for blowing its horn. He punches a radio signal. He turns a construction site into rubble. He destroys a traffic jam caused by the stroller.

First, a crying baby is always annoying and rarely funny. The concept is funny, but damn Popeye is doing some damage. I think he killed a bunch of people. It's still funny even with all the murdering. It is notable that he doesn't use his spinach. Basically, Popeye is a killing machine in this one.

"Action speaks louder than words." At least, that is what some people say. This short proves that the quote is associated with Popeye the Sailor.

This short is about a simple situation: Popeye is babysitting, and no, it is not Swee'Pea but Betty Boop's baby brother Billy; that's what I heard. Anyway, Popeye tries to make sure he takes his nap. But with the sounds of old New York, it isn't easy. If Popeye heard the honk of a horn or the whistle of an ocean liner, he would go and smash the noisemaker to bits. That is what I meant when I chose that precise quote.

My favorite scene is when Popeye tries to sing Billy to put him to sleep. In the first verse of the song, the voice wasn't the familiar "croaky" one. It was the natural singing voice of his voice actor, Billy Costello. I also love the scene when Popeye sends a punch by wire to a radio station and slugs the singer. So anyway, I really love this Popeye short.

This is a highly disturbing installment of Popeye. You see Sweetpea for the first time and Popeye is caring for the kid. He is taking him for a walk and wants the baby to sleep so he pretty much beats up or kills EVERYONE who makes noise in the town! Because of this, it's as if he's being worse in this one strange cartoon than ALL of Bluto's bad deeds combined! For example, a ship sounds its horn--and Popeye sinks it-- presumably killing everyone aboard. He also knocks down a building under construction--again, probably killing all the workers! What an unstoppable nut case!! Eventually, however reprehensible a swath of murder and destruction Popeye creates, the little brat awakens anyway. I was half expecting to see Popeye kill the kid as well! Aside from seeing a completely unreasonable and homicidal side of our hero, we also get to see him beat up Harpo Marx--though why Harpo was outside playing his harp, I have no idea!

This is a somewhat well made film but one that cannot help but disturb. Back in the 1930s, out of about every 20 or 30 cartoons they made, the Fleischer Brothers made one that was just insane--and this is one of them. Other inappropriate but entertaining films they made would include a Betty Boop's "Be Human" and "Bimbo's Initiation". Enjoyable but disturbing!