Aggiungi una trama nella tua linguaRejected as an immigrant because he doesn't have the required $200, a Czech immigrant jumps ship and is befriended by a chorus girl and becomes a taxi driver.Rejected as an immigrant because he doesn't have the required $200, a Czech immigrant jumps ship and is befriended by a chorus girl and becomes a taxi driver.Rejected as an immigrant because he doesn't have the required $200, a Czech immigrant jumps ship and is befriended by a chorus girl and becomes a taxi driver.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie totali
Richard Alexander
- Man at East River
- (non citato nei titoli originali)
Irving Bacon
- Counterman
- (non citato nei titoli originali)
Wade Boteler
- Customs Inspector
- (non citato nei titoli originali)
A.S. 'Pop' Byron
- Policeman Writing Down Charges
- (non citato nei titoli originali)
Spencer Charters
- Marriage License Clerk
- (non citato nei titoli originali)
Martin Cichy
- Policeman at Bar
- (non citato nei titoli originali)
Recensioni in evidenza
Honestly, I never really cared for the roles Francis Lederer played, until I watched this film. He is just perfect as the optimistic Czech immigrant, Karel Novak, who is so glad to be landing in America. The Great Depression doesn't scare him, he's willing to do anything and figures he can triumph over any adversity. Fate is about to hand him that chance as he faces just about every adversity an immigrant can face. First he arrives in New York with less than the money required to get in - he thought it was fifty dollars, instead it is two hundred. Instead of being deported, he jumps out of the window of the cabin he is confined in and gets ashore before he can be discovered missing.
Hungry and broke, Karel is befriended by chorine Sylvia (Ginger Rogers), when she spots him chowing down on the donuts and coffee that she and the other girls in the show were breakfasting on. Although not dismal, Sylvia is realistic about how hard times are. An orphan and only 19 herself, Sylvia is taking care of a younger brother, Frank, who is going to be put in an orphanage if he skips school again. Frank is not skipping school to hang out with some local gang though, he just wants to work selling more papers to help out his big sister whom he can see is working so hard to support them both. Karel helps Sylvia see life a bit differently, through the eyes of an immigrant who is so happy to be in bustling New York where he believes anybody can become a millionaire.
So Frank, Sylvia, and Karel become a real threesome. Karel sells papers during the day, then gets a job as a taxi driver, and things are looking up. He's hoping to get the two hundred dollars together to give the immigration people before they catch up to him, and his bank balance is rising. But then everything begins to go wrong. There is a taxi strike and Karel is forced off the job with no pay while the strike drags on. The show Sylvia was dancing in closes, and Karel offers to help out and plunders his entire bank account covering living costs. Finally, Frank skips school AGAIN to sell papers and help out, but this time he is going to be sent to the orphanage. Worst of all a crooked lawyer plays on Karel's lack of knowledge of the law and sells out Karel to the immigration people, so he is facing deportation again.
So how is this not the most depressing film ever? Because it is a love story - that of two people trying to make it in New York in slim times - Karel and Sylvia - slowly and convincingly falling in love and having great chemistry together. It's also the story of an unconventional family unit of three - Karel, Sylvia, and Frank - who would do anything for one another. I'll let you watch and see how this all works out.
It's a heartwarming tale of a different New York from decades ago - one full of boarding houses, cops on the beat who knew everyone in the neighborhood, when donuts and coffee were considered a hearty breakfast, and people largely had good intentions. It's one of my sentimental favorites.
Hungry and broke, Karel is befriended by chorine Sylvia (Ginger Rogers), when she spots him chowing down on the donuts and coffee that she and the other girls in the show were breakfasting on. Although not dismal, Sylvia is realistic about how hard times are. An orphan and only 19 herself, Sylvia is taking care of a younger brother, Frank, who is going to be put in an orphanage if he skips school again. Frank is not skipping school to hang out with some local gang though, he just wants to work selling more papers to help out his big sister whom he can see is working so hard to support them both. Karel helps Sylvia see life a bit differently, through the eyes of an immigrant who is so happy to be in bustling New York where he believes anybody can become a millionaire.
So Frank, Sylvia, and Karel become a real threesome. Karel sells papers during the day, then gets a job as a taxi driver, and things are looking up. He's hoping to get the two hundred dollars together to give the immigration people before they catch up to him, and his bank balance is rising. But then everything begins to go wrong. There is a taxi strike and Karel is forced off the job with no pay while the strike drags on. The show Sylvia was dancing in closes, and Karel offers to help out and plunders his entire bank account covering living costs. Finally, Frank skips school AGAIN to sell papers and help out, but this time he is going to be sent to the orphanage. Worst of all a crooked lawyer plays on Karel's lack of knowledge of the law and sells out Karel to the immigration people, so he is facing deportation again.
So how is this not the most depressing film ever? Because it is a love story - that of two people trying to make it in New York in slim times - Karel and Sylvia - slowly and convincingly falling in love and having great chemistry together. It's also the story of an unconventional family unit of three - Karel, Sylvia, and Frank - who would do anything for one another. I'll let you watch and see how this all works out.
It's a heartwarming tale of a different New York from decades ago - one full of boarding houses, cops on the beat who knew everyone in the neighborhood, when donuts and coffee were considered a hearty breakfast, and people largely had good intentions. It's one of my sentimental favorites.
A couple of funny comments and one humorous scene at the end do not a comedy make. Especially when it has so many elements of drama - an illegal immigrant escaping, jobless and hungry people, a city strike and some violence, a villainous lawyer, school truancy, and placement in an orphanage. No, "Romance in Manhattan" is not a comedy romance, but a drama with romance. And not so much romance, as respectful love. The sacrificial kind, as well.
Francis Lederer stars as Karel Novak, an immigrant from Czechoslovakia who must be returned to Europe because he didn't have the increased amount of money for immigration. It had jumped from $50 to $200. Distraught and knowing the hardship and time it would take to raise the money working in Europe, he jumps ship as it's leaving New York.
The rest of this film is the story of an immigrant trying to make it in the U.S. And, perhaps typical of European immigrants who had such positive outlooks and attitudes when coming to America. Only those who had endured the struggles most of them had in their home lands could comprehend their joy and happiness even with hardships in America.
Novak meets Sylvia Dennis (played by Ginger Rogers), who is herself struggling and trying to make it as an actress. She is just 19 and has been taking care of a younger brother, Frank, who is around 12. This is a good story about decency among people, hard work, sacrifice and friendship. It also shows some hard sides of humanity - a glimpse of violence from a labor strike, and a shyster lawyer. The New York City police are seen in a good light as compassionate as well as sticking to duty. J. Farrell MacDonald, as Officer Murphy, befriends Karel, Sylvia and Frank. Perhaps the experience of many Irish facing antagonism when immigrating to the U.S. tempered Murphy and some others.
Anyway goodness and kindness win out in the end. This is a good film that portrays an aspect of American life that was common for many people in the early decades of the 20th century. Younger audiences well into the 21st century who aren't inclined toward history will likely be bored.
Here are a couple of favorite lines from the film.
Karel Novak, "This house is so elegant. You have carpet, really." Sylvia Dennis, "Yes, and cockroaches too." Novak, "Cockroaches! Isn't it wonderful."
Sylvia Dennis, "Frank, did you ever stop to think what a wonderful place New York is?" Frank Dennis, "Sure - ain't we got the Giants and the Yanks?"
Francis Lederer stars as Karel Novak, an immigrant from Czechoslovakia who must be returned to Europe because he didn't have the increased amount of money for immigration. It had jumped from $50 to $200. Distraught and knowing the hardship and time it would take to raise the money working in Europe, he jumps ship as it's leaving New York.
The rest of this film is the story of an immigrant trying to make it in the U.S. And, perhaps typical of European immigrants who had such positive outlooks and attitudes when coming to America. Only those who had endured the struggles most of them had in their home lands could comprehend their joy and happiness even with hardships in America.
Novak meets Sylvia Dennis (played by Ginger Rogers), who is herself struggling and trying to make it as an actress. She is just 19 and has been taking care of a younger brother, Frank, who is around 12. This is a good story about decency among people, hard work, sacrifice and friendship. It also shows some hard sides of humanity - a glimpse of violence from a labor strike, and a shyster lawyer. The New York City police are seen in a good light as compassionate as well as sticking to duty. J. Farrell MacDonald, as Officer Murphy, befriends Karel, Sylvia and Frank. Perhaps the experience of many Irish facing antagonism when immigrating to the U.S. tempered Murphy and some others.
Anyway goodness and kindness win out in the end. This is a good film that portrays an aspect of American life that was common for many people in the early decades of the 20th century. Younger audiences well into the 21st century who aren't inclined toward history will likely be bored.
Here are a couple of favorite lines from the film.
Karel Novak, "This house is so elegant. You have carpet, really." Sylvia Dennis, "Yes, and cockroaches too." Novak, "Cockroaches! Isn't it wonderful."
Sylvia Dennis, "Frank, did you ever stop to think what a wonderful place New York is?" Frank Dennis, "Sure - ain't we got the Giants and the Yanks?"
Ginger Rogers and Francis Lederer have "Romance in Manhattan" in this 1935 film directed by Stephen Roberts. The movie also features Jimmy Butler, Sidney Toler, and Donald Meek.
The handsome Lederer plays Karel Novak, an immigrant to the U.S. who is sent back as soon as he arrives because he doesn't have the required $200. He thought he only needed $50. On the return ship to his native Czechoslovakia, he jumps ship, but loses his wallet in the process. Fortunately he meets a chorus girl, Sylvia, when he's trying to steal food. He winds up sleeping on the roof of the apartment building where Sylvia lives with her brother Frankie (Butler). Frankie helps Karel get a job delivering newspapers. Later on, Karel becomes a cab driver, all with the goal of earning the necessary $200 so he can stay in America.
What a wonderful movie, very heartwarming, with fine performances, especially by Lederer. Irving Thalberg intended to make Lederer a huge star in the U.S., but he died, and it didn't happen. Nevertheless, the European star made some fine films both in Europe and here, moved into television, started an acting school, and taught acting until he died at age 100. When he worked with Louise Brooks in Die Büchse der Pandora in 1929, he knew no English, and Brooks knew no German. Here he gives a witty, charming and sincere performance as Karel.
Ginger Rogers looks beautiful as Sylvia - she was 24 - and gives an excellent performance, sharing good chemistry with both Lederer and Butler.
Very sweet film, well directed, not cloying or overly sentimental. Loved it.
The handsome Lederer plays Karel Novak, an immigrant to the U.S. who is sent back as soon as he arrives because he doesn't have the required $200. He thought he only needed $50. On the return ship to his native Czechoslovakia, he jumps ship, but loses his wallet in the process. Fortunately he meets a chorus girl, Sylvia, when he's trying to steal food. He winds up sleeping on the roof of the apartment building where Sylvia lives with her brother Frankie (Butler). Frankie helps Karel get a job delivering newspapers. Later on, Karel becomes a cab driver, all with the goal of earning the necessary $200 so he can stay in America.
What a wonderful movie, very heartwarming, with fine performances, especially by Lederer. Irving Thalberg intended to make Lederer a huge star in the U.S., but he died, and it didn't happen. Nevertheless, the European star made some fine films both in Europe and here, moved into television, started an acting school, and taught acting until he died at age 100. When he worked with Louise Brooks in Die Büchse der Pandora in 1929, he knew no English, and Brooks knew no German. Here he gives a witty, charming and sincere performance as Karel.
Ginger Rogers looks beautiful as Sylvia - she was 24 - and gives an excellent performance, sharing good chemistry with both Lederer and Butler.
Very sweet film, well directed, not cloying or overly sentimental. Loved it.
I love this little movie. Ginger Rogers is at her best here -- sweet, engaging, human -- and Francis Lederer is perfect as the illegal alien with a huge heart. As a Ginger Rogers film, this ranks right up there with Primrose Path and Roberta in my Hall of Favorites. Romance in Manhattan creates a mythopoeic USA that triumphs over Depression era America through a large dose of Hope. Folks in 1935 probably needed a film like this, but I think it works well to mute the horrors of 2020 also. See it.
I have seen over 2,000 classic films in the last 6 years, and somehow I let this one slip by me. It is rare that I uncover a new classic film favorite, but I did with this film.
"Romance in Manhattan" works so well thanks to the wonderful performances by Ginger Rogers and especially Francis Lederer. I would have loved to see him hit stardom, but he had a long career and lived 100 years despite not becoming a household name. Lederer is so charismatic and handsome in this film with such an exuberant spirit. A young Ginger Rogers is lovely, has great chemistry with Lederer, and is a loving sister.
There are two subplots, but this is mostly about a man coming to America to live the "American Dream" which he does while finding romance along with it. If that appeals to you, then I highly recommend this delightful little gem.
"Romance in Manhattan" works so well thanks to the wonderful performances by Ginger Rogers and especially Francis Lederer. I would have loved to see him hit stardom, but he had a long career and lived 100 years despite not becoming a household name. Lederer is so charismatic and handsome in this film with such an exuberant spirit. A young Ginger Rogers is lovely, has great chemistry with Lederer, and is a loving sister.
There are two subplots, but this is mostly about a man coming to America to live the "American Dream" which he does while finding romance along with it. If that appeals to you, then I highly recommend this delightful little gem.
Lo sapevi?
- QuizGinger Rogers's character in the film is 19 years old. Actually, at the time, she was 23 years old.
- BlooperAt the 01:11:20 mark the shadow of the boom mic can be seen moving on the wall behind the man on the phone.
- Citazioni
Karel Novak: [Enthusiastically] Smell the river!
Sylvia Dennis: [Sarcastically] You take another deep breath like that, and you'll kill yourself.
- ConnessioniReferences Follow the Leader (1930)
- Colonne sonoreAfter You've Gone
(1918) (uncredited)
Music by Turner Layton and Henry Creamer
Background music at the theater
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- El embrujo de Manhattan
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 1h 17min(77 min)
- Colore
- Proporzioni
- 1.37 : 1
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