The Road to Ruin

This is a cautionary tale aimed at parents. Similar to "Reefer Madness", the film seeks to warn society against the perils of bad parenting. Ann Dixon (Helen Foster) is the main character, a teen who is a model of proper behavior. As her relationship with friend Eve Monroe (Nell O'Day) develops, she is influenced by Eve's behaviors, which are riskier and more permissive.

The plot is almost predictable. A puff on a cigarette leads to an alcoholic drink, which leads to a ride in a fast car, and before you know it...pregnancy! Well, there are some other dots to connect along the way, but it's a fairly linear progression. And who is to blame? The parents.

There are other factors, of course, like bad associations and peer pressure, but the lack of parental supervision and bad parental modeling are the main culprits.

And there are boys and men who pressure the girls into behaviors that push the boundaries of propriety, and there are others who have no regard for the welfare of young women.

The film suffers from simplicity of plot, one-dimensional characters, and a predictable preachiness. It is not meant to be entertaining, per se; there is a definite element of exploitation, since the newly instituted Hayes Code can be circumvented somewhat by claiming to be educational. The risqué scenes would be censored in most other films.

This is a sound remake by Mrs Wallace Reid (who appears uncredited near the end in her accustomed role seated at a desk wearing a tie and a concerned expression as the voice of caring, socially responsible authority) of an earlier, apparently much racier, silent film she had made also starring Helen Foster. The 1928 version, according to Variety's reviewer 'Chic' "was crude and hotly sexed", but had now been "denatured and with the action greatly restrained...toned down to the point of mildness. The director apparently worked with one eye on the censors and the other on the box office, with astigmatism resulting."

Considering that the film is called 'The Road to Ruin', the film certainly spends an inordinate amount of its running time on the road - devoting an awful lot of footage, for example, to a wild pre-Code party which ends with the participants joining in a type of strip poker before all ending up in a swimming pool - before at long last arriving rather abruptly at its final tragic destination. There's also the little matter of Miss Foster's age. She still brings a sweet innocence to her role, but in the earlier version she was already 21 years old; and was by now 27, yet still playing a schoolgirl.

As is usual in such films, one wonders why the slimeball who plies Ann with booze and drugs and then pressures her into an abortion didn't just pick on a more robust girl with looser morals in the first place - of whom there seems no shortage in the film - rather than corrupting this delicate young flower. Nell O'Day as Ann's worldly blonde schoolfriend Eve Monroe, for example (resembling a prettier version of the young Bette Davis), despite obviously already having been round the block a few times as a 'sex delinquent' comes out of the film relatively unscathed; thus raising the possibility that if Ann had gone to her for advice about birth control the final tragedy might have been averted. (Eve obviously gets her glamorous, worldly-wise blonde good looks from Mommy, by the way, as played by an unbilled Mae Busch).

The usual definition for this is a film that takes a sensationalistic issue and uses it to gain notoriety and attention, by being scandalous or presenting something not normally seen in conventional films.

This is more a sincere morality tale. The co-director, Dorothy Davenport (credited as Mrs. Wallace Reid) was the widow of an actor who died of drug addiction, and then set out expose the dangers of vice.

That distinction is pretty crucial in understanding why it was made and what its context is.

That said, had this not been made right before the Hays office came in and cracked down, it could not have been made. It covers all sorts of issues that soon after would not have been allowed, irrespective of how much they were condemned.

Road to Ruin, The (1934)

** (out of 4)

A good girl that never even been kissed falls in with the wrong crowd and soon she's staying out past eight, smoking drinking and eventually..........building suspense .....having sex. Soon she starts seeing a local thug who gets her pregnant and then forces her to have an abortion. Will she straighten up in time? **suspense builds even more** Here's another forgotten exploitation film that isn't too bad but even its short 62-minute running time seems a tad bit long. The over-dramatic ending gets a few laughs but for the most part the film plays rather straight, which means we don't get any major laughs like other films from its genre.

Pre-Code exploitation flick about a teenage girl (27 year-old Helen Foster) whose life unravels when she gets involved with the wrong crowd. Booze, drugs, sex, unwanted pregnancy, and abortion are some of the highlights. Provocative for its time no doubt, today it's little more than a curiosity piece worth some giggles. Probably the most titilating scene is a dice game with women stripping to their undies. Maybe of interest to those who want to see what passed for youth culture in the early '30s. Or at least the Hollywood version of it. Remake of an earlier silent that also starred Foster.