Il mistero del signor X

Well-done mystery/thriller with Robert Montgomery playing a jewel thief suspected of being a police serial killer. The plot adapted by Philip MacDonald from one of his own novels is tightly woven and executed very nicely by director Edgar Selwyn. Selwyn, for a 1934 film, uses lots of flair and style in creating a suspenseful pace and good atmosphere. I particularly liked the way he used his cast - all of whom do excellent jobs. Montgomery is in top form as the "hero" out to find the killer in order to exonerate himself of the heinous killing spree. Aiding him is a love interest played by Elizabeth Allan, a truly lovely actress as the police commissioner's daughter. Henry Stephenson plays her father in that very stiff upper lip fashion he was so accustomed to. Lewis Stone also rounds out the cast playing a police superintendent convinced Montgomery is guilty of the crime of stealing a valuable diamond and killing the bobbies. Forrester Harvey gives an inspired portrayal as a London cabbie in on the jewel heist. He has marvelous comic timing in a more subtle way than just being a buffoon as so typically used in films like this. But it is Montgomery's portrayal that really gives the film its steam and he is as charming as ever. This is one of those rare diamonds one comes across every now and then from the Golden Age of film-making. This is a first-rate mystery with excellent direction, good performances, and an interesting,convincing script.

There's a guy in between the World Wars London who's going around knocking off London bobbies with a sword cane. Henry Stephenson and Lewis Stone can't figure it out at all.

One of the murders happens at a time when cracksman Robert Montgomery has stolen a very valuable diamond and Scotland Yard links the two crimes mistakenly. And they also link upper middle class society twit Ralph Forbes to the next one.

Montgomery realizes he can't fence that valuable jewel with the heat on so he tries by subterfuge to aid Scotland Yard. Of course this tangles him up with Elizabeth Allan who is Henry Stephenson's daughter in the film and Mrs. Robert Montgomery in real life.

Robert Montgomery is poaching a bit on Ronald Colman's territory, but he does a fine job as the thief. Henry Stephenson as always is THE quintessential English gentleman and Lewis Stone is a hard and driven inspector trying to catch the maniac.

The police do make mistakes here, but the mistakes are completely understandable and really the fault of both Forbes and Montgomery who step into it themselves.

By the way you know that this picture is before the Code because it is by no means clear that Montgomery will ever give up a life of crime.

This is Robert Montgomery's film all the way. This fine American Actor/Director is at his best and obviously has a lot of fun as he plays a second story man who just happens to steal a valuable diamond at the same time a policeman is murdered by a deranged killer. The killing takes place on the sidewalk just below where Montgomery has made his heist and, as the film unfolds, Scotland Yard comes to the erroneous conclusion that the theft and the murder have been committed by the same person. This leaves Montgomery in a precarious position and he realizes that to keep from being blamed for the murder he will have to bring the killer to justice by his own wiles. He is working on all of this while, at the same time, romancing the daughter of the head of Scotland Yard. There is plenty of good old fashioned suspense in this film to satisfy any mystery fan. There are also several light moments as we watch the romance between the jewel thief and the daughter of the Scotland Yard chief unfold. Lewis Stone, perhaps remembered best as Judge Hardy in that venerable series does a great job as another high Scotland Yard official who is suspicious of Montgomery from the start and plays a bit of a cat and mouse game with the thief. The ending is very satisfying as all matters are tied-up neatly. Enjoy...........

Robert Montgomery is a gentleman jewel thief and in the films of the 1930s this would make him the hero...of sorts. However, his career is in jeopardy due to a serial killer named 'Mr. X'. You see, X has been killing and taunting police for some time and when one of Montgomery's burglaries happens to occur at the same place a copper is killed by X, the police now suspect that X and the gentleman thief are one in the same--which clearly are not. So, it's up to Montgomery to do what he can to help the police capture X--then, and only then, can they possibly sell the huge diamond. Things get complicated when the daughter of the police inspector on the case falls for Montgomery. By the end of the film, it's a life and death struggle between X and Montgomery--and guess who wins! In many ways, this film plays a lot like a Saint or Falcon outing, though with a higher quality budget. The overall product is enjoyable light entertainment--the sort they really haven't made in over 60 years.

By the way, couldn't you also see William Powell in the role Montgomery played? They both seemed to have a real knack for these sort of parts.

This was an excellent pre-code mystery which cried out for a series starring the dapper, cosmopolitan Robert Montgomery. Could have been a second-story-man-turned-detective, or something along those lines. Always thought he had a charismatic presence on screen which commands your attention, and charisma is an elusive quality; either you have it or you don't.

He is paired here with Elizabeth Allan (not his wife, but same name) and there is a great deal of chemistry between the two (funny how important an ingredient it is to a successful picture). A sentence or two about the plot; Someone is killing bobbies in and around London, much to the chagrin of Scotland Yard. As another cop murder is taking place on the street, RM is stealing a precious diamond in an adjacent mansion. As he jumps out a window, he lands on the dead policeman, bloodying his gloves in the process. He leaves them at the scene - seemingly The Yard's first clue. For the rest of the picture he tries to extricate himself from the murder while hanging on to the stolen diamond.

Things go somewhat awry towards the end - apparently, the screenwriter was stuck for an ending and opted for one of convenience and unbelievability, but the picture was so good up to that point I decided to go with it and suspend disbelief. It was easy, as it is such an enjoyable movie.