Aggiungi una trama nella tua linguaA pretty young music teacher is bludgeoned to death in Hildegarde's school, where she's reunited with Oscar, but the autopsy report says she was dying from poison too.A pretty young music teacher is bludgeoned to death in Hildegarde's school, where she's reunited with Oscar, but the autopsy report says she was dying from poison too.A pretty young music teacher is bludgeoned to death in Hildegarde's school, where she's reunited with Oscar, but the autopsy report says she was dying from poison too.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria in totale
- Otto Schweitzer - Janitor
- (as Fredrik Vogeding)
- Bearded Diner
- (non citato nei titoli originali)
- School Boy
- (non citato nei titoli originali)
- Diner Counterman
- (non citato nei titoli originali)
- Policeman
- (non citato nei titoli originali)
Recensioni in evidenza
This time she attempts to track down a murderer right in her own New York City school. With her gimlet eye & no-nonsense manner, the killer never really stands a chance.
Miss Oliver, as always, is a joy to watch. James Gleason returns as the harried police detective Oscar Piper, now Hildegarde's boyfriend. Also on hand are Edgar Kennedy, Bruce Cabot & Tully Marshall. But, as in the other Withers films, Edna May is the real reason to watch.
And she'll need her powers of observation. Because everybody has a motive. Louise's roommate, fellow teacher Jane Davis, has won the Irish Sweepstakes with Louise and her death allows Jane to keep all of the money. Then there was a romance between Louise and teacher Addison Stevens the previous summer that Stevens broke up so he could take up with Jane. Then there is principal McFarland who tried to take up with Louise also, wrote her love letters, and Louise would not let him have them back. McFarland is married, but that hasn't put a damper on him going after the younger female schoolteachers. Finally there is the school janitor who has tunneled his way into a warehouse of booze and has been taking some and selling it to the schoolteachers. Louise refused to pay him right before her death, claiming if she outed him he'd be fired.
Basically it boils down to Oscar controlling the cops and Hildegarde controlling the investigation. After they succeed at solving the crime they are having breakfast at a diner, and let's just say that Oscar has the last laugh as Hildegarde's sensibilities are shocked about how long it takes to grieve the loss of a loved one before replacing that loved one with another.
I'd say this didn't seem quite as good as Penguin Pool Murder, because the first one was such a welcome surprise, but it was certainly a worthwhile entry.
An aside - At the conclusion of Penguin Pool Murder it was insinuated that Oscar and Hildegarde were on their way to get married after a very rushed pretty much mutual marriage proposal. Here they are just friends. Being a married couple would have painted the humor into a corner, and it works better with them being allied, maybe even being a little bit romantically interested, but never really doing anything about it. Recommended.
One of the teachers at Edna's school, Barbara Fritchie, winds up very dead and she's quite the lively corpse as the perpetrator keeps moving the body in an effort to be rid of it. In fact the only way the crime is discovered is because that day Edna kept young Jackie Searle after school.
Unlike the Thin Man movies where you could have as many as ten suspects or more in a room as Nick and Nora reveal all, this is not MGM with their lavish productions. This is RKO and this studio had a limited budget for their films. We only have four suspects so your chances of guessing who did it increase quite a bit.
Edgar Kennedy as the dumb cop who gets clunked on the head and develops amnesia is his usual funny self. In fact he's the foil used to catch the murderer in the end. As for the end, I found it a bit melodramatic for my taste and let it go at that.
But for fans of the wonderful Edna May Oliver and the dependable James Gleason this film is a must.
This time the amateur sleuth helps solve a case involving a murdered music teacher and gets herself into deep trouble with the killer who means business when he tries to throw an axe at her in a dark basement cellar. Edna May's brisk, no nonsense manner fits the character of Hildegarde Withers to perfection and she's never at a loss for a quick retort when Gleason becomes a bit overbearing. Their game of one-up-man-ship is what keeps the story moving briskly to a satisfying conclusion.
The fact that it's terribly dated in dialogue and situations is what gives this little mystery a quaint sort of charm. One of the better in a series of Hildegarde Withers murder mysteries.
Lo sapevi?
- QuizEdna May Oliver was forced to take a salary cut, as were other RKO contractees, for austerity reasons when she worked on this film.
- BlooperTwo wide-mouthed bottles appear out of nowhere on Miss Halloran's desk after Miss Withers searches it and finds the liquor.
- Citazioni
[last lines]
Oscar Piper: ...A fella could come up and see ya some time couldn't he?
Hildegarde Withers: Why, Oscar Piper!
[Oscar laughs]
Hildegarde Withers: Why, you dreadful man! You get out of here. Go on, get out!
[He leaves the diner, laughing heartily, as Hildegarde smoothes her ruffled feathers]
Hildegarde Withers: Insulted at my age!
Bearded Diner: Better late than never, sister.
Hildegarde Withers: [haughtily] That will do.
- ConnessioniFollowed by Murder on a Honeymoon (1935)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Stegen som tystnade
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 1h 11min(71 min)
- Colore
- Proporzioni
- 1.37 : 1