VALUTAZIONE IMDb
7,1/10
5103
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaThe friendship between two orphans endures even though they grow up on opposite sides of the law and fall in love with the same woman.The friendship between two orphans endures even though they grow up on opposite sides of the law and fall in love with the same woman.The friendship between two orphans endures even though they grow up on opposite sides of the law and fall in love with the same woman.
- Regia
- Sceneggiatura
- Star
- Vincitore di 1 Oscar
- 4 vittorie totali
Thomas E. Jackson
- Richard Snow
- (as Thomas Jackson)
Isabelle Keith
- Miss Adams
- (as Claudelle Kaye)
Oscar Apfel
- Speaker of Assembly
- (non citato nei titoli originali)
William Arnold
- Blackjack Dealer
- (non citato nei titoli originali)
William Augustin
- Detective
- (non citato nei titoli originali)
Recensioni in evidenza
"Melodrama" is right.
Inside the first eight minutes we've got a ship disaster, a communist riot, and a pre-teen Mickey Rooney loses two sets of parents!
This isn't one to watch for the tight plotting or realism. Watch this for the spectacular cast. Powell is dapper and urbane. Gable is dangerous and charming. Loy knock's em dead. Mickey Rooney is a riot as the young Gable.
By the way - This is the movie John Dillinger was walking out of when he was gunned down by the police.
Also of note : You'll immediately say "Oh - it's that guy," when Nat Pendelton shows up as Spud. He played either a cop or crook in half the gangster pictures ever made.
Inside the first eight minutes we've got a ship disaster, a communist riot, and a pre-teen Mickey Rooney loses two sets of parents!
This isn't one to watch for the tight plotting or realism. Watch this for the spectacular cast. Powell is dapper and urbane. Gable is dangerous and charming. Loy knock's em dead. Mickey Rooney is a riot as the young Gable.
By the way - This is the movie John Dillinger was walking out of when he was gunned down by the police.
Also of note : You'll immediately say "Oh - it's that guy," when Nat Pendelton shows up as Spud. He played either a cop or crook in half the gangster pictures ever made.
Clark Gable and William Powell are boyhood friends who end up on opposite sides of the law in "Manhattan Melodrama," also starring Myrna Loy. Loy is lovely here, as usual, but she doesn't really have much of a role. The film focuses on Gable and Powell. In the first scenes of the film, we see that they are orphaned and taken in by a man who has lost his son in the same fire that killed the boys' friends and family.
When we see them in present day, Gable is running an illegal gambling joint, leaning on people for money they owe, and dating the Loy character. Powell is in politics. After Loy spends some time with Powell, she decides she'd rather be with him, and eventually they marry, and Powell moves from DA to governor. Gable becomes increasingly ruthless, though the two remain devoted friends.
There are some melodramatic sections in the film, particularly the beginning and the courtroom scene which contains a very dramatic speech delivered by Powell. The acting is marvelous. Gable is likable as a slick gangster who takes things in stride. His smile lights up the screen. He really had one of the great screen presences - looks, a great voice, and dripping with charm.
But the really interesting performance is given by Powell. He's not the witty, energetic Thin Man in this, but a very committed and serious, dignified person with a lot on his shoulders. He's totally believable, and he and Gable provide great contrast. Powell's scene at the end of the film is very touching.
Enjoy the great stars and the story, but don't look for laughs.
When we see them in present day, Gable is running an illegal gambling joint, leaning on people for money they owe, and dating the Loy character. Powell is in politics. After Loy spends some time with Powell, she decides she'd rather be with him, and eventually they marry, and Powell moves from DA to governor. Gable becomes increasingly ruthless, though the two remain devoted friends.
There are some melodramatic sections in the film, particularly the beginning and the courtroom scene which contains a very dramatic speech delivered by Powell. The acting is marvelous. Gable is likable as a slick gangster who takes things in stride. His smile lights up the screen. He really had one of the great screen presences - looks, a great voice, and dripping with charm.
But the really interesting performance is given by Powell. He's not the witty, energetic Thin Man in this, but a very committed and serious, dignified person with a lot on his shoulders. He's totally believable, and he and Gable provide great contrast. Powell's scene at the end of the film is very touching.
Enjoy the great stars and the story, but don't look for laughs.
Two boyhood friends (one played by a very young Mickey Rooney) grow up on opposite sides of the law. Clark Gable becomes a criminal--William Powell becomes governor. Myrna Loy loves both.
This plot is now screamingly familar but, back in 1934, this was original. In fact it won the Best Original Story Oscar for its year. This could have been a real howler but a great cast, tight script and wonderful direction really put it over. Well worth catching--especially for a powerful climatic scene between Powell and Gable. A classic of its type.
This plot is now screamingly familar but, back in 1934, this was original. In fact it won the Best Original Story Oscar for its year. This could have been a real howler but a great cast, tight script and wonderful direction really put it over. Well worth catching--especially for a powerful climatic scene between Powell and Gable. A classic of its type.
They didn't name this "Manhatten *Melodrama* for nothing - it's classic melodrama! If you can get past the first fifteen minutes or so, what saves this film is the three leads: William Powell, Clark Gable, and Myrna Loy. As a Myrna Loy/William Powell fan, I love the whole scene from their first meeting, as she flings herself into his taxi, and he thinks she is out to wreck his career by pretending he assaulted her! Clark Gable is great as the charming bad guy, too. Of course, in this story about unpunished crime vs. betraying a friend, nobody ever considers the third way, but then it wouldn't be a melodrama anymore, would it? Anyway, if you enjoy golden oldies or any of the three main actors, it's worth watching.
Solid MGM crime drama that is best remembered today as the film John Dillinger saw just before being gunned down by federal agents. The story is a simple one about two men (William Powell, Clark Gable) who grew up together but are on opposite sides of the law. Myrna Loy also stars as the woman initially with Blackie (Gable) who falls for and marries Jim (Powell). Great director and trio of stars with fantastic chemistry elevate this above otherwise banal plot. Young Blackie is played by, of all people, Mickey Rooney! Must've been one hell of a puberty. Also of note is the song "The Bad in Every Man," sung by Shirley Ross here. The song would later be given new lyrics by Lorenz Hart and become the classic standard "Blue Moon."
Lo sapevi?
- QuizThe opening scenes depict the General Slocum disaster on the morning of June 15, 1904. The popular excursion steamer caught fire in New York's East River while transporting passengers to a picnic organized by St. Mark's Evangelical German Lutheran Church on the Lower East Side of Manhattan. With an estimated 1,021 fatalities, mostly women and children, this was New York City's single worst tragedy, in terms of lives lost, before 9/11. An incompetent, inexperienced crew was held primarily to blame for the tragedy.
- BlooperIn the cheering New York City crowds on Jim Wade's election night, supposedly in November 1925, theatre marquees are promoting 1933 films, including MGM's Pranzo alle otto (1933) and Argento vivo (1933) with Michael Strogoff (1910).
- Citazioni
Edward J. 'Blackie' Gallagher: Die the way you lived, all of a sudden, that's the way to go. Don't drag it out.
- Versioni alternativeAlso available in a computer colorized version.
- ConnessioniFeatured in David O. Selznick: 'Your New Producer' (1935)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Manhattan Melodrama
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 355.000 USD (previsto)
- Tempo di esecuzione
- 1h 33min(93 min)
- Colore
- Proporzioni
- 1.37 : 1
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