The Man Who Reclaimed His Head

1934's "The Man Who Reclaimed His Head" marked Claude Rains' return to Universal after the huge success of "The Invisible Man," only here he's cast as Paul Verin, meek, mild mannered writer, an impassioned pacifist who accepts a generous offer from his unscrupulous former employer, Henri Dumont (Lionel Atwill), who seeks to gain fame and fortune by putting his own name on Verin's articles (a flashback set just prior to the outbreak of WW1). An unsuccessful 1932 stage play that had also starred Rains (closing after 28 performances), this adaptation shows its talky origins only too well, frequently dragging in spots, while its 1945 remake, "Strange Confession," with Lon Chaney in the lead and J. Carrol Naish in the Atwill role, was effectively streamlined and updated into a far more compact 62 minutes, eliminating the entire anti-war backstory. The fetching Joan Bennett, still a blonde, plays Verin's wife Adele, whose ambitious prodding nearly gets her husband killed, while both Atwill and Wallace Ford fail to conceal their lust for her (we must regard her unfavorably after she fails to chastise Atwill for kissing her). Cast as daughter Linette is the atrocious train wreck called 'Baby Jane,' who must have greatly improved if she continued to work under the name Juanita Quigley (that's what happened to Baby Jane!). Several Universal veterans in smaller roles include Lawrence Grant ("Son of Frankenstein"), Doris Lloyd, Henry Armetta ("The Black Cat"), even Edward Van Sloan. Look fast for breathtaking newcomer Valerie Hobson, unbilled 17 minutes in, standing next to the partying Wallace Ford, who'd rather play with Joan Bennett. Unlike "The Invisible Man" and "Mystery of Edwin Drood," "The Man Who Reclaimed His Head" was never part of Universal's popular SHOCK! television package of the late 50s; yet because of its false marketing as a shocker, it did make a whopping four appearances on Pittsburgh's Chiller Theater- Mar 16 1974 (following 1967's "The Bamboo Saucer"), Sept 18 1976 (following 1937's "Night Key"), Aug 13 1977 (following 1943's "The Mummy's Ghost"), and Mar 26 1983 (solo).

An intriguing film about a writer who discovers his ideas have been used to promote WWI, Claude Rains does his usual remarkable job. If you see it listed, try to catch it!

I caught this on TV late one night. From the cheesy title, I expected a horrible *B* film. I've always been a fan of Claude...so I had to watch. Surprise, surprise, this movie is GREAT! It may have been a B film, but it has stayed with me for 30 years. Even though no one has ever heard of it, I recommend it often. As someone else remarked, it isn't a horror movie in the traditional sense. But the horrors of war is the subject. There was not a moment wasted in the direction. The opening shot pulls you right in. You can't believe your eyes. And then a flashback to an idyllic setting. But soon the war has turned our hero's life in pure Hell. The tale is about war profiteering. Strangely appropriate in 2006. Can you say Halliburton? The film brings you round to the opening scene again in a fantastic ending also. And the final words are exactly the opposite of what you expected in the opening scenes. Find & watch it!

Claude Rains has already given such kind of characters of anti heroes, as the ones he showed in PHANTOM OF THE OPERA, or THE INVISIBLE MAN. Lon Chaney was also used to play such characters fighting against something which was about to destroy them, fights lost in advance. Universal Pictures seemed not being reluctant about those anti Hollywood schemes. Rains was the perfect portrait of the poor hero whom any audience could not ignore, nor feel empathy for. This was an early Edward Ludwig film, surprising and interesting as well for this director who will later become an adventure yarn specialist: WAKE OF THE RED WITCH, SMUGGLER'S ISLAND, JIVARO, FLAME OF THE ISLANDS, CARIBBEAN...But please don't miss this movie for Claude Rains' performance.

This little-known drama is often mistakenly thought of as a horror film by virtue of its luridly suggestive title, its being a Universal production and the appearance of several horror stalwarts. Actually, it's quite splendid and very stylish, making the most of its Grade A budget.

Claude Rains is marvelous as ever in the title role and is superbly supported by a wonderful cast - a blonde Joan Bennett, a treacherous Lionel Atwill, Wallace Ford, Gilbert Emery, Edward Van Sloan (the latter two are actually uncredited and appear very briefly; so, too, does Valerie Hobson according to the IMDb, thought I didn't spot her)! The unusual, thought-provoking (and sadly, more topical than ever) plot, taking a critical look at political opportunism, spin doctoring and warmongering, is nicely handled all around, with as much care given to the touching domestic life of the main characters as to the period detail or its vigorous scenes of warfare and political discussions.

The effectively filmed finale (which gives the film its title) is a highlight and, hopefully, it should be able to get a new lease of life whenever the film is released on DVD, even if it has to be passed off as a horror title to make it; however, I don't think many will complain of this once they've seen it but will instead be very thankful that it has finally been made available on the newest home video format. Are you listening, Universal?