Il rifugio

This is a very enjoyable though predictable film--exactly the sort of classic Hollywood film I like and they just don't make any more. The first portion of the film shows leading man Robert Montgomery to be a real jerk. Not only is he a mobster, but he's also completely selfish and a real cad. Eventually, though, his larcenous ways nearly get him killed and he is forced to escape to the countryside to avoid the law and heal following being shot by police in his escape.

Montgomery is discovered by a nice and unsuspecting family who have no idea he's a crook. They sweetly agree to let him stay there and they treat him like a member of the family. While the dad is a pretty forgettable but nice character, long-time character actress Elizabeth Patterson does an amazingly effective job as the mother and Mickey Rooney is cute as a nice little boy who is all boy! The sister was played by a young Maureen O'Sullivan who is simply radiant. It isn't surprising that Montgomery soon falls for O'Sullivan, but her inherent decency and sweetness result in a change in the crook. Over time, he realizes for the first time that he truly cares about her--as well as the entire family. Is this predictable? Sure,...but it's handled so well and the film is so engaging that you probably won't mind--I know I sure didn't! Overall, the film gets very high marks for acting (with a great ensemble cast), a well-written script (especially the dialog) and is just plain entertaining. See this one--you probably won't be sorry.

Robert Montgomery plays a gangster hiding out on a farm in "Hide-Out," a 1934 film also starring Maureen O'Sullivan, Edward Arnold, Elizabeth Patterson, Whitford Kane, and Mickey Rooney.

With the police after him, Lucky Wilson takes off but ends up shot and unconscious. He is then found by a farmer Miller (Kane) who takes him home.

There, Lucky, now calling himself by his real name, Jonathan, meets a normal American family, including an above-normal looking Pauline (Maureen O'Sullivan), who is the daughter of the house.

Jonathan stretches out his recovery and begins to enjoy the idyllic life of milking cows, feeding chickens, romancing Pauline, and being sort of a big brother to her younger sibling Willie (Mickey Rooney).

This is a sweet film with nothing special to recommend it except the beautiful young O'Sullivan and an amusing performance by Montgomery. In one of the best scenes, he sits at a ringside table and asks a singer out - while she's singing - and she answers him under her breath during short orchestral interludes.

The end seems a little abrupt, but this is a pleasant film. If Mrs. Miller looks familiar, she was Mrs. Trumbull, the neighbor who babysat Little Ricky on "I Love Lucy."

About handsome, smartly-dressed "Lucky" Wilson (played by Robert Montgomery), ladies' man and racketeer who spends his time hitting up successful New York nightclubs for "protection" money and at the same time hits on every blonde he sees (even when it means dumping the current blonde he's with). When a couple of smart cops get someone to spill the beans on his rackets, Lucky is forced to leave town in a hurry and head for a hideout, but he gets himself shot on the way out and ends up getting picked up on the road by a Connecticut farmer, who bunks injured Lucky in his quite lovely family home/farm. The kindly family proceeds to nurse Lucky back to health, but Lucky just wants to get out of there - until he meets the farmer's beautiful daughter Pauline (Maureen O'Sullivan). Soon he's feeding the chickens, milking the cow, picking cherries, chopping wood, and performing other farm chores (all dressed in his nice white shirt and jacket) all in pursuit of the girl. And the family has NO clue that Lucky is a criminal!

Very entertaining film, with excellent performances by all including Elizabeth Patterson as the charitable farm wife/mom, and a young Mickey Rooney as the boisterous little brother/devoted rabbit farmer. Robert Montgomery is, as usual, charming and oh so attractive, and quite good at playing this gangster type role in addition to his usual roving playboy type - plus he has a good deal of chemistry with Maureen O'Sullivan here. I enjoyed the story in this and found the whole film to be very enjoyable. Well worth seeing.

More than one movie was been made about a crook (or crooks in the case of couples) who leaves the city (usually, it's the Big Apple of New York) to go into hiding in a rural area. I've seen a few of them, and all but one that I can recall were comedy mysteries or crime pictures. Well, "Hide-Out" is an early one that stars Robert Montgomery and Maureen O'Sullivan, with a very large supporting cast.

Montgomery plays a sleezy, cocky, Jonathan "Lucky" Wilson. The cockiness fits Montgomery's normal film persona -- a smugginess in his constant quirky smile. It's a good story and film. While Wilson's conversion or change isn't quite believable, the performances by O'Sullivan as Pauline Miller, and those of the rest of her family and other supporting cast boost this film. Mickey Rooney is very good in this early role of his career as Pauline's youngest brother, Wiliam, who can't stand being called "Willie."

Old-time movie buffs and those interested in silver screen history will note and enjoy the roles of some of the great stock actors of mystery comedies. Here, Edward Brophy plays Detective Britt, Douglass Dumbrille plays nightclub owner DeSalle, and the dastardly appearing Henry Gordon plays The Boss, Tony Berrelli. Other comedy supporters are here as well, and do a good job - Herman Bing as Jake and Henry Armetta as Shuman.

Edward Arnold is one of the great supporting actors of Hollywood's golden era who never so much as received a nomination for any awards. Yet he could act in any genre, with a variety of characters and personas, and seem more natural in each role than anyone else. Arnold was superb in some great comedies and dramas. And, he could play mean and bad guys who came across tough as nails. Here he's a good guy, police detective and Lt. Mac MacCarthy who is hot on the trail of Wilson, his boss Berrelli, and the gang.

This is an enjoyable film, but younger modern audiences who have been brought up on fast action and speed in everything may not be able to slow down enough to enjoy it.

This sentimental M-G-M "gangster" film works like a "Tarzan" in reverse: here the seemingly incorrigible hood played by Montgomery, urbane and a touch cynical, finds his cold heart surely melting in the warm embrace of a simple farm family and their soothing workaday life.

In "Tarzan" Maureen O'Sullivan is the "outsider", and although she must adjust to life in the jungle the thrust of that story is that she "domesticates" the "ape man" even as she learns to accept the simpler pleasures of living "close to nature". Here Montgomery is the one out of his element and we find him mystified by the sounds of crickets in the evening--something almost as strange and foreign to him as the unpretentious caring ways of the Miller family. When Mom and Pop and little "don't call me" Willy (played by young Mickey Rooney) conveniently leave the farm for a day, Montgomery and O'Sullivan get to play "farm" (baling the hay, splitting wood) the same way Tarzan and Jane get to play "house" together. In both cases O'Sullivan has "tamed" the wild beast.

"Tarzan" was an adventure film, however--the journey takes place in the great outdoors and nature is a mirror. "Hide-out" is an inner journey, on the other hand--even as he's hauled off to prison Montgomery smiles because he's finally come "home".