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La donna è mobile

Titolo originale: Forsaking All Others
  • 1934
  • Approved
  • 1h 23min
VALUTAZIONE IMDb
6,4/10
1683
LA TUA VALUTAZIONE
Clark Gable, Joan Crawford, and Robert Montgomery in La donna è mobile (1934)
CommediaDrammaRomanticismo

Aggiungi una trama nella tua linguaWhen Mary's fiance elopes with another woman, her friend Jeff seizes his chance with the jilted bride. Her ex returns, forcing a choice between the men.When Mary's fiance elopes with another woman, her friend Jeff seizes his chance with the jilted bride. Her ex returns, forcing a choice between the men.When Mary's fiance elopes with another woman, her friend Jeff seizes his chance with the jilted bride. Her ex returns, forcing a choice between the men.

  • Regia
    • W.S. Van Dyke
  • Sceneggiatura
    • Joseph L. Mankiewicz
    • Frank Cavett
    • Edward Barry Roberts
  • Star
    • Robert Montgomery
    • Joan Crawford
    • Clark Gable
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,4/10
    1683
    LA TUA VALUTAZIONE
    • Regia
      • W.S. Van Dyke
    • Sceneggiatura
      • Joseph L. Mankiewicz
      • Frank Cavett
      • Edward Barry Roberts
    • Star
      • Robert Montgomery
      • Joan Crawford
      • Clark Gable
    • 35Recensioni degli utenti
    • 10Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 1 candidatura in totale

    Foto41

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    + 34
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    Interpreti principali30

    Modifica
    Robert Montgomery
    Robert Montgomery
    • Dillon 'Dill' Todd
    Joan Crawford
    Joan Crawford
    • Mary Clay
    Clark Gable
    Clark Gable
    • Jeff Williams
    Charles Butterworth
    Charles Butterworth
    • Shep
    Billie Burke
    Billie Burke
    • Aunt Paula
    Frances Drake
    Frances Drake
    • Connie Barnes Todd
    Rosalind Russell
    Rosalind Russell
    • Eleanor
    Hooper Atchley
    Hooper Atchley
      Margaret Bert
        Edward Brophy
        Edward Brophy
          Lillian Harmer
          Lillian Harmer
            Forrester Harvey
            Forrester Harvey
              Ted Healy
              Ted Healy
                Ernie Alexander
                • Telegram Messenger
                • (non citato nei titoli originali)
                Sidney Bracey
                Sidney Bracey
                • Paula's Chauffeur
                • (non citato nei titoli originali)
                Oliver Cross
                • Party Guest
                • (non citato nei titoli originali)
                Jan Duggan
                Jan Duggan
                • Mrs. Cobal - Customer
                • (non citato nei titoli originali)
                Jay Eaton
                Jay Eaton
                • Party Guest
                • (non citato nei titoli originali)
                • Regia
                  • W.S. Van Dyke
                • Sceneggiatura
                  • Joseph L. Mankiewicz
                  • Frank Cavett
                  • Edward Barry Roberts
                • Tutti gli interpreti e le troupe
                • Produzione, botteghino e altro su IMDbPro

                Recensioni degli utenti35

                6,41.6K
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                Recensioni in evidenza

                6bkoganbing

                Familiar Ground

                I have to imagine that in order for MGM to justify using two of their top leading men with Joan Crawford, their parts in Forsaking All Others would have to have been built up considerably. The original Broadway production of this comedy that ran 110 performances in 1933 starred Tallulah Bankhead and it was strictly her show. As if it would have been any other way.

                I have to give Joan Crawford credit on this one. Unlike her later film Susan and God where she tries to imitate Gertrude Lawrence with accent and all, she wisely does not try to do a Tallulah impersonation. She creates her own character here and it's a good one. She's got both Robert Montgomery and Clark Gable after her, but she chooses early on and in the end she finds out she chooses wrong. In fact the only impersonation Crawford does is one of her Grand Hotel co-star Greta Garbo.

                Both Clark Gable and Robert Montgomery settle into familiar stereotypes for them. Gable is another reporter character like he is It Happened One Night and Montgomery is an irresponsible playboy like he was in a gazillion films.

                Montgomery and Crawford are set to be married, but Montgomery leaves her at the altar and runs off with his demanding mistress Frances Drake. But Crawford has Gable's shoulder to cry on for most of the rest of the film. By the way, Drake gives a performance that's a case study in canine feminus. She makes Joan Collins in Dynasty look like Maria Von Trapp. Drake dominates in whatever scene she's in. No way that Tallulah Bankhead would have let that happen on stage.

                Charles Butterworth and Billie Burke are also on hand and young Rosalind Russell on her way up has a small part as one of Crawford's friends. Nothing new in Forsaking All Others, but the ground is familiar enough.
                8AlsExGal

                A very good 1930's romantic comedy

                This is one of the several movies that Joan Crawford made with Clark Gable, and fortunately quite a few of them (maybe all) have made it to at least DVD-R via the Warner Archive. This is one of the best the two did together. It's a romantic comedy in which Joan plays socialite Mary Clay, who is about to marry lifelong acquaintance Dillon Todd (Robert Montgomery). Clark Gable plays another of Mary's lifelong friends, Jeff Williams. Jeff has been long away from home and decides to come back just to ask Mary to marry him, unaware that Mary is about to marry Dillon. When he learns about their upcoming marriage he decides to keep his feelings to himself, although the look he has as if having been punched in the stomach when he hears the news says it all. Robert Montgomery is playing the usual harmless playboy character here that he did so much of in the early 1930's. It looks like Mary and Dillon's marriage is about to go off without a hitch until one of Dillon's old girlfriends appears on the scene.

                This film was released about six months after the precode era ended, so there is nothing really racey going on here. About the most extreme thing you will see is Robert Montgomery in a dress. However, W.S. Van Dyke is the director of this film, and he knew how to combine sexual tension and comedy in an age of aggressive censorship, and this is a fine example of his work. I highly recommend it to fans of films of the 1930's.
                7PhyllisBrooks

                The triangular tease of a jilted bride's pursuit of the man that got away, recognizing ultimately that her devotion is misplaced, and finally, aptly directed to her true heart's desire.

                An ideal vehicle for Joan Crawford, and a role to which she applies herself consummately! The chemistry between Ms. Crawford and Clark Gable is palpable and registers like a blister. The ever-clever and witty Robert Montgomery is in fine form as the character of "Dill", and an apt foil for the combine of Ms. Crawford and Mr. Gable. I particularly enjoyed Frances Drake's portrayal of Connie, as her elegant piquancy in this characterization is right on the nose.
                8ksf-2

                fun cat & mouse romp with Montgomery,Crawford,Gable

                throughout the film, all the big names are laughing, joking, playing, having a grand ol time, until every now and then some real life adult situations get in the way. liberal use of backdrop scenery. also a lot of getting dressed and undressed. Miss Joan Crawford (Mary) getting spanked. naughty naughty. Billie Burke with the hair curler contraption on her head. all right at the beginning of enforcement of the film production code, with the official card at the beginning of the movie to prove it. Clark Gable (Jeff) and Robert Montgomery (Dill) keep stepping out of the shower. Montgomery in a dress. Fun stuff! Rosalind Russell and Charles Butterworth ("Shemp"... not to be confused with one of the Stooges... has nothing to do with that) thrown in for more wisecracking. Even the butler gets a couple funny lines. Why isn't this shown more often? and why is it rated so low? Catch this one and see Joanie in a glamorous but not over-done over-bearing role.... before she turned to the dark side...
                TOML-4

                Yet another bombshell hit for Crawford.

                This is one of more than a dozen 1930's films which were blockbusters for Crawford. She is nothing less than hilarious in this film and it paved the way for I Live My Life and Susan and God. She and Gable had major chemistry, although her acting skills made his look inferior, which of course they were. Rosalind Russell and Crawford work very well together.

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                Trama

                Modifica

                Lo sapevi?

                Modifica
                • Quiz
                  The screenplay was written for Loretta Young, George Brent, and Joel McCrea but later was given to Clark Gable, Joan Crawford, and Robert Montgomery.
                • Blooper
                  When Dill and Mary are driving in the Rolls Royce, the camera pans up from the grill, and the "Spirit of Ecstasy" hood ornament is not there. However, moments later when the camera view changes to the car interior, the ornament can be seen through the windshield.
                • Citazioni

                  Mary Clay: Jeff, has it ever occurred to you that this is none of your business?

                  Jeffrey 'Jeff': It's none of my business when I see a dog being whipped, but I'll stop it every time.

                • Curiosità sui crediti
                  In the opening credits the three stars of the film, Joan Crawford, Clark Gable, and Robert Montgomery are seen walking hand in hand.
                • Versioni alternative
                  There is an Italian edition of this film on DVD, distributed by DNA Srl: "LA DONNA È MOBILE - Widescreen Edition" (in double version 1.33:1 and 1.78:1), re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
                • Connessioni
                  Featured in Thou Shalt Not: Sex, Sin and Censorship in Pre-Code Hollywood (2008)
                • Colonne sonore
                  Forsaking All Others
                  (1934) (uncredited)

                  Music by Walter Donaldson

                  Lyrics by Gus Kahn

                  Written for the movie and possibly played as background music

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                Domande frequenti15

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                Dettagli

                Modifica
                • Data di uscita
                  • 1935 (Italia)
                • Paese di origine
                  • Stati Uniti
                • Lingua
                  • Inglese
                • Celebre anche come
                  • Forsaking All Others
                • Luoghi delle riprese
                  • Big Bear Lake, Big Bear Valley, San Bernardino National Forest, California, Stati Uniti
                • Azienda produttrice
                  • Metro-Goldwyn-Mayer (MGM)
                • Vedi altri crediti dell’azienda su IMDbPro

                Botteghino

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                • Budget
                  • 420.069 USD (previsto)
                Vedi le informazioni dettagliate del botteghino su IMDbPro

                Specifiche tecniche

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                • Tempo di esecuzione
                  • 1h 23min(83 min)
                • Colore
                  • Black and White
                • Proporzioni
                  • 1.37 : 1

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