VALUTAZIONE IMDb
6,4/10
1682
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaWhen Mary's fiance elopes with another woman, her friend Jeff seizes his chance with the jilted bride. Her ex returns, forcing a choice between the men.When Mary's fiance elopes with another woman, her friend Jeff seizes his chance with the jilted bride. Her ex returns, forcing a choice between the men.When Mary's fiance elopes with another woman, her friend Jeff seizes his chance with the jilted bride. Her ex returns, forcing a choice between the men.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
Ernie Alexander
- Telegram Messenger
- (non citato nei titoli originali)
Sidney Bracey
- Paula's Chauffeur
- (non citato nei titoli originali)
Oliver Cross
- Party Guest
- (non citato nei titoli originali)
Jan Duggan
- Mrs. Cobal - Customer
- (non citato nei titoli originali)
Jay Eaton
- Party Guest
- (non citato nei titoli originali)
Recensioni in evidenza
A better than average comedy that certainly entertains. Plot is believable and somewhat unusual. Clark Gable returns from Madrid (we are not told what he was doing there nor really what anyone does for a living) in order to propose to Joan Crawford. Clark has secretly loved Joan since they were children but in his absence, Joan has agreed to marry Robert Montgomery who she has loved since they were children. Enter the old flame, Frances Drake, who whisks Montgomery away on the eve of his nuptial leaving Crawford standing at the alter. The marriage does not work and soon Crawford steps out with Montgomery on the side. Gable criticizes and consoles Crawford eventually making plans to return to Spain. Good performances by Crawford (opening shot with cream on her face is in contrast to other stars who preferred glamorous introductions), Montgomery (he really is funny), Gable, Billie Burke (who can do "flustered" any better), Rosalind Russell (does well in one of her early films) and a very droll Charles Butterworth. I never thought Frances Drake was believable as the lower class wife but this can easily be overlooked. Recommended as an evenings good entertainment.
Clark Gable, Joan Crawford, and Robert Montgomery are childhood friends who are in not only a love triangle but a love quadrangle in "Forsaking All Others," from 1934.
Crawford is Mary Clay, who is about to be married to Dill (Montgomery). Gable is Jeff Williams, who returns from Spain with the intention of proposing to Mary. When he walks in, there's a party going on celebrating the upcoming wedding. Jeff puts on a brave face as Dill and Mary are two of his closest friends. Dill, however, has some old business, and that's his ex-girlfriend Connie (Frances Drake). Turns out Connie's business isn't as old as Mary and Dill thought because, as Mary prepares to walk down the aisle, Jeff gets a telegram saying that Connie and Dill are married.
This is an entertaining comedy, with the three stars in top form. Montgomery is a riot, and Gable - what can I say. I always liked him, but let's face it, at this point in the 1930s the man was irresistible! That smile! That dimple! And that dynamite screen presence - he's wonderful. And he injects the film with warmth. Though comedy was never Crawford's forte, she actually plays this straight and is very good.
Billie Burke costars and Rosalind Russell has a small role. Good fun.
Crawford is Mary Clay, who is about to be married to Dill (Montgomery). Gable is Jeff Williams, who returns from Spain with the intention of proposing to Mary. When he walks in, there's a party going on celebrating the upcoming wedding. Jeff puts on a brave face as Dill and Mary are two of his closest friends. Dill, however, has some old business, and that's his ex-girlfriend Connie (Frances Drake). Turns out Connie's business isn't as old as Mary and Dill thought because, as Mary prepares to walk down the aisle, Jeff gets a telegram saying that Connie and Dill are married.
This is an entertaining comedy, with the three stars in top form. Montgomery is a riot, and Gable - what can I say. I always liked him, but let's face it, at this point in the 1930s the man was irresistible! That smile! That dimple! And that dynamite screen presence - he's wonderful. And he injects the film with warmth. Though comedy was never Crawford's forte, she actually plays this straight and is very good.
Billie Burke costars and Rosalind Russell has a small role. Good fun.
This love triangle comedy is worth tracking down for its great script, which is filled to the brim with humorous wit and colorful dialogue that keeps viewers on their toes. (Joseph L. Mankiewicz wrote the screenplay, based on a stage play.) And it certainly helps to have these lines read by the likes of Billie Burke and Charles Butterworth, whose inimitable comedic talents boost the so-so story.
Robert Montgomery's and Joan Crawford's characters grow tiresome after a while, but the film is saved by the performances of Butterworth and Burke in their sidekick roles. Billie Burke is at her fluttery best. Clark Gable is Clark Gable: solid the whole way through. His character is the most likable of the three leads, but he drops out from the middle of the film.
The plot takes some tedious turns, but the ending is satisfying. I like how the scenes at the end of the film mirror the scenes at the start of the film. While I felt the production overall was uneven, I must say that the script really sparkles in places, setting this overlooked comedy apart from the pack.
Robert Montgomery's and Joan Crawford's characters grow tiresome after a while, but the film is saved by the performances of Butterworth and Burke in their sidekick roles. Billie Burke is at her fluttery best. Clark Gable is Clark Gable: solid the whole way through. His character is the most likable of the three leads, but he drops out from the middle of the film.
The plot takes some tedious turns, but the ending is satisfying. I like how the scenes at the end of the film mirror the scenes at the start of the film. While I felt the production overall was uneven, I must say that the script really sparkles in places, setting this overlooked comedy apart from the pack.
throughout the film, all the big names are laughing, joking, playing, having a grand ol time, until every now and then some real life adult situations get in the way. liberal use of backdrop scenery. also a lot of getting dressed and undressed. Miss Joan Crawford (Mary) getting spanked. naughty naughty. Billie Burke with the hair curler contraption on her head. all right at the beginning of enforcement of the film production code, with the official card at the beginning of the movie to prove it. Clark Gable (Jeff) and Robert Montgomery (Dill) keep stepping out of the shower. Montgomery in a dress. Fun stuff! Rosalind Russell and Charles Butterworth ("Shemp"... not to be confused with one of the Stooges... has nothing to do with that) thrown in for more wisecracking. Even the butler gets a couple funny lines. Why isn't this shown more often? and why is it rated so low? Catch this one and see Joanie in a glamorous but not over-done over-bearing role.... before she turned to the dark side...
A witty film that benefits mostly from the pairing of Clark Gable and Joan Crawford. After a brisk and entertaining first half, things start to drag a bit when Gable is absent from the screen for a protracted period. Nevertheless, its well worth seeing.
Lo sapevi?
- QuizThe screenplay was written for Loretta Young, George Brent, and Joel McCrea but later was given to Clark Gable, Joan Crawford, and Robert Montgomery.
- BlooperWhen Dill and Mary are driving in the Rolls Royce, the camera pans up from the grill, and the "Spirit of Ecstasy" hood ornament is not there. However, moments later when the camera view changes to the car interior, the ornament can be seen through the windshield.
- Citazioni
Mary Clay: Jeff, has it ever occurred to you that this is none of your business?
Jeffrey 'Jeff': It's none of my business when I see a dog being whipped, but I'll stop it every time.
- Curiosità sui creditiIn the opening credits the three stars of the film, Joan Crawford, Clark Gable, and Robert Montgomery are seen walking hand in hand.
- Versioni alternativeThere is an Italian edition of this film on DVD, distributed by DNA Srl: "LA DONNA È MOBILE - Widescreen Edition" (in double version 1.33:1 and 1.78:1), re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
- ConnessioniFeatured in Thou Shalt Not: Sex, Sin and Censorship in Pre-Code Hollywood (2008)
- Colonne sonoreForsaking All Others
(1934) (uncredited)
Music by Walter Donaldson
Lyrics by Gus Kahn
Written for the movie and possibly played as background music
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Dettagli
Botteghino
- Budget
- 420.069 USD (previsto)
- Tempo di esecuzione
- 1h 23min(83 min)
- Colore
- Proporzioni
- 1.37 : 1
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