La grande Caterina

The drama and characters in this movie about "Catherine the Great" are generally pretty good, although often non-historical, and the atmosphere is often quite good. The settings and many of the details were crafted with care, and apparently with ample resources available.

Elisabeth Bergner often gives distinctive, sometimes unusual portrayals of her characters, and this is no exception. Yet Catherine was such a complex figure that it's almost a moot point as to how accurate Bergner's portrayal may be, especially since the story here is mostly concerned about her younger days, before she became Empress. Bergner definitely makes Catherine interesting and worth caring about.

The story itself is interesting, and though it should not be viewed as accurate history, as a movie it works well enough, and sometimes it works quite well. As Peter, Douglas Fairbanks, Jr. gives his character a nature that is probably quite different from the historical Peter, but in itself it is a believable and effective portrayal.

The story of the ongoing intrigues involving Peter, Catherine, Elizabeth (a well-cast Flora Robson), and others, has some good moments. The historical situation was complicated, and it lends itself easily to a movie adaptation. The settings work well in conveying both the historical period and also the atmosphere of plots and counter-plots. The movie as a whole was overshadowed, even in its own time, by other features on the same subject, but it is still a good effort that is worth watching.

Alexander Korda produced this lavish film, "The Rise of Catherine the Great," starring Elizabeth Bergner, Flora Robson, and Douglas Fairbanks, Jr. It's the story, not wholly accurate but still interesting, of, as the title suggests, Catherine the Great's (Bergner)ascension to the throne as it was wrested from her crazy husband Peter (Fairbanks). Though in the film this all seems to happen somewhat quickly, Catherine and Peter were married for 17 years and had children before the Empress Elizabeth dies and Peter becomes tsar.

In the film, Peter cheats on Catherine on their wedding night, and she pretends to take many lovers. This makes him jealous, and the two reconcile. However, after the Empress Elizabeth dies, the decisions that he makes as tsar on behalf of Mother Russia are outrageous, and Catherine is encouraged to go along with a coup.

Wide-eyed, girlish Bergner is Catherine. Bergner was a noted stage actress in Europe who unfortunately never caught on in Hollywood; nevertheless, she worked in Europe until she was 87 years old. Supposedly an incident in her life was the inspiration for "All About Eve." Tiny, she nevertheless had authority as an actress, with line readings that were at times reminiscent of Garbo. She is a good Catherine. The showier roles were those of the Empress Elizabeth and Grand Duke Peter. Flora Robson is a wonderful Empress Elizabeth, and Fairbanks, always an underrated actor, is brilliant as the volatile, mad Duke.

Worth seeing for the performances.

...from producer Alexander Korda and director Paul Czinner. Elisabeth Bergner stars as the naive young German princess who is arranged to marry Peter II (Douglas Fairbanks Jr.), the heir to the Russian throne. Peter is a moody, petulant brat, long suffering the animosity of the reigning Empress Elisabeth (Flora Robson). While it appears that Catherine and Peter may just be what the other needed, soon Peter's attentions wander, and Catherine sets out to gain the throne for herself.

It was interesting comparing this to the same year's The Scarlet Empress, which I just rewatched recently. That film is far superior, one of the best of the year, but this one isn't bad, either. The biggest weakness of this version is Bergner, a very peculiar actress in both look and demeanor. She was a major star of the Austrian and German stage world, and she moved to London to escape the Nazis. She had high profile roles in this, Escape Me Never (1935) which earned her an Oscar nomination for Best Actress, and the Shakespeare adaptation As You Like It in 1936, opposite a young Olivier. She fades in the shadow of Marlene Dietrich in the role, and Bergner fails to convincingly imbue her with the strength needed for the later scenes.

The largest difference between the two is the depiction of Peter. In The Scarlet Empress, he's played by Sam Jaffe as a jabbering man-child barely able to operate in the civilized world. Conversely, Fairbanks plays him as a spoiled rich kid, but one with shades of maturity trying to break out, and he also adds a romantic attraction that Jaffe couldn't on his best day. The great Flora Robson is a treat here, just as spoiled and temperamental as her nephew, and she gives the equally revered Louise Dresser in the other film some stiff competition for who played it best. This version features very good costume and set work, but again, the sets can't match the grotesqueries in the other film nor that film's exquisite cinematography.

Alexander Korda took the audience back to 18th century Russia to offer his account of a timorous, quaking German teenager, who rose to become one of the most powerful, consequential monarchs in world history. He did this a mere 14 years after American women gained their suffrage with passage of the 19th Amendment. Elizabeth Bergner does a fine job in the title role of someone raised since childhood to marry Grand Duke Peter (Douglas Fairbanks Jr.), as directed by his childless aunt, Empress Elizabeth (Flora Robson). The sets and costumes are impressive as is the brisk 94 minute account, which may inspire further research.

The alternative title "The Rise of Catherine the Great" is much more accurate since the picture ends with her getting the throne.

The costumes and sets are Grade A Hollywood (compliment).

Flora Robson (Empress Elisabeth) has the best lines and delivers them impressively. Elisabeth Bergner (Catherine) does well in her scenes with the Empress. Douglas Fairbanks Jr. (Grand Duke Peter) seems out of his depth.