Acciaio blu

Almost all the Lone Star John Wayne movies have one or two quite unusual and memorable scenes. Here, it is the bizarre opening scene and the beautiful last shot. The opening is actually quite a mess. It takes place in a hotel room on a rainy night and it is hard to tell what is going on for most of the scene. There is also the only risqué double-entendre that I've seen in a Lone Star film when a newlywed husband comes back downstairs from his bridal suite and announces "I can't find it." The ending shot is Wayne riding off into the mountains with his girl and it is just lovely.

The confusing and messy hotel sequence in the beginning is atoned for at the end with one of the best final chase sequences in the series. As mentions by other users, the stunt work is excellent and the scene of Wayne picking her his fallen lady from the ground while riding a team of galloping horses is still sweet, if not quite breath-taking.

As the ten minute final chase scene is a big element in all the Lone Star Westerns, I would have to rate this highly, although the other 40 minutes does drag a bit.

Edward Peil Sr. plays a great villain as he did in "Man from Utah". He was in some 375 films in his 40 year career.

Yakima Canutt, as usual, is effective as a bad guy too. With a little luck, he would have been as big a star as Wayne.

Not the best Lone Star, but it is effective.

A fairly involving 'Lone Star' film (even though it lacks enough dialog to provide any character) because of: 1) The opening sequence, with great silences, where we are caught up in John Wayne's mysterious and sudden presence in a hotel during a rain storm,

2) the registering 'bride' and 'bridegroom' at the hotel, shy and secretly excited; later the bridegroom, George Nash in his last film, comes back from the bridal suite saying 'I can't find it.'

3) Yakima Canutt's amazing stunt work-- pulling up a fallen Eleanor Hunt thru the coach horse team, and then helping her onto John Wayne's horse,

4) the extensive final chase sequence, excitingly paced and edited as the bad guys (at least 9 of them) chase our heroes across the vast prairies -- whew!

This time, without any preamble of romantic intentions anywhere else in the film, John Wayne and the girl do ride off into the sunset holding hands!

This western was the second significant film in the development of George "Gabby" Hayes' cantankerous character who emerged as the old whiskered comedy sidekick in the Hopalong Cassidy films. Gabby plays it straight here as a sheriff who even shoots a baddie. The only "funny" things about him are the hole filled hat he wears, his big walrus mustache, & his typical slurred speech. The acting is good all around, except for Eleanor Hunt, who has that cute Clara Bow look, but she's brought that old silent film style to this movie. I love the old B westerns, & aside from my favorite, Hopalong Cassidy, to me the early John Wayne series is the next best. This is not one of Wayne's best, but it's a must-see for Gabby Hayes fans. I rate it 6/10.

"Blue Steel" is one of a series of "B" westerns made by John Wayne in the 1933-35 period. As with most entries in the series, these Lone Star productions had a stock company all their own.

Robert N. Bradbury (father of Bob Steele) directed most of them. The supporting cast usually consisted of George "Gabby" Hayes, Earl Dwire and Yakima Canutt playing various roles. A definite asset to the series was Canutt who doubled Wayne and perfected many of his legendary stunts in these films. Unfortunately, he also "acted" in many of them.

This one starts out amid a driving rain storm. John Carruthers (Wayne) seeks shelter by sneaking into a hotel run by a sleeping Hank (George Cleveland). Also seeking shelter is Sheriff Jake (Hayes) who is after The Polka Dot Bandit. As luck would have it, the bandit (Canutt) robs the safe while everyone is sleeping and Jake sees Carruthers going through the safe after the bandit escaped and thus blames him for the robbery.

Jake trails Carruthers to a cabin and is about to arrest him when they hear shots. Now it seems town boss Malgrove (Edward Piel) and his gang are preventing supplies and ammunition from reaching town. Betty Mason (Elinor Hunt) and her father (Lafe Mckee) are attempting to bring in the latest shipment when they are ambushed and the father is killed. Carruthers and Jake rescue Betty and bring her to town where it seems Malgrove has taken a special interest in her.

Well, needless to say, Carruthers sorts things all out by the final fade out and everyone except the bad guys, lives happily ever after.

Wayne was still honing his skills at this time and it shows at times, but he was getting better with each picture. Hayes played a number of roles in this series from villain to father of the heroine to sidekick to lawman. He had not yet arrived at his "Gabby" character although Sheriff Jake was pretty close. Earl Dwire has a minor role as one of Piel's henchmen.

The 5th of John Wayne's 14 Lone Star Westerns is nothing if not a lively piece. True, it gets off to a remarkably slow start, but once the bandits arrive on the scene the pace picks up no end. Although the heroine is somewhat lacking in thespian talent, she's pretty enough and has little to do or say anyway. It's Wayne and Hayes who set the action rolling and keep it up—interspersed with some spectacular Canutt stunt-work—right to the finish line. And it's good to see Yakima Canutt in a sizable role on camera as well as doubling Wayne in the action spots.

Director Robert North Bradbury has a grand time once the action switches to the wide open spaces. You can virtually see him riding the camera car as it swoops along with galloping-hell-for-leather riders in super-fast tracking shots. And I love those whip pans!

Photographer Archie Stout, a specialist in location work, is also most at home with awesome vistas of wide open plains, ringed by rugged mountains and fleecy clouds in the Alabama Hills, Ca.