La figlia di nessuno

Similar to Pollyanna in its central character Anne Of Green Gables written in the Edwardian era by Canadian novelist Lucy Maud Montgomery has attained an enduring popularity the world over. It certainly has given Canada's smallest province Prince Edward Island its most famous identity.

In this adaption of the story young Anne Shirley played by Anne Shirley is sent by an orphanage to a sister and brother, Helen Westley and O.P. Heggie instead of a boy. It's a boy they want to help with the farm work as they're not spring chickens. But the orphanage sends a girl instead and Shirley has an innocence and bewitching charm and one lively imagination that captivates Heggie from the start. The crusty Westley takes a bit longer, but she grows to love her like a birth daughter though she takes great pains not to show it too much.

The novel has been adapted many times for the big and small screen and even for a mini-series. We get only the bare bones of a plot, but the skill of the players makes up for a lot of it. Tom Brown is in this too as Anne's boyfriend although their courtship is a bit rocky. They start with Anne busting her school slate on his noggin.

This is a good adaption that has held up well even for today. We'll no doubt see Anne Of Green Gables made many times over still, but this story is timeless as is this film.

In cinematic terms, George Nicholls Jr.'s version of the classic tale is very much of its time. There is very little music, and the narrative unfolds in episodic fashion through long takes with characters moving through the frame. To film-goers brought up on more pacey forms of narrative, influenced by advertising, the film might seem slow, even static, but Nicholls' camera-work focuses on the characters' expressions, making us aware of their true feelings lurking beneath the surface. This is especially true of Marilla (Helen Westley), an actress famed for playing unattractive roles, but who lets the mask drop as the narrative unfolds, especially when Anne (Anne Shirley) is about to go away to school. Marilla's forbidding exterior is contrasted with her brother Matthew (O. P. Heggie) who is never without a twinkle in his eye.

Thematically speaking ANNE OF GREEN GABLES makes fun of romanticism, especially in Anne's characterization. Having been brought up on a diet of dime novels, Anne is full of extreme emotions; she is not just upset but devastated; she is not happy but ecstatic. When she is reprimanded for being rude to Mrs. Barry (Sara Haden), she believes it is the end of the world; and she will "never" apologize to the older lady. Needless to say Matthew manages to persuade Anne to revise her judgment - not by force, but rather through appealing to her better nature. In a later sequence, Anne is so enamored of the idea of reciting Tennyson's "The Lady of Shalott" in a rowboat that she doesn't realize the danger she is about to encounter; it is only through Gilbert's (Tom Brown's) timely intervention that she is spared a watery grave.

This film is undoubtedly sentimental, advocating family values and love as life's raisons d'etre. Everything ends happily, even though Matthew has a life-threatening illness. In the central role, Anne Shirley thoroughly enjoys herself; she is very good at handling the central character's transition from gawky teenager to idealistic young woman, even if the hairstyles are a little incongruous (her ponytails are almost too pronounced).

The ANNE OF GREEN GABLES is quite short - a "B" Picture length of only 75 minutes - but remains thoroughly entertaining.

Vivacious & irrepressible, ANNE OF GREEN GABLES brings unlooked-for happiness into the lives of a lonely old sister & brother on Prince Edward Island.

Lucy Maud Montgomery's well-loved novel comes to life in this wonderful little movie. Excellent production values, a literate script and first class performances gives the story exactly the touch of quality it deserves.

Taking her professional name from the character she portrayed, actress Anne Shirley is a joy as the red-headed fourteen-year-old orphan who completely alters the lives of her new guardians. Completely assured in her starring role, Miss Shirley is a delight, entertaining the viewer with Anne's boundless imagination, quick temper and not-so-secret sorrows.

Playing the stern spinster who gives the girl a home, Helen Westley also completely commands her role; the viewer will enjoy seeing this sharp-tongued woman slowly unbend to Anne's affection and child-like innocence. Australian character actor O. P. Heggie gives one of his finest performances as Westley's shy, gentle brother who welcomes Anne into his heart from the moment he arrives to fetch her from the railroad station.

Tom Brown most agreeably plays the schoolboy who quickly grabs Anne's attention. Sara Haden is appropriately prickly as a nosy neighbor. Charley Grapewin makes the most of his few moments as Avonlea's doctor.

Director: George Nichols Jr., Novel: Lucy Maud Montgommery, Script: Sam Mintz, Cast: Anne Shirley, O.P. Heggie, Tom Brown, Helen Westley

I bought this film mostly out of curiosity because we have the 1985 Keven Sullivan version which my wife and I both enjoy so we wanted to see what this early version was like. Although the 1985 version is better, this is better than I thought it would be. I haven't had a chance to read the book so I don't know how either film relates to the book but the 1934 version is only about 80 minutes long whereas the 1985 one is 3 hours long. Consequently, much is cut out in this earlier film. Ann's friendship with Diana Berry is way underdeveloped and before you know it, she is already in college! The 1985 version is much more of a coming of age film. A lot of time is spent on the relationship between Ann and Diana.

The acting is pretty good in this film. It doesn't really compete with the 1985 film because that has an absolute perfect cast but they were good here also. Much of the lines in this film are the exact same as the 1985 version. O.P. Heggie and Helen Westly did a fine job as Matthew and Marilla. Their perceived characters are much like Richard Farnsworth and Colleen Dewhurst in the 1985. Anne Shirley was played by--well--Anne Shirley. Her birth name was Dawn O'Day. She changed it to Anne Shirley after this film. She had a cute personality in this film. If you are a fan of the 1985 version, you might want to get this also. The shorter length is another reason to buy this DVD. The 1985 version is of epic length so watching it is more like an event. So this one is good if you want just a small dose of Anne. IMDb also lists a silent version from 1919 but it is stated that there are no known prints of the film. That is a shame.

In "Anne of Green Gables" (1934), Marilla Cuthbert (Helen Westley) and Matthew Cuthbert (O.P. Heggie), middle-aged siblings who live together at Green Gables, a farm in Avonlea, on Prince Edward Island, decide to adopt a boy from distant orphanage to help on their farm. But the orphan sent to them is a precocious girl of 14 named Anne Shirley (Dawn Evelyn Paris-a veteran of Disney's series of "Alice" shorts who later would adopt her character's name).

Anne was only 11 in Lucy Maude Montgomery's source novel but the same actress could not credibly go from 11 to college age during the course of the story. The movie suffers somewhat from this concession, as many of Anne's reactions and much of what she says would be far more entertaining coming from an eleven-year-old than from a teenager. As in the book, Anne is bright and quick, eager to please but dissatisfied with her name, her build, her freckles, and her long red hair. Being a child of imagination, however, Anne takes much joy in life, and adapts quickly to her new family and the environment of Prince Edward Island.

In fact Anne is the original "Teenage Drama Queen" and the film's screenwriter elected to focus on this aspect of her character. Which transformed the basic genre from mildly amusing family drama to comedy. A change that delighted audiences and that continues to frustrate reader purists.

Since the comedy is very much in the spirit of Montgomery's story I can see no reason to take issue with the changes, but let this serve as fair warning to anyone expecting a totally faithful adaptation. The comedy element is the strength of the film as it is one of the earliest self-reflexive parodies of Hollywood conventions. The actress Anne Shirley was one of Hollywood's all- time beauties and the film is in black and white. So much of the amusement is in seeing the title character's endless laments about her appearance and hair color contradicted by what is appearing on the screen. Anne regularly regales her no nonsense rural companions with melodramatic lines like: "If you refuse it will be a lifelong sorrow to me". Perhaps the funniest moment is when she corrects the spelling of her name on the classroom blackboard.

Tom Brown does a nice job as Anne's love interest Gilbert Blythe and Sara Haden steals all the scenes in which she appears as the Cuthbert's pompous neighbor.

Then again, what do I know? I'm only a child.