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IMDbPro

Are We Civilized?

  • 1934
  • Approved
  • 1h 10min
VALUTAZIONE IMDb
5,0/10
68
LA TUA VALUTAZIONE
William Farnum, Anita Louise, and LeRoy Mason in Are We Civilized? (1934)
Dramma

Aggiungi una trama nella tua linguaPaul is a European. He served in the army in the Great War. He emigrated to the USA. One day he returns to Europe and talks of freedom and liberty. The authorities (Nazi, but unnamed) come d... Leggi tuttoPaul is a European. He served in the army in the Great War. He emigrated to the USA. One day he returns to Europe and talks of freedom and liberty. The authorities (Nazi, but unnamed) come down on him. It is their duty to spread racism and religious hatred. Paul gives the speech ... Leggi tuttoPaul is a European. He served in the army in the Great War. He emigrated to the USA. One day he returns to Europe and talks of freedom and liberty. The authorities (Nazi, but unnamed) come down on him. It is their duty to spread racism and religious hatred. Paul gives the speech of a lifetime set against an epic series of films spread across the history of mankind.

  • Regia
    • Edwin Carewe
  • Sceneggiatura
    • Harold M. Sherman
    • Finis Fox
  • Star
    • William Farnum
    • Anita Louise
    • Frank McGlynn Sr.
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    5,0/10
    68
    LA TUA VALUTAZIONE
    • Regia
      • Edwin Carewe
    • Sceneggiatura
      • Harold M. Sherman
      • Finis Fox
    • Star
      • William Farnum
      • Anita Louise
      • Frank McGlynn Sr.
    • 7Recensioni degli utenti
    • 2Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
  • Foto9

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    Interpreti principali15

    Modifica
    William Farnum
    William Farnum
    • Paul Franklin, Sr.
    Anita Louise
    Anita Louise
    • Norma Bockner
    Frank McGlynn Sr.
    Frank McGlynn Sr.
    • Abraham Lincoln, Felix Bockner
    LeRoy Mason
    LeRoy Mason
    • Paul Franklin Jr.
    Oscar Apfel
    Oscar Apfel
    • Dr. Leonard Gear
    Stuart Holmes
    Stuart Holmes
    • Col. Salter
    Allan Cavan
    Allan Cavan
    • Moses
    • (as Alin Cavin)
    Conrad Seideman
    • Buddha
    • (as Conrad Siderman)
    Sidney T. Pink
    • Confucius
    Harry Burkhardt
    Harry Burkhardt
    • Caesar
    Charles Requa
    Charles Requa
    • Christ
    J.C. Fowler
    J.C. Fowler
    • Mohammed
    Bert Lindley
    Bert Lindley
    • Christopher Columbus
    Aaron Edwards
    • George Washington
    William Humphrey
    William Humphrey
    • Napoleon.
    • Regia
      • Edwin Carewe
    • Sceneggiatura
      • Harold M. Sherman
      • Finis Fox
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti7

    5,068
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    10

    Recensioni in evidenza

    5AlsExGal

    A curio about fascism that is a bit of a mess

    This is a curio about a country (read Germany) where the press is being censored, books are being burned, people are incited to violence ... well, you know where this is going .

    Silent film star William Farnum plays the owner of a newspaper in a foreign country, although everyone speaks perfect English there. Farnum's son is to be married to Anita Louise, who just happens to be the daughter of some fascist (Frank McGlynn, who often played Abraham Lincoln in films and on stage). After about twenty minutes of some plot, the remainder of this 70-minute propaganda film involves Farnum giving us a crash course in history. He starts with the creation of the world, and we get to see dinosaurs and cavemen. Then it's on to Egypt and Moses, then Buddha, then Confucius, then Caesar, then Christ, then Muhammad (who looks like an aged Carnac the Magnificent), then Columbus, George Washington, Napoleon, and Lincoln (McGlynn does double duty here). Interspersed with this lecture are scenes of books being burned and Farnum's son getting clocked by a mob. But Farnum plows on, through World War I and the threat of World War II. Will his words have any affect?

    The film is so-so, and so is the print on youtube. Farnum, who was once the highest paid actor in film, gives it a good shot, although he is a bit over the top when he describes the stock market crash - probably because in real life, he lost his shirt at the time. However, the movie may have some interest to film buffs. Many of the historical scenes appear to be taken from silent films, and one has to wonder what these films were, and if they still exist. If they don't, this may be the only bits of them left.

    In the journal Harrison's Reports in 1934, the film was described as "suitable for children, adolescents, and Sundays."
    5scsu1975

    The film is so-so

    A curio about a country (read Germany) where the press is being censored, books are being burned, people are incited to violence ... well, you know where this is going.

    Silent film star William Farnum plays the owner of a newspaper in a foreign country, although everyone speaks perfect English there. Farnum's son is to be married to Anita Louise, who just happens to be the daughter of some fascist (Frank McGlynn, who often played Abraham Lincoln in films and on stage). After about twenty minutes of some plot, the remainder of this 70-minute propaganda film involves Farnum giving us a crash course in history. He starts with the creation of the world, and we get to see dinosaurs and cavemen. Then it's on to Egypt and Moses, then Buddha, then Confucius, then Caesar, then Christ, then Muhammad (who looks like an aged Carnac the Magnificent), then Columbus, George Washington, Napoleon, and Lincoln (McGlynn does double duty here). Interspersed with this lecture are scenes of books being burned and Farnum's son getting clocked by a mob. But Farnum plows on, through World War I and the threat of World War II. Will his words have any affect?

    Farnum, who was once the highest paid actor in film, gives it a good shot, although he is a bit over the top when he describes the stock market crash - probably because in real life, he lost his shirt at the time. However, the movie may have some interest to film buffs. Many of the historical scenes appear to be taken from silent films, and one has to wonder what these films were, and if they still exist. If they don't, this may be the only bits of them left.
    5meaninglessname

    Higher in curiosity value than entertainment value

    The documentary "Hitler's Reign of Terror" debuted in April 1934 and is considered the first anti-Nazi film. "Are We Civilized?" debuted two months later. It's probably the first fictional anti-Nazi film, which gives it some historic interest. OK, the country where it takes place is never identified as Germany but it's pretty obvious. Unfortunately the writing is pretty stilted, the plot isn't really credible, and about half of it is a simplistic lesson in human history illustrated by clips from old silent films.

    The plot concerns an ex-German soldier from World War One, with a metal plate in his head , who somehow by 1934 has moved to the US and become owner of the world's larges newspaper syndicate, with his adult son as second in command. The son is engaged to the daughter of the father's boyhood best friend, who now has become the head of Germany's propaganda and censorship bureau. At a state dinner is his honor, the refugee news magnate naively launches an attack on German state censorship and things go downhill from there.

    Adding to the unintentional humor is that everyone in Germany speaks only English with a variety of attempts at German accents, when the actors remember, although some cops who invade the press syndicate's palatial offices to burn books sound straight from the Bronx.

    Unlikely you'll want to sit through the whole movie if you can find it, but film history buffs should enjoy browsing through it. The film makers at least deserve some credit for their boldness in bringing it out at a time when many in the US were quite opposed to criticism of Hitler.
    6Clark J Holloway

    Surprisingly pertinent to today

    ARE WE CIVILIZED? stands as a fairly obvious anti-Nazi propaganda piece, but it is surprising pertinent in its warnings about the dangers of people surrendering their civil rights in this post 9-11 world. Perhaps its greatest failing is that its message is somewhat diminished by the nature of the historical events and personages used to describe mankind's progress towards civilization. The film seems to want to have it both ways: while great leaders advance civilization, the persistence of the people while suffering under the rule of dangerous warlords advances civilization as well. Under this theory, the extraordinary suffering humanity will soon endure through the upcoming Second World War could almost be seen as a good thing.
    3F Gwynplaine MacIntyre

    Simplistic nonsense.

    'Are We Civilised?' is one of those weird movies from the League of Nations period, when Hollywood seemed to feel it could solve all of the world's problems with the proper screenplay. Any good qualities that this film might have had are seriously undercut by the casting of William Farnum in the central role. Farnum was a successful silent-film actor, specialising in cowboy roles that weren't much of a strain on his thespic talents. Here, playing a rare lead role in a talkie, Farnum proves he was never much of an actor.

    Another problem with this movie is its gutlessness. 'Are We Civilised?' wants to tackle Serious Important Issues such as totalitarianism, yet it's afraid to name names. This movie takes place in a European nation that conveniently goes unnamed. Apparently it's meant to be Nazi Germany (this is 1934), but the movie goose-steps around that issue.

    Paul Franklin (Farnum) was born in this unnamed European nation, and served in her army during the Great War, but he became disillusioned and he immigrated to America. Now he has come back to his homeland, where he has run afoul of General Bockner, the head of the national censorship bureau. (It's unclear precisely who's running the country; this movie has no precise analogue for Hitler.) Allegedly Bockner is a censor, but his chief duty seems to be disseminating disinformation rather than censoring genuine information. Bockner and his staff are constantly spreading propaganda to foment racism and religious bigotry. Bockner is played by Frank McGlynn, an actor who spent most of his career playing Abraham Lincoln. Here he gets a rare chance to play an extremely un-Lincolnesque role, and he's quite good. It's interesting to see McGlynn without Lincoln's chin whiskers and facial mole.

    Meanwhile, Paul's son Paul Junior wants to marry Norma, the daughter of General Bockner. Hoo boy.

    At the movie's somnolent climax, Paul Senior gives a frenzied speech on behalf of the brotherhood of man. This is accompanied by a series of tableaux, depicting the great heroes of history: beginning with a caveman, then carrying on through Moses, Gautama Buddha, Confucius, Julius Caesar, Christ, Mohammed, Bonaparte and Lincoln. At least three of the people on that list (Caesar, Mohammed, and Bonaparte) were all bad guys, but here they're depicted as good guys. McGlynn ducks back into the chin whiskers and mole for a brief turn as Honest Abe in the Lincoln tableau.

    Fairly frothing at the mouth, Farnum orates: 'mankind will never be truly civilised until all races become one in spirit, understanding and brotherly love'. Don't hold your breath, laddie. Farnum's performance is ludicrously inept, although admittedly he's been cast in an unplayable role. Frank McGlynn is so impressive here, I wish I'd seen him in more non-Lincoln roles. I might have respected this movie if it had explicitly condemned Hitler or Nazism. As it is, I'll rate this simple-minded rubbish 3 points out of 10.

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    • Blooper
      The bonfire on which Paul's books and papers are being thrown remains ridiculously small.
    • Citazioni

      Paul Franklin, Sr.: No, Norma, he can't see. He's blind. Blind to the inevitable. But I can see. I can see that mankind will never be truly civilized until all races become one in spirit, understanding and brotherly love. It's all so easy. Yet men are making it so hard. So difficult.

    • Curiosità sui crediti
      [After the cast list] "And many thousands of soldiers, sailors and peasants"
    • Connessioni
      Edited from The Ghost of Slumber Mountain (1918)

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    Dettagli

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    • Data di uscita
      • 17 gennaio 1936 (Francia)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Sommes-nous civilisés ?
    • Luoghi delle riprese
      • Western Service Studios - 1040 N. Las Palmas, Hollywood, Los Angeles, California, Stati Uniti(Studio)
    • Azienda produttrice
      • Raspin Productions
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 10 minuti
    • Colore
      • Black and White
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.37 : 1

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