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The Telegraph Trail

  • 1933
  • Passed
  • 54min
VALUTAZIONE IMDb
5,8/10
727
LA TUA VALUTAZIONE
John Wayne in The Telegraph Trail (1933)
Official Trailer
Riproduci trailer2: 05
1 video
11 foto
AvventuraAzioneDrammaOccidentale

Aggiungi una trama nella tua linguaA greedy businessman-turned-renegade foments an Indian uprising against the coming telegraph to perpetuate his economic stranglehold on the territory.A greedy businessman-turned-renegade foments an Indian uprising against the coming telegraph to perpetuate his economic stranglehold on the territory.A greedy businessman-turned-renegade foments an Indian uprising against the coming telegraph to perpetuate his economic stranglehold on the territory.

  • Regia
    • Tenny Wright
  • Sceneggiatura
    • Kurt Kempler
  • Star
    • John Wayne
    • Duke
    • Frank McHugh
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    5,8/10
    727
    LA TUA VALUTAZIONE
    • Regia
      • Tenny Wright
    • Sceneggiatura
      • Kurt Kempler
    • Star
      • John Wayne
      • Duke
      • Frank McHugh
    • 13Recensioni degli utenti
    • 6Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Video1

    The Telegraph Trail
    Trailer 2:05
    The Telegraph Trail

    Foto10

    Visualizza poster
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    + 4
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    Interpreti principali27

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    John Wayne
    John Wayne
    • John Trent
    Duke
    • Duke - John's Horse
    Frank McHugh
    Frank McHugh
    • Corporal Tippy
    Marceline Day
    Marceline Day
    • Alice Keller
    Otis Harlan
    Otis Harlan
    • Uncle Zeke Keller
    Albert J. Smith
    Albert J. Smith
    • Gus Lynch
    Yakima Canutt
    Yakima Canutt
    • High Wolf
    Lafe McKee
    Lafe McKee
    • Lafe
    Chuck Baldra
    • Chuck - Guitar Player
    • (non citato nei titoli originali)
    Chief John Big Tree
    Chief John Big Tree
    • Indian Chief
    • (non citato nei titoli originali)
    Bob Burns
    Bob Burns
    • Townsman
    • (non citato nei titoli originali)
    Nora Bush
    • Settler
    • (non citato nei titoli originali)
    Ben Corbett
    Ben Corbett
    • Benny - Wagon Driver
    • (non citato nei titoli originali)
    Frank Ellis
    Frank Ellis
    • First Henchman
    • (non citato nei titoli originali)
    Bob Fleming
    • Officer
    • (non citato nei titoli originali)
    Clarence Geldert
    Clarence Geldert
    • Army Captain
    • (non citato nei titoli originali)
    Jack Jones
    • Banjo Player
    • (non citato nei titoli originali)
    Jack Kirk
    Jack Kirk
    • Jack - Guitar Player
    • (non citato nei titoli originali)
    • Regia
      • Tenny Wright
    • Sceneggiatura
      • Kurt Kempler
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti13

    5,8727
    1
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    10

    Recensioni in evidenza

    5planktonrules

    Excellent acting can't completely overcome the weak writing...

    This early John Wayne B-movie is apparently not in the public domain--unlike many of his early films. This Leon Schlessinger film has been released by Warner Brothers/Turner Classic Movies instead of the usual cheap public domain videos you see in bargain bins. Unfortunately, however, despite this higher pedigree (and a slightly better quality print), this isn't all it's cracked up to be--there are no DVD extras nor are there any captions. It's a rather unimpressive release for Warner/TCM.

    Instead of the usual sidekicks (such as the ubiquitous Gabby Hayes), this one features Frank McHugh. While he's a very common actor in Schlessinger (whose studio was soon bought by Warner) and Warner Brothers films of the era, I can only recall a few times where he appeared in westerns. He was more of the comic relief in contemporary period pieces--though he does a very nice job here and looked pretty comfortable on a horse.

    The film begins with a group of telegraph installers being attacked by American-Indians. These Indiand, however, were orchestrated by a jerk named Lynch--who wanted to keep the telegraph and civilization away in order to force the settlers to deal with only him and his over-priced supplies. Although one of the telegraph men is shot, he's still able to relay a message to the fort many miles away--and Wayne and McHugh come to investigate. The message told what was happening but the man couldn't finish his transmission--and Wayne is trying to discover who the white man is who is stirring up all the Indian trouble. This is a weak point of the film, as it's 100% obvious who is behind it--there's no suspense whatsoever! Later, a lady overhears Lynch's plans to attack another group of telegraph installers. I have no idea why she didn't just tell Wayne. Instead, she devised a ridiculously complicated and sure to fail method to alert Wayne without revealing her identity. Why....?! And, as she was a witness to the conspiracy between Lynch and the Indian (Yakima Canutt), why didn't she just tell everyone so that Lynch would be arrested and...um...lynched! Then, they all could have gone out for pizza and had a party. Instead, the film went on for another 30 minutes---climaxing with a clichéd Indian attack--which is headed off at the last minutes by (surprise of surprises) the US Cavalry! The are absolutely no major surprises in this film. As usual, Wayne is very good and McHugh was a much better than normal sidekick...but even these couldn't overcome bad writing--even by cheap B-movie standards! It is entertaining...but a bit brainless.
    Michael_Elliott

    Mildly Entertaining Western

    The Telegraph Trail (1933)

    ** 1/2 (out of 4)

    A company is trying to hang telegraph wire out West but their men keep coming under attack by Indians so they send John Trent (John Wayne) out there along with his sidekick Tippy (Frank McHugh). Once out there John strikes up a relationship with Alice (Marceline Day) and begins to realize Gus Lynch (Albert J. Smith) is actually the one making the Indians attack.

    This "B" Western certainly shows its low-budget nature but if you're a fan of such films then there's enough going on here to keep you entertained throughout the rather short running time. If you've seen enough of these films then you already know that they rarely have much of a story or at least much of an original one. The entire bit with telegraph wire had already been done countless times by 1933 but what's one more film? The highlight is certainly the cast with Wayne in good form as he obviously has no problem playing the hero. Day is good in her role as is Smtih in his. Duke, the horse, is back once again with his name in the credits right by Wayne. I also thought McHugh added some nice support and gets the biggest laugh in the film when he gives his silly one-tone laugh.

    With that said, the film comes up ultra cheap at the end when the majority of the big battle is taken from other movies. The footage is obviously from a silent movie so that takes some points away since they couldn't even stage their own scenes here.
    6fredit-43004

    Leon Schlesinger production

    Leon Schlesinger notably produced a large portion of Warners' cartoons of this time period. Notably Schlesinger even appears in a cartoon, discussing contract provisions with Porky Pig. So, let's not expect this film to be a John Ford western, ok? Expect no more than a cartoon and you won't be disappointed. The greatest stuntman ever, Yakima Canutt, plays an Indian in this film. Yak was a world champ rodeo cowboy before his film career, and he is not a Native American. Often he doubled for Wayne in dangerous scenes, and I understand he taught John Wayne how to walk, talk and fight like a cowboy. Here, Wayne had not yet graduated from Yak's acting academy, but he was well on his way.
    5Art-22

    Some enjoyable intentional and unintentional comedy in this routine B-western with John Wayne.

    This early John Wayne western has the frequently used plot of some baddies convincing indians that the white men are up to no good, in this case by building a telegraph line to connect the east and west. But I still had some fun watching it, mostly because of the comedy by both Frank McHugh and Otis Harlan. In their funniest scene, they get drunk while the indians are attacking and they are bleary-eyed enough to think one bullet fells as many as 8 indians. The scene itself, in the middle of a battle in which many are killed, indicates director Tenny Wright did not direct with a heavy hand; I sensed a light-hearted touch throughout, which was a welcome change from most of these westerns. I also laughed whenever some clichéd event occurred, such as the love interest, Marceline Day, overhearing the the baddies talking about the upcoming ambush and getting the information to Wayne. And Wayne's horse, Duke, enters the fight by kicking indians when he was in a tent and observes their silhouettes against the tent wall. No wonder he was billed second in the opening credits, but I still wondered how the other actors felt about being outbilled by a horse.
    7bkoganbing

    Who Says Trigger's the Smartest Horse in the West

    At this point in his career John Wayne was doing B films for Warner Brothers and it was decided to give him a smart horse like Roy Rogers's Trigger. And what do they name the horse? Duke. That's something Wayne must have had a hand in.

    Here John Wayne is an army scout and he gets Frank McHugh as an army corporal/telegrapher as sidekick. When a good friend of their's is killed while sending a message for help by wire during an Indian attack, these two are sent to take personal charge of the construction of the last leg of the telegraph.

    There's a nasty villain played by Frank Hagney who runs a shipping outfit and with his Indian friends wants to keep the telegraph out. How the telegraph would affect his business is never quite made clear, but this is a B western so plot holes back then were a pretty common occurrence.

    Wayne and McHugh are very effective together, too bad they never got to work together again.

    For those who've never seen the entire film, the last minute of The Telegraph Trail are seen in Footlight Parade in a scene where James Cagney is in a movie theater observing his competition as he's a director of stage musicals. Ironically enough Frank McHugh is also in the cast of Footlight Parade which makes one wonder how the Warner Brothers slipped up there.

    By the way, for the only time I can recall in any of his films, John Wayne sports a two gun holster. Butts reversed in the manner of Wild Bill Elliott. If anyone can recall another film he did like that, I'll correct this review.

    I would recommend The Telegraph Trail for Wayne fans to see how well he and Frank McHugh connect. Another twist in his career and Frank McHugh could have had a grand career as western sidekicks.

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    Trama

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    Lo sapevi?

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    • Quiz
      Yakima Canutt appeared here in only his second outing with John Wayne. From this film on, the two were to research, choreograph and perfect the western genre fight scene by camera angle position and their throwing of punches technique. Their stunt fighting methods would be employed by Hollywood, and became one of the most widely used techniques in the film industry.
    • Blooper
      The story takes place in the 1860s, but Marceline Day's bleached-blonde marcel-waved hairstyle is strictly 1933.
    • Citazioni

      Corporal Tippy: Oh my fuckin' nose!

      [after getting punched in the nose]

    • Curiosità sui crediti
      In the opening credits, the cast is presented as book pages being turned by hand.
    • Connessioni
      Featured in Viva le donne (1933)
    • Colonne sonore
      My Pony Boy
      (uncredited)

      Music by Charley O'Donnell

      In the score during the pony express ride

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    Dettagli

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    • Data di uscita
      • 18 marzo 1933 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Farornas dal
    • Azienda produttrice
      • Leon Schlesinger Studios
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      54 minuti
    • Colore
      • Black and White
    • Proporzioni
      • 1.37 : 1

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