Perdizione

This is probably the most daring precode picture made. Miriam Hopkins starred and I can't think of anyone else who would have been just as good. Even Harlow wouldn't have worked. She never played such an amoral C.T. as Temple. Jack LaRue was absolutely perfect as Trigger. Such a face. Extraordinarily good looking and yet resolutely menacing. I'll never understand why he never was used as a romantic lead in any of his movies that I know. Read the other reviews for plot details. They are precise. I purchased my copy privately on DVD. I've always wanted to see it. It was worth it. The settings and lighting were extremely good for the story and time in cinema history. Hooray for the director and all of the technicians,

It's odd that this pre-Code morality tale was withdrawn by Paramount shortly after release, considering that despite its salacious content it pointed out that the girl at the center was capable of noble redemption. However that may be, "The Story of Temple Drake" works well on its own terms as a story about a flirtatious Southern belle (Miriam Hopkins in one of her best performances) whose behavioral excesses get her into a mighty mess with a band of bootleggers, including a character named Trigger (Jack LaRue in a role George Raft refused) and an embittered harridan interestingly played by Florence Eldridge (real life wife of Fredric March). Both actors benefit from Karl Struss's evocative photography.

Director Stephen Roberts and screenwriter Oliver H.P. Garrett do their early 30's best to cinematize a complicated novel (by William Faulkner) by crunching long passages of text into visually suggestive nuggets. The trouble with the gang of ne'er-do-wells is that none of them have even a twinge of a southern twang except James Eagles as the dimwitted Tommy. Besides him, the only key actor with even a slight southern accent in the whole film is Hopkins. William Gargan contrasts perfectly with the criminals as the clean-cut lawyer who loves and defends Hopkins despite her dark side. The drama builds to a breathless, memorable conclusion, concisely shot and directed for maximum effect.

Provocative and racy this hard to find film is loaded with infamy. If you started watching not knowing it was a pre-code it would only take a few minutes to realized it. Full of a wantonness and sense of depravity that wouldn't be seen in movies for decades after, this sin-fest features rape, murder and many other shocking events with a frank candor. Even the advertising for the film was lurid, just look at the poster to get an idea of how the film was sold. Many of the cast are rather ham handed in their portrayals, William Gargan in particular, but Miriam Hopkins lights up the screen with a vibrant sensuality and a compelling presence. A truly talented actress it's a shame that behind the scenes she was such a difficult and brazen up-stager that it irrevocably damaged her career and shortened her star period.

The notorious and rarely-seen (it's not even listed in Maltin's book)1933 adaption of William Faulkner's "Sanctuary" was unveiled to NY audiences last week at the Film Forum. The film is beautifully shot, and has an amazing performance by Miriam Hopkins as the southern belle who gets kidnapped and raped by a gangster, but stays with him by choice. At the conclusion, there was a richly-deserved round of applause. The rights are owned by Universal Home Video now--start writing them to get this lost masterpiece onto the video shelves.

Stephen Benbow (William Gargan) is an idealistic defense lawyer who is in love with Temple Drake (Miriam Hopkins). She is a southern belle wild child and a tease. Her granddad Judge wants her to go with Stephen but she can't seem to marry the straight laced Stephen. She leaves a party with the drunken Toddy who crashes the car. They're taken by bootleggers. Soon she's in fear of the lowlife criminals and the drunken Toddy is useless. She is raped by the well dressed killer Trigger (Jack La Rue). He kidnaps her as his kept woman. Stephen investigates Trigger for a murder and finds Temple. She pretends to be Trigger's woman to send Stephen off.

The controversial salacious content is pre-code. There is some violence and a lot of suggested sexuality. It's actually effective as a noir style movie. The surprising thing is that it's still very watchable. The acting isn't always the best. William Gargan is a bit stiff. Miriam Hopkins is playing it very melodramatically as is usually the case of this era. It works in this melodrama. Jack La Rue is great as the quietly threatening villain.