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This movie was released the same year as the Oscar winning British film Cavalcade. I've seen them both, and yet Cavalcade was more celebrated then - and now - than "Secrets", even though Secrets is similar to Cavalcade in many ways. Secrets tells the story of a couple through 50 years from their secret courtship in New England and elopement, to their days building up a farm in California, through the husband's rise in politics and then their old age. It really is strongly structured into three acts, but that neither adds to nor subtracts from the film. I thought Mary Pickford still seemed young enough to play the youthful part at this point, and Leslie Howard gave a strong performance as her husband.

Even though this film was well acted, ably directed by Frank Borzage, and had an interesting storyline, it failed at the box office. Perhaps it was just not what Depression era audiences wanted, or perhaps Pickford fans still couldn't get used to Mary in talking roles. At any rate, because Pickford financed her own films, this hit her hard financially. She had started making this film in 1930, stopped production, and then started over, finishing three years later. Thus, this was Mary Pickford's last film, although she remained active behind the scenes as a producer for many years.

If you like films like "Cavalcade" or "Giant" that tell epic stories of families over time, you should like this one. It does show that Mary Pickford did very well understand how to take on a talking film role.

Pickford's screen swan song is her best talkie, admittedly not a high bar, that moves at breakneck speed through its tale of the romance, marriage, struggles and ultimate success of its main couple. It crams too much into its 83 minute running time but as early sound films go it's not bad.

At 42 she's unconvincing as a young belle at the beginning of the film but after about ten minutes she's out of that guise and from then on her performance is quite good. Unsurprisingly her strongest moments, as well as the film's, are the one's without dialog. It gives a peek at why she was one of the queens of silents and it seems regretful that just as she was adjusting to sound she chose to withdraw.

The film wasn't a hit on release and Mary, nothing if not canny, sensed that though the parade had not passed her by as of yet it was just around the corner. So she retired, enormously wealthy and a power broker behind the scenes.

Yes, it's dated now, but it has moments that are riveting by any standard. Both Mary Pickford and Leslie Howard are very good, and give the film an authenticity that is rare indeed.

Pickford goes from somewhat naive young Eastern girl to frontier housewife in convincing manner, endures the hardships, bolsters the reticent Howard, and raises her family that over the roughly 50 years, transitions to success.

Her scenes in the cabin, under attack, are not to be missed. I think her experience in silents helped her in these, because even without dialogue, she conveyed panic, terror, resolution, grief, yet determination within seconds. Not many actors could have done it.

One terrific part, is that all the costumes and armaments were original. None of the hats had the silly "cowboy roll" of later years, the gun-belts I hope made it to collections.

This in 1933 was Mary Pickford's last movie though she would not have known it at the time. Historically this is a particularly special movie for Mary's personal life.

Mary used this movie to make a statement to her husband Doublas Fairbanks (they were separated at this time and seemingly finished as the intense and deeply passionate couple they were). She at this time was telling Douglas Fairbanks she could forgive his meanderings and in fact the tenor of the whole movie is also about these sorts of choices.Mary was in fact seemingly desperate to get back together with Douglas. I think Mary chose this movie because it spoke to her current marital problems with Fairbanks.

Douglas Fairbanks responded to Mary in his last movie in 1934 - appropriately in the role of Don Juan in 'The Private Life of Don Juan'. His response - that he was tired, he needed to rest and to sleep. In real life Douglas Fairbanks in the end couldn't get Mary Pickford out of his heart and made a number of attempts to restart their relationships, but Mary had hardened her heart. And when eventually Mary did relent and decided she couldn't live without Douglas she was a few hours too late. Fairbanks in the end gave up, resolved himself that Mary wouldn't come back and booked himself on an overseas cruise. Mary sent him a message but it was too late, he had already left. And thus it was one of the great and passionate relationships of Hollywood finally died. It should not be under estimated how much these two loved each other. It was something neither got over for the rest of their lives.

Secrets was an odd movie that apart from the message it directed at Douglas Fairbanks certainly show cased some of Mary's great skill at comedy and at evoking an emotional response from the audience not to mention the last we got to see some her acting habits that created an attachment between her and the viewer. Mary's acting has always been effortless, always natural with a natural tempo. A study of her movies through the years is a revelation. Lillian Gish always thought Pickford the greatest of all actors.

Right from the beginning in 1909 Mary Pickford worked out and stated clearly many times that Stage Acting was NOT the way to act in moving pictures. Pickford pioneered method acting and the skill of silent acting, inventing a new type of acting for film, - where very subtle movements, gestures facial use and so forth had to be used to tell a story and engender emotion. She became the greatest and most skillful silent actor of all time. Revealing also are around 24 newspaper interviews she gave during her early and mid career that showed, that even the very young Mary Pickford made a very careful study of acting for the silver screen and her development of method acting. Even the teenage Pickford took the job extremely seriously.

Another thing people viewing this movie must remember about 1933. Sound was still new to film and the film technology for it still very young and the means of recording actors still in it's development stage, sound quality was not very good. In Mary's movie Coquette, her first talkie, sound microphones were stationary. Actors couldn't speak until they were in proper range of the microphone which created all sorts of problems and curiosities in the earliest talkies. They would speak their line, remain silent until the moved to the next designated spot where a fixed mike was and speak their lines and so on. Mary's other talkie Kiki wasn't a success at the time, though now it is thoroughly entertaining and in some parts great fun and one of the funniest comedic dance scenes you will run across in movies.

The success of Mary Pickford's talkie movies wasn't about Mary but what the public wanted Mary to do. She went in to totally different and unfamiliar roles. But one has to understand what was going on in Mary's life at this very time. She lost her deepest love and closest friend, her mother, which caused her to cut her hair for the first time every - totally changing her image and to reassess her life. She was devastated. Her other family members sister and brother were also in great troubles through alcoholism and sickness and of course she was having trouble with her husband. On top of this her studio UA needed to put out movies to make some money, this being the Great Depression, and Chaplin wasn't pulling his weight at the time. Pickford was under huge emotional, family and business pressures at this time.

Pickford never decided to make this her last movie - it just turned out that way as other business and family pressures kept her too busy and eventually she thought not to bother with it anymore - wrongly thinking that her popularity had gone past its use by date.

In this movie the comedic undressing scene bespeaks the effortless grace, timing and organizational skill of Pickford. The death of the baby silent scene fittingly gives us one last glimpse of the great actress.

It was a pity that Pickford never returned, she still had much to give and all the skill in the world to apply. Her acting was as good as anybody and probably would have reached its great heights again.

The main reason Mary Pickford never made movies again one feels, despite all the other reasons, is the loss of Douglas Fairbanks. If these two had reconciled, rejoined, it is inevitable their great passion and love of life would have seen Mary back in movies, instead this time being a great pioneer of the talking movies. Her career in acting spanned from the age of 5 when she traveled by train day after day, year after year, learning her trade.

Secrets (1933)

** (out of 4)

Mary Pickford's final film isn't nearly as bad as its reputation but at the same times it's way too dated and I'm sure people in 1933 felt this way as well. In the film she plays a rich girl who turns her back on her father's money and an arranged marriage so that she can run off with the poor boy (Leslie Howard) she loves. The two head out West where we see the next fifty-years, which includes many highs and lows including an attempt for him to run for Governor only to have a lover come out to try and destroy the family. When you bring this film up to film buffs a big fight usually starts as to whether or not Pickford should have called it quits after this. Some will argue that her voice and acting style didn't blend well in sound pictures and others will say that she was perfect in this picture and will bring up the fact she won her Oscar for a sound movie. I'm somewhere in the middle because I feel she has some incredibly wonderful scenes here but the majority of them are during silent moments. There's a heartbreaking scene she has with her kid during a shoot out that is among the best work I've seen from her. The part of her performance that doesn't work is early on when the star, who was pushing 40, tries to act like a teen. I know American loved this but it was clearly out of style by 1933 and her voice, also trying to act younger, just doesn't work and comes off very silly. Howard is very good in his role and manages to handle the comedy as well as the drama. C. Aubrey Smith plays Pickford's rather silly father and seems to be having a great job with it and especially in one sequence where he calls Howard's character countless bad names. The biggest problem with the film is its pacing, which is extremely slow for the first hour but finally picked up in the last thirty-minutes. The original director was fired by Pickford so I'm not sure how much of this might be his fault. Another problem is that the film seems to want to be an epic but it's cut down to a rather brief 84-minutes, which means we're jumping around way too much. We go from the two of them being happily married and then cut to nearly twenty-years in the future when Pickford learns that her husband has been cheating on her. There's not too much character development and things just happen way too fast. With that said, there's still enough here to make this worth viewing as fans of Pickford and Howard will certainly want to check it out.