One Man's Journey

Lionel Barrymore played a country Doctor who healed bodies as well as hearts. He helps Dorothy Jordan and James Bush and than later, Joe McCrea ( as his son) and Frances Dee. He played a character who was good hearted & hard working & was often only paid with potatoes as recompense. Sentimental, up-lifting, self-sacrifice & nobility all figure into the picture. It was remade in 1938 as A Man to Remember with Edward Ellis in the Barrymore role. The roles of Dee & Bush were dropped & in this case the son ( lee Bowman) falls in love with Anne Shirley--as the Jordan character. Acting was good all around. Jordan is pretty much forgotten today. She made several films in the early '30's and then married Merian C.Cooper. McCrea & Dee married shortly after making this picture. James Bush was in many films up to the early '50's, mostly in small, uncredited roles.

Lovely movie from an earlier time. Incredibly well-acted by most concerned. Except for McCrea, who, it seems to me, is as stiff as a board. While I realize he was supposed to exude a sort of heartless diffidence, I don't think that's the problem; I just don't think he had really come into his own yet. Of course he was a tall, handsome guy with a good voice and, with time, he became a solid actor -- but it's interesting to see him upstaged by almost everyone in this early entry.

And while the film can feel "dated," what is one to expect from a bit of art that was made so long ago? Perhaps that sense of "datedness" comes from the fact that today we are just so "aware" and cynical. Personally, I like the tone of the film....

One Man's Journey is the sentimental filmed tale of the life of a country doctor as played by Lionel Barrymore. It's a nice, but very dated story, doctors like Barrymore are sadly a thing of the past.

Barrymore arrives back in his hometown, a widower with a small son who later grows up to be Joel McCrea and follows in his father's footsteps as a physician. In fact he starts off on the wrong foot by losing the mother during a difficult pregnancy. The daughter from that pregnancy grows up to be Dorothy Jordan and she's more Barrymore's child than she is of David Landau.

May Robson's in this film also as Barrymore's feisty housekeeper who brings an aged feminine touch to his household as well as a streak of practicality. She's probably the best one in the film.

One Man's Journey bears a lot of resemblance to Goodbye Mr. Chips. Like Chips the schoolmaster in Great Britain, Barrymore's Doctor Eli Watt affects literally hundreds of lives during the course of his time on earth. Like his son Joel McCrea said in a much later picture, Eli Watt enters his house justified.

It's a nice film, terribly dated though and that's not a good thing.

It's strange to see the similarities in this film and "It's A Wonderful Life" from 13 years later. Barrymore plays a country doctor, Eli Watt, who has failed at a bigger practice, has become a widower, and now returns to his small town along with his small son to set up practice on his on. His first case has a horrible outcome, although it is not the doctor's fault. A farmer's wife dies in childbirth and the farmer (David Landau) does not want the baby girl and says he will get the poor farm to come and get her. Dr. Watt takes the baby girl in as his own and raises her as his daughter, Letty. In one plot turn I could not figure out, Mae Robson appears out of nowhere and says her life is empty and figures it can be fuller by keeping house for the doctor and his family.

The film is rather melodramatic, but the great acting of Barrymore and company make it worth your while, as the good doctor gets paid rarely in money and more often in potatoes, handles epidemics, and his son Bill grows up to be...Joel McCrea! (Bill Watt as a young man). Eli has always dreamed of specializing and even traveling to Europe to study with some of the great doctors, so he can bring what he has learned back to his community. However, time after time some emergency, Bill's tuition for medical school, plus just the plain old passage of time delays that dream until finally, old age finds Eli Watt, and he resigns himself to his fate, although with contentment rather than the anger and bitterness of George Bailey.

Will anyone ever notice his sacrifice and all he has done for the town? Watch and find out. It's a sentimental journey, but worth watching.

Other odd coincidences between this film and It's A Wonderful Life - one of the characters that Dr. Watt crosses paths and locks horns with over the years is a rich banker who thinks money can fix everything and therefore everybody wants his money - much like Barrymore's character in IAWL. Also, one imminent physician who respects country doctor Eli Watt and his accomplishments and sacrifice is played by Samuel S. Hinds, who played Pa Bailey in IAWL.

One thing that came out of nowhere for me and seemed a bit silly too, and doesn't have anything to do with the plot, so I will talk about it. When Dr. Watt first shows up and Sarah (May Robson) becomes the Watt housekeeper, she looks about 20 years older than Dr. Watt - and May Robson was in fact 20 years older than Lionel Barrymore. At the end of the film Dr. Watt has aged twenty years, and Sarah looks the same, to the point that she proposes marriage and he gives one of the most unromantic acceptances in the history of the world.

Films did give quite a few age un-appropriate roles to May Robson - she was 75 when this movie was made. I guess her great energy just makes you forget her age most of the time.

Lionel Barrymore got to play a nice guy for a change in this sentimental drama. In an unusually subdued performance, Barrymore plays a widowed family doctor starting a new life with his young son in a small town. The locals are leery of the outsider and the few cases that come his way are paid for with potatoes and eggs. When one of his patients dies in childbirth, the angry husband wants nothing to do with his infant daughter, so the kind doctor takes her in. Soon feisty May Robson comes aboard as a volunteer housekeeper. The story fast-forwards twenty years to find the son (Joel McCrea) a hotshot Type-A doctor with little time for his beautiful and long-suffering fiancée Frances Dee. At the end of course, everyone realizes how fortunate they really are. It was nice to see the luminescent Miss Dee on the big screen only two days before she died at age 94. Screened at Cinefest in Syracuse New York, March 2004.