VALUTAZIONE IMDb
7,0/10
1826
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaAn abused orphan sinks into a life of crime.An abused orphan sinks into a life of crime.An abused orphan sinks into a life of crime.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria in totale
Ivan F. Simpson
- Tindle
- (as Ivan Simpson)
Charley Grapewin
- Clerk
- (as Charles Grapewin)
Ernie Adams
- Court Photographer
- (non citato nei titoli originali)
Reginald Barlow
- Trial Judge
- (non citato nei titoli originali)
Louise Beavers
- Anna - Mary's Maid
- (non citato nei titoli originali)
Lynton Brent
- Court Photographer
- (non citato nei titoli originali)
Recensioni in evidenza
Ordinarily I do not tolerate soap operas well, and "Midnight Mary" is certainly one of these. Commonly referred to as a 'woman's picture', a soap is generally long on talk and unwind at ice-cutter speed. But this picture is different, more of a melodrama with good pacing and acting throughout, and with a thoroughly absorbing screenplay as well.
Director/Social Commentator William Wellman hits the mark with an MGM production that has a gritty Warner Bros. flavor to it. It is Loretta Young's picture and she delivers, with help from a surprisingly strong performance from Ricardo Cortez and from the dependable Franchot Tone. Mention should be made of the effective, haunting theme music by Dr. Wm. Axt, who supervised many MGM scores in the '30's.
Still very worthwhile although somewhat dated nowadays, its essential social message is intact. Well done all around. I gave it a rating of 8 and felt the film earned every bit of it.
Director/Social Commentator William Wellman hits the mark with an MGM production that has a gritty Warner Bros. flavor to it. It is Loretta Young's picture and she delivers, with help from a surprisingly strong performance from Ricardo Cortez and from the dependable Franchot Tone. Mention should be made of the effective, haunting theme music by Dr. Wm. Axt, who supervised many MGM scores in the '30's.
Still very worthwhile although somewhat dated nowadays, its essential social message is intact. Well done all around. I gave it a rating of 8 and felt the film earned every bit of it.
This is a seldom-discussed but highly significant title in the pre-code canon, as it delineates the compromises a pretty and (originally) moral young woman must make to extricate herself from poverty during the depression. Overall, it's a predictable melodrama, very typical of its period, and the fact that Wild Bill Wellman was for some reason working at MGM for this one tends to stultify the brashness that was his trademark in his early years at Warners. Nonetheless, the tricky editing is very Warners-like and keeps the story moving at a rapid pace, particularly in the jaw-dropping montage where the eponymous character loses her virginity. Most importantly, the script is very frank about sex and absolutely cynical about American society at the time. The most notorious scene is all innuendo -- in order to distract her gangster paramour, Mary inaudibly whispers in his ear, obviously relating in quite some detail the pleasures she will endow him with if only he comes to bed with her immediately. Loretta Young is luminous as always and Ricardo Cortez has a nice time with his role as a confident hoodlum who knows he has her on a string. As for Franchot Tone and Grady Sutton...
Midnight Mary is the story of a girl who grows up poor, gets involved with people on the wrong side of the tracks, and tries to get out. The film opens and closes with Mary in a court room awaiting the verdict in her trial for murder.
Loretta Young plays Mary; Young is absolutely beautiful and proves to be a great actress in all of her scenes.
Ricardo Cortez plays her gangster boyfriend well enough. He is appropriately sinister at times and average in others.
Una Merkel plays Mary's best friend, a cute and funny smart-cookie type.
Franchot Tone is standout in this film, especially in his romantic scenes in which the kisses are long and passionate, the looks are meaningful, and the chemistry is hot and thick. Otherwise, Tone is sweet and lovable as always.
This film was beautifully photographed and employed great costuming resembling both late 1920s and early 30s styles.
This film was made before the production code that censored everything that came out of Hollywood, so it utilizes many racy scenes. One occurs when Young and Tone blatantly talk about the possibility of sex, another when the far from stiff kisses last longer than three seconds, another when Young whispers dirty things into Cortez's ear, and still another when a girl gets pregnant out of wedlock. There is also some abuse shown.
The ending of the film is very satisfying and concludes a great film.
Loretta Young plays Mary; Young is absolutely beautiful and proves to be a great actress in all of her scenes.
Ricardo Cortez plays her gangster boyfriend well enough. He is appropriately sinister at times and average in others.
Una Merkel plays Mary's best friend, a cute and funny smart-cookie type.
Franchot Tone is standout in this film, especially in his romantic scenes in which the kisses are long and passionate, the looks are meaningful, and the chemistry is hot and thick. Otherwise, Tone is sweet and lovable as always.
This film was beautifully photographed and employed great costuming resembling both late 1920s and early 30s styles.
This film was made before the production code that censored everything that came out of Hollywood, so it utilizes many racy scenes. One occurs when Young and Tone blatantly talk about the possibility of sex, another when the far from stiff kisses last longer than three seconds, another when Young whispers dirty things into Cortez's ear, and still another when a girl gets pregnant out of wedlock. There is also some abuse shown.
The ending of the film is very satisfying and concludes a great film.
10sunlily
Midnight Mary is pre-code bliss par excellence! Loretta Young stars as a down on her luck young woman who finds herself in situations that she never would've found herself in later in her career! From the opening courtroom scenes where Mary finds herself reminiscing about her past, we are taken on a roller coaster ride through the years to find out how she came to be where she is now! Mary isn't a bad girl, she's just had a lot of bad luck and made unfortunate choices in consequence.
Loretta has tons of chemistry with her co-stars Ricardo Cortez (yummy) and wise-cracking, adorable Una Merkel, who has a really great philosophical drunk scene in the movie! There are many scenes that wouldn't have made it past the censors later on, such as the one at the kitchen table where Loretta and Franchot Tone discuss a subject that's on a lot of people's minds a lot of the time. And towards the end of the movie, there's a scene with Mary trying to seduce Leo, who responds by licking her fingers as she strokes his face.
This is a great little morality play and a comment on the hard times encountered during the Depression Era, when many people were forced into hard choices they might never have made otherwise.
All the cast is great, including Franchot Tone as the suave lawyer who befriends and saves Mary and Andy Devine as his loud-mouthed friend who's along for the ride.
Midnight Mary really is Pre-Code Bliss!
Loretta has tons of chemistry with her co-stars Ricardo Cortez (yummy) and wise-cracking, adorable Una Merkel, who has a really great philosophical drunk scene in the movie! There are many scenes that wouldn't have made it past the censors later on, such as the one at the kitchen table where Loretta and Franchot Tone discuss a subject that's on a lot of people's minds a lot of the time. And towards the end of the movie, there's a scene with Mary trying to seduce Leo, who responds by licking her fingers as she strokes his face.
This is a great little morality play and a comment on the hard times encountered during the Depression Era, when many people were forced into hard choices they might never have made otherwise.
All the cast is great, including Franchot Tone as the suave lawyer who befriends and saves Mary and Andy Devine as his loud-mouthed friend who's along for the ride.
Midnight Mary really is Pre-Code Bliss!
Interesting drama about a young woman named Mary Martin (played by Loretta Young), on trial for murder, who awaits her verdict and remembers back to her past leading up to this crime. From childhood rummaging through garbage at the dump, to being placed in a "house of correction" as a teenager when she is unjustly accused of stealing a pocketbook, to unknowingly playing lookout for a bunch of crooks pulling a job, Mary really is a good girl - she's just had a life that went from one bad break to another, it seems. Unable to find a real job, she ends up a gangster's moll and, along with his gang of hoodlums, she's now dressing to the nines in satin gown, skullcap, and fur coat and assisting them with crimes - but when she meets a handsome, rich playboy (Franchot Tone) one night while out on a "job" with her gang, she asks him to help her get away from this life of crime.
This film is really interesting, well-edited and fast-paced, with compelling story that completely held my interest, and a really great performance by Loretta Young who really makes this film. Una Merkel adds to the mix as Mary's gal pal Bun, and Andy Devine is fun as Franchot Tone's goofy sidekick. Franchot Tone, by the way, looks extremely handsome in this with top hat, white tie, and tails (oh, my), Loretta Young is very beautiful, as usual, and there is just tons of chemistry between the two of them in their romantic scenes. Watch for those kisses - wow!
This film is really interesting, well-edited and fast-paced, with compelling story that completely held my interest, and a really great performance by Loretta Young who really makes this film. Una Merkel adds to the mix as Mary's gal pal Bun, and Andy Devine is fun as Franchot Tone's goofy sidekick. Franchot Tone, by the way, looks extremely handsome in this with top hat, white tie, and tails (oh, my), Loretta Young is very beautiful, as usual, and there is just tons of chemistry between the two of them in their romantic scenes. Watch for those kisses - wow!
Lo sapevi?
- QuizThe original working title "Lady of the Night" was changed after the Hays Office objected. (The title was thought to be obscene.)
- BlooperIn the beginning in the courtroom, the Cosmopolitan magazine edition that Mary is reading differs between the long and closeup shots. The edition she reads in long shots is the February 1933 edition and in closeups, she reads the May 1933 edition.
- Citazioni
Mary Martin: Sometimes I think if I don't get away from you, I'll go out of my mind.
Leo Darcy: That's only sometimes. You'll never get away. You belong to me!
Mary Martin: I've never belonged to you. Never! Do you hear?
- ConnessioniFeatured in Complicated Women (2003)
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- Tempo di esecuzione1 ora 14 minuti
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By what name was Mary a mezzanotte (1933) officially released in India in English?
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