Meet the Baron

After years of seeing the Ted Healy & His Stooges sequences of this movie on the VHS tape "The Lost Stooges", I just finally watched the whole movie of Meet the Baron. It stars Jack Pearl as the title character who tells tales that can't be believed. Jimmy Durante provides support as his manager, Edna Mae Oliver is the dean of a girls college, and Zazu Pitts is a maid. As for Ted Healy with Moe Howard, Larry Fine, and Jerry (Curly) Howard, they're plumbers sent to get water back in operation so the female students can continue showering. You know this was a pre-Code movie when you see various nude (though strategically covered with water) ladies singing while showering! Overall, the Stooges were perhaps the funniest parts of the movie with some amusing lines from Pearl, Durante, Oliver, and Pitts. Not really hilarious all the way through but Meet the Baron had some good moments. P.S. I wonder if Herman J. Mankiewicz got the Rosebud name that became a part of a classic he co-wrote called Citizen Kane from this film which he also had a hand in writing and in which the mule is called by that name!

It should be pointed out to anyone reading the reviews here that we are not seeing the Baron Munchausen of German literature. For that you would have to see the German epic film that starred Hans Albers and was made by the Nazi controlled UFA studio during World War II. What we are seeing here is a version of Baron Munchausen adapted by vaudeville comedian Jack Pearl for which he had great success on radio during the Thirties. When Meet The Baron came out, Pearl was at the height of his radio success with the character.

Now the radio show with time out for commercials and a guest star consisted of Pearl telling these outrageous tales in this overblown German accent to straight man Ben Bard who is in the film as well. He was the Charlie to whom Pearl answered whenever 'Charlie' would question the Pearl's veracity, "Vas You Dere Charlie?" That line became the catchphrase associated with the show, as well known in its time as Jack Benny's 'well'.

In fact Pearl and Bard do one of their typical dialogs which comes about 20 minutes into the film and goes about 20 minutes. But Louis B. Mayer was smart enough to know that would not fill out a whole feature film, so MGM loaded the film with such people as Jimmy Durante, Ted Healy and The Three Stooges, and Edna May Oliver. They all get to do the shtick they were all known for.

The starts out bearing some resemblance to the Marx Brothers Animal Crackers and then segues into one of those college pictures so popular in the Thirties. It's a girl's college where Edna May Oliver is the dean. She plays a Margaret Dumont type character, but a lot shrewder and Oliver looks like she's enjoying herself.

Jack Pearl's type of humor is most out of date, but I kind of like it and with so much else to enjoy in Meet The Baron you don't have to be a fan of his to like the film.

An outrageous liar, pretending to be Baron Munchausen the famous explorer, arrives in new York City with his lowbrow companion. They proceed to defraud everyone in sight, before finally settling in at Cuddle College - where they plan to give the coeds the opportunity to MEET THE BARON.

In the early 1930's, Jack Pearl was a huge success on radio as Baron ('Vas you dere, Charley?') Munchausen, the champion fibber. MGM decided to groom him for film stardom, playing his famous character. Here, in the first of two films -HOLLYWOOD PARTY (1934) was the second - he is surrounded by first rate talent: the great Jimmy Durante as his sidekick; fluttery Zasu Pitts; the inimitable Edna May Oliver as the college dean; and Ted Healy & the Three Stooges.

The movie, while no classic, is enjoyable. Pearl, Durante and Misses Oliver & Pitts all have good moments. Fans of the Stooges will appreciate their contributions to the lunacy of the plot. Film mavens will want to look fast for Robert Greig & Lionel Belmore as explorers and Mary Gordon as the college washerwoman.

'Clean As A Whistle' has to be the strangest song ever included in an MGM movie - it takes place entirely in the college shower room...

This film is uneven: the first half is very promising, and it looks like "Meet The Baron" could develop into a classic of the absurdist-nonsense school of comedy, in the same vein as "Duck Soup" and "Horse Feathers". But the second half has too much violent, unsophisticated slapstick, and too many lame word puns ("take it with a grain of salt" - "you mean you can eat it?"). The two best sequences are the two musical numbers: the satirical "The Best is None Too Good", and especially the very pre-code "Clean as a Whistle", which must have been considered extremely hot by moviegoers back in 1933, and remains quite provocative and teasing today. Great closing gag, too! **1/2 out of 4.

This movie was written by Herman Mankiewicz. We may ask, "Is this as good as his "Citizen Kane?" This movie was produced by David O. Selznik. We may ask, "Is this as good as "Gone with the Wind?" This movie has song lyrics by Dorothy Fields. We may ask, "Is this as good as "Swing Time," "Roberta" and "Sweet Charity?"

Unfortunately, I would have to say, "No" all five times.

While this is a zany hour or so of music and vaudeville style comedy, it is too slight to be considered more than an amusing, quirky farce.

There's a lot of talent both behind and in front of the camera and everybody seems to be having fun, but nothing matches, meshes, or stands out (with the exception of two minutes of naughty precode fun watching some singing beauties taking showers.

Seeing Edna Mae Oliver and Zasu Pitts is always a joy. I didn't find either Jack Pearl or Jimmy Durante more than occasionally amusing.

Some reviewers have attacked Ted Healy for his bad treatment of the Three Stooges. This is the third or fourth film I've seen him in with the Stooges and I think he does interact very well with them. He is just playing a character and his mean treatment is just part of the act, not anything real. Essentially Moe just takes over Healy's harsh boss role after they split. We should give Healy the credit he deserves for creating the successful slapstick formula. If you watch Healy in "Varsity Show," you'll see a totally different side of him. He is both funny and charming in that movie. Sadly, he was killed a few months afterward. I think if he hadn't died, he would have continued to be successful without the Stooges. Perhaps he could have answered some of the charges that the Stooges later brought against him.