Il piccolo gigante re dei gangsters

And yet it is in one of the Warner Gangster DVD packs. This is one of those bizarre results from the whipsaw of events - age of DVD, great recession and resulting death of DVD, economic recovery and age of Blu and streaming -that put this relatively obscure film on DVD but leaves the three Show Boat films unrestored and in the Warner Archive. But I digress.

It may be obscure, but it is definitely worth your time. This is a comedy about a gangster, not a gangster film, as I said in my title. Robinson plays Bugs Ahearne, a Chicago gangster at the time of Roosevelt's 1932 election and, by extension, the death of prohibition. Ahearne is wise in that he sees the age of the mob and easy money from bootleg liquor is over, and divides his profits among his gang. Ahearne himself winds up with 1.25 million dollars. Multiply that by about 20 to get today's amount.

Ahearne has been planning for this day, and he has been reading the classics and improving himself. He plans to retire to California and become part of polite society. The problem is, outside of reading, Bugs has never talked to or known any society people in his life. Just like you can't learn to drive a car by just reading books, Bugs doesn't realize he sticks out like a sore thumb.

He also makes the mistaken calculation that people of "breeding" - whatever that is supposed to mean - and culture can be depended upon to be on the level, whether their motives are good or maybe not. Yet he is fooling the society people by pretending to be somebody else, wanting to leave his gangster roots behind. The result is an absolutely hilarious comedy of manners with tons of precode one liners, many of which I cannot repeat even in 2019.

And if you never thought Edward G. Robinson and Mary Astor could have great chemistry, maybe even be considered a comedy team, guess again. With great supporting performances. With a great understated performance by Russell Hopton as Robinson's best friend, who can't imagine life without the mob and tags along with "Bugs" for the ride. I guarantee you will never see polo as the same game again. Highly recommended.

My main reason for seeing 'The Little Giant' was to see fine actor Edward G. Robinson, who was in many great films and always a bright spot, in an early role. A role that was also a relatively different one, with him in comedy it was very different from his tough guy image, so it was interesting to see how he would fare in this regard. Another interest point was the film being one of the first gangster comedies.

'The Little Giant' turned out to be something of a little gem, nothing little about it. Found myself really entertained and relaxed watching it, with the odd shock/surprise thrown into the mix, and it is a shame that 'The Little Giant' is not known more than it is. It won't be one of my favourite films any time soon and won't consider it one of the greats, but it is not very well known at all these days, when there are films that are not particularly good yet make a lot of money and in some cases are popular, and obscurity is where it should be nowhere near close to being near or in. There is so much right with 'The Little Giant' and the not so good things are both barely any and not big at all.

Would have liked 'The Little Giant' to have been longer, an hour and a quarter seemed rather too on the brief side.

Helen Vinson is ever so slightly on the bland side but only in comparison with everybody else.

Robinson however is terrific, he is immensely gifted when it comes to the comic timing and he also gives the right amount of intensity when necessary. He has great chemistry with the cast, namely the very charming and zesty Mary Astor and with Russell Hopton, also very good. The characters are both interesting in personality and worth investing with. Roy DelRuth directs briskly, never allowing the energy or tension of the storytelling to slip (the film being full of both).

Just as good was the tightly structured and sharply witty script, that also had some remarkably ahead of its time content that one is shocked is in the film, the amoral tone likewise. The production values are slick and don't look as though they were made without enthusiasm or care. The film is always engaging and with never a dull spot.

Overall, a little gem. 8/10 Bethany Cox

Like every great First National picture, this one starts off quickly, with Edward G. Robinson in full, glorious gangster mode, speaking the classic language of the Prohibition movie gangsters, words like "mugs" and "rods" ornamenting his lines. But there is a twist here: Robinson (as "Bugs" Ahearn, the "Beer Baron"), is going to quit the illegal beer business (since Prohibition has ended), and go straight. In fact, Bugs has a dream: to become successful in high society.

The script is very fast paced and delightful, and in a couple of places, quite shocking, reminding us of how progressive pre-Code Hollywood could be; I almost fell out of my chair when Robinson's flunky and companion Al, when asked by Robinson whether he ever saw a painting like the one in his living room, responds with, "not since I stopped using cocaine"!! Another shocker comes later when Robinson refers to some slimy society people as "fags". Oh dear!

Robinson was an amazing actor. He constantly shifts back and forth between the know-it-all wiseguy bully, and a would be high society snob, who is very unsure of himself. This uncertain, unconfident Robinson, a tough guy who swallows his pride and grovels before his betters, is pleasing to see, and he does it very well. Perhaps one of the great Robinson scenes of all time is when Mary Astor seduces an unsuspecting EGR on a couch. Robinson plays it beautifully, as he has no idea that he is being seduced; and in a delightful moment, when Mary Astor has shyly moved away, sudden realization hits EGR as to what might have just happened. He turns to the camera, and I swear he makes exactly the kind of faces, registering surprise and possible comprehension to the audience, exactly as Oliver Hardy famously did a thousand times in his career. A priceless and lovely moment.

There are many satisfying moments in this film, and I highly recommend this. The early EG Robinson movies are gifts to be treasured, and this is one of the best.

The Little Giant is so adorable, and so entertaining, I accidentally watched it twice without recognizing it until halfway through! I love Edward G. Robinson, so it was no hardship to sit through one of his classically touching films about a gangster who wants to go straight and find class in high society. If you loved him in Brother Orchid, check out The Little Giant.

When Eddie G and his faithful sidekick Russell Hopton go to Santa Barbara after their bootlegging days are over, they're snubbed by high society. Only after his wealth becomes apparent does Eddie G get noticed, and unfortunately by the wrong woman: Helen Vinson. She's a gold-digger and seduces Eddie G while the rest of her family tries to swindle him out of money. This sounds depressing, but like I said, if you liked Brother Orchid, watch this movie. It's cuter and more heart-warming than it sounds. There are tons of jokes as he tries to come across as high class, like calling Plato 'Pluto' and asking what state California is in. Plus, it's always sweet to see Eddie G in a romance, and this time around he gets to fall in love with both Helen and Mary Astor!

Little Giant, The (1933)

*** (out of 4)

When F.D.R. gets elected President, Chicago bootlegger Bugs Ahearn (Edward G. Robinson) decides to get out of the business. He heads off to California where he plans on crashing into society and he thinks he's doing a good job but he doesn't realize that his love (Helen Vinson) is actually from a corrupt family that is just using him. THE LITTLE GIANT isn't a perfect movie and it's not really that funny either but it's impossible not to fall for its charm and especially the charm of Robinson. Most people will always remember Robinson for his tough guy roles but if you dig deeper into his filmmography you will see that he was actually able to play just about any type of character. This film is without question a spoof of his tough image but it works so well because you can believe Robinson in the part of the gangster but also believe him in the sillier stuff where he's trying to be a gentleman. There are some very good moments scattered throughout the film but I think the real highlight is in the final ten-minutes once Robinson realizes what has happened and he decides to bring a little Chicago out West. Vinson is also very good in her supporting role as she has no problem playing this brat and we get nice work from Russell Hopton and Kenneth Thomson. Mary Astor is also extremely charming as the woman who falls for Robinson, although he doesn't know it at first. Both actors are so good together that the film actually drags a bit when they're not together. Fans of Robinson or the Warner gangster pictures are certainly going to want to check this out just to see the studio and star spoofing themselves.