VALUTAZIONE IMDb
7,4/10
4977
LA TUA VALUTAZIONE
Un gangster cerca di rendere Apple Annie, la venditrice di mele di Times Square, una signora per un giorno.Un gangster cerca di rendere Apple Annie, la venditrice di mele di Times Square, una signora per un giorno.Un gangster cerca di rendere Apple Annie, la venditrice di mele di Times Square, una signora per un giorno.
- Candidato a 4 Oscar
- 2 vittorie e 4 candidature totali
Ernie Adams
- Reception Guest
- (non citato nei titoli originali)
Irving Bacon
- Pool Hall Dupe
- (non citato nei titoli originali)
Ward Bond
- Mounted Policeman
- (non citato nei titoli originali)
Joe Bordeaux
- Reception Guest
- (non citato nei titoli originali)
Harry C. Bradley
- Lloyd - Hotel Mail Clerk
- (non citato nei titoli originali)
Raymond Brown
- Seated Man in Mayor's Office
- (non citato nei titoli originali)
Recensioni in evidenza
This is the first step by Capra to celebrity. It's a warm and charming comedy, a kind of fairy tale set in the early 1930's, with all the tips that made gangster movies of that time so precious. There are the nicknames (Happy McGuire, who don't smile), the words (a kisser is a woman's lips) and even the music (Hear Ned Sparks whistle The Prisonner's Song when there are cops around The Dude night club.) All the actors are great, but May Robson gives a great emotional performance. Even if this movie is very representative of the 1930's, it stills
sounds very fresh today. Please, don't look at the version that Capra will made in the early 1960's, with Bette Davis. This is the real thing!
sounds very fresh today. Please, don't look at the version that Capra will made in the early 1960's, with Bette Davis. This is the real thing!
Back in the days of the studio system only one B picture outfit managed to vault itself into the big time and compete with the majors. That studio was Harry Cohn's Columbia and the film that did it was Frank Capra's Lady For A Day.
In his very candid memoirs Capra said unabashedly that his goal was to win one of those statues nicknamed Oscar. The Motion Picture Academy Awards were only five years old, but still the awards were coveted then because it meant prestige and far bigger salaries and in a director's case, bigger budgets to work with.
Capra said he tried and failed with a very arty film, The Bitter Tea of General Yen which lost money for Columbia and Cohn. He set out try it a different way with a sentimental story from that most sentimental of writers, Damon Runyon. The original story was entitled Madame LaGimp and it was about a street beggar who the great city of New York takes to its heart for a brief period with the assistance of a gangster with a streak of sentiment.
But this was Columbia, the poverty row studio so Capra couldn't get the only old lady movie star around in Marie Dressler from MGM. May Robson was his second choice for Apple Annie, the street beggar who has a daughter in a convent school in Spain and engaged to marry into Spanish nobility.
As for the gangster Capra wanted James Cagney, but Harry Cohn couldn't pry him loose from Jack Warner. He was offered Warren William instead and certainly the dapper and elegant William played a different kind of gangster than Cagney would have. For William's moll, Capra's partner and screenwriter for Lady for a Day Robert Riskin persuaded his then girl friend Glenda Farrell to take the part. She Jack Warner was willing to part with.
With the great skill that Capra had in casting his films, some of the best character actors around like Guy Kibbee, Nat Pendleton, Ned Sparks, and Walter Connolly filled out his roster. A lot of these people would work for Frank Capra again and again.
Came Oscar time and Lady for a Day had the great distinction of being nominated for Best Picture, Best Director, Best Actress, and Best Screenplay adapted from another source. This was the first film from Columbia Pictures that was ever nominated for anything by the Motion Picture Academy. May Robson made Capra forget he ever wanted Marie Dressler. Unfortunately she lost to a young actress picking up her first of four Oscars, Katharine Hepburn.
Riskin lost to the writers of Little Women and the film itself lost that year to the British story Cavalcade. One of the most embarrassing moments in Frank Capra's life occurred when Awards host Will Rogers in announcing the Best Director said "come up and get it Frank."
Capra rose thinking it was him and the spotlights came down on him. Then there was a frantic buzzing and the spotlight shifted to the opposite side of the hall where Frank Lloyd got up to accept the award that was meant for him for directing Cavalcade. Talk about feeling like a nickel looking for change.
However next year Capra's next film It Happened One Night swept all the major Oscars including his first. It sounds like something that only could have happened in a Frank Capra movie.
In his very candid memoirs Capra said unabashedly that his goal was to win one of those statues nicknamed Oscar. The Motion Picture Academy Awards were only five years old, but still the awards were coveted then because it meant prestige and far bigger salaries and in a director's case, bigger budgets to work with.
Capra said he tried and failed with a very arty film, The Bitter Tea of General Yen which lost money for Columbia and Cohn. He set out try it a different way with a sentimental story from that most sentimental of writers, Damon Runyon. The original story was entitled Madame LaGimp and it was about a street beggar who the great city of New York takes to its heart for a brief period with the assistance of a gangster with a streak of sentiment.
But this was Columbia, the poverty row studio so Capra couldn't get the only old lady movie star around in Marie Dressler from MGM. May Robson was his second choice for Apple Annie, the street beggar who has a daughter in a convent school in Spain and engaged to marry into Spanish nobility.
As for the gangster Capra wanted James Cagney, but Harry Cohn couldn't pry him loose from Jack Warner. He was offered Warren William instead and certainly the dapper and elegant William played a different kind of gangster than Cagney would have. For William's moll, Capra's partner and screenwriter for Lady for a Day Robert Riskin persuaded his then girl friend Glenda Farrell to take the part. She Jack Warner was willing to part with.
With the great skill that Capra had in casting his films, some of the best character actors around like Guy Kibbee, Nat Pendleton, Ned Sparks, and Walter Connolly filled out his roster. A lot of these people would work for Frank Capra again and again.
Came Oscar time and Lady for a Day had the great distinction of being nominated for Best Picture, Best Director, Best Actress, and Best Screenplay adapted from another source. This was the first film from Columbia Pictures that was ever nominated for anything by the Motion Picture Academy. May Robson made Capra forget he ever wanted Marie Dressler. Unfortunately she lost to a young actress picking up her first of four Oscars, Katharine Hepburn.
Riskin lost to the writers of Little Women and the film itself lost that year to the British story Cavalcade. One of the most embarrassing moments in Frank Capra's life occurred when Awards host Will Rogers in announcing the Best Director said "come up and get it Frank."
Capra rose thinking it was him and the spotlights came down on him. Then there was a frantic buzzing and the spotlight shifted to the opposite side of the hall where Frank Lloyd got up to accept the award that was meant for him for directing Cavalcade. Talk about feeling like a nickel looking for change.
However next year Capra's next film It Happened One Night swept all the major Oscars including his first. It sounds like something that only could have happened in a Frank Capra movie.
This sublime, charming fairy tale, about an old apple seller (the lovely May Robson) who is helped by a gangster named Dave the Dude (Warren William) and his buddies in order to make her rich and respectable for her returning daughter and in-law from Spain, is conceivably Capra's freshest, most underrated classic, perhaps with the exception of "The Bitter Tea of General Yen", which was also released in 1933. While "Bitter Tea" was a commercial flop, "Lady For a Day" proved to be Capra's first big success with the Depression-era audiences and a sign of things to come. A must-see!
Glenn Ford and Betty Davis in color fall short competing with the BW original version with lesser known but more convincing actors. Lets face facts. Glenn Ford never played a convincing bad guy/bad boy. On the other hand little known Warren William had to convince the viewers that he wasn't a bad guy all the time. Dave the Dude is basically a bad guy with a touch of good. Even his act of kindness to Annie is self serving. This movie is a perfect example that technical advances don't make a better story, lesser known actors can play the role better, and age can define whether any work of art can stand up to the ultimate critic - Time. Different audiences, tastes, standards and means of portraying the play, are the ultimate judge regarding the worth of the production.
This movie must have played very well to depression-era audiences. The story of an apple seller who has been lying to her daughter who has done well for herself in Europe is sweet, heart touching and funny.
Great, quotable lines in the script, well written. The outdoors night photography is luminous, everything seems to glow, a scene in an outdoor garden with the daughter and her fiancee kissing behind a glass water fountain is beautiful to this day.
The ideas of friends and strangers coming to a needy person's aid prefigures such later Capra classics as "It's A Wonderful Life". In fact, they would make an excellent double feature together.
In our cynical times, movies like this can be seen as hokey, in fact the name Capra was frequently turned into Capra-corn, even in his day. But the fact that his movies are still treasured and enjoyed today shows that goodness is still an enduring quality and that being drawn to goodness and fairy tales like this gives us hope that those feelings are still in us.
Recommended highly.
Great, quotable lines in the script, well written. The outdoors night photography is luminous, everything seems to glow, a scene in an outdoor garden with the daughter and her fiancee kissing behind a glass water fountain is beautiful to this day.
The ideas of friends and strangers coming to a needy person's aid prefigures such later Capra classics as "It's A Wonderful Life". In fact, they would make an excellent double feature together.
In our cynical times, movies like this can be seen as hokey, in fact the name Capra was frequently turned into Capra-corn, even in his day. But the fact that his movies are still treasured and enjoyed today shows that goodness is still an enduring quality and that being drawn to goodness and fairy tales like this gives us hope that those feelings are still in us.
Recommended highly.
Lo sapevi?
- QuizA number of beggars in downtown Los Angeles were cast in small roles, including the legless man, nicknamed William F. Sauls, whom Frank Capra had remembered as selling pencils when the director was a paperboy.
- BlooperWhile Dave the Dude's gang waits inside Missouri Martin's nightclub, Happy McGuire and Dave stand outside and are informed of the presence of the cops. Behind them on the left side of the double doors, there is a "Closed" sign, but the sign is gone when the interior shot has the two entering the club.
- Citazioni
Happy McGuire: That should be a cinch.
Butler: I beg your pardon, Sir.
Happy McGuire: I said that should be a leadpipe cinch!
Butler: If I had choice of weapons with you, Sir, I'd choose grammar!
- ConnessioniFeatured in Frank Capra's American Dream (1997)
- Colonne sonoreThe Sidewalks of New York
(1894) (uncredited)
Music by Charles Lawlor and James W. Blake
Played during the openng credits
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- Lady for a Day
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 300.000 USD (previsto)
- Tempo di esecuzione1 ora 36 minuti
- Colore
- Proporzioni
- 1.37 : 1
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By what name was Signora per un giorno (1933) officially released in India in English?
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