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The Darling of New York

  • 1923
  • 1h
VALUTAZIONE IMDb
7,0/10
37
LA TUA VALUTAZIONE
Baby Peggy in The Darling of New York (1923)

Aggiungi una trama nella tua linguaSantussa is sent to New York to be cared by for her grandfather. She is sent with jewels, and after being separated from her nurse, is cared for by gangsters.Santussa is sent to New York to be cared by for her grandfather. She is sent with jewels, and after being separated from her nurse, is cared for by gangsters.Santussa is sent to New York to be cared by for her grandfather. She is sent with jewels, and after being separated from her nurse, is cared for by gangsters.

  • Regia
    • King Baggot
  • Sceneggiatura
    • King Baggot
    • Raymond L. Schrock
  • Star
    • Baby Peggy
    • Sheldon Lewis
    • Gladys Brockwell
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,0/10
    37
    LA TUA VALUTAZIONE
    • Regia
      • King Baggot
    • Sceneggiatura
      • King Baggot
      • Raymond L. Schrock
    • Star
      • Baby Peggy
      • Sheldon Lewis
      • Gladys Brockwell
    • 3Recensioni degli utenti
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
  • Foto7

    Visualizza poster
    Visualizza poster
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    + 4
    Visualizza poster

    Interpreti principali19

    Modifica
    Baby Peggy
    Baby Peggy
    • Santussa
    • (as Baby Peggy Montgomery)
    Sheldon Lewis
    Sheldon Lewis
    • Giovanni
    Gladys Brockwell
    Gladys Brockwell
    • Ligh Fingered Kitty
    Pat Hartigan
    Pat Hartigan
    • Big Mike
    Frank Currier
    Frank Currier
    • Grandfather Van Dyne
    Frank Coghlan Jr.
    Frank Coghlan Jr.
    • The Ross Kid
    • (as Junior Coughlan)
    Dorothy Hagan
    • Mrs. Ross
    Estelle Goulder
    • Governess
    Carl Stockdale
    Carl Stockdale
    • Soulful Sid
    William H. Turner
    William H. Turner
    • Close, the Master Mind
    Jose Devere
    • Florrie
    William Quinn
    William Quinn
    • Ice Malone
    Max Davidson
    Max Davidson
    • Solomon Levinsky
    Emma Steele
    • Mrs. Levinsky
    Spec O'Donnell
    Spec O'Donnell
    • Willie
    • (as Walter 'Spec' O'Donnell)
    Fred Esmelton
    Fred Esmelton
    • Norwood
    Betty Francisco
    Betty Francisco
    • Frances
    Bertram Anderson-Smith
    • Bice
    • (as Anderson Smith)
    • Regia
      • King Baggot
    • Sceneggiatura
      • King Baggot
      • Raymond L. Schrock
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti3

    7,037
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    Recensioni in evidenza

    5boblipton

    What was ours is ours again

    No, this lost film has not mysteriously turned up in a meat locker in Alice Springs, a barn in the Faroes Islands nor even in the Gosfilmfond Archives, where a mutilated version was used to educate good Communists on how capitalists try to burn up small babies for profit. Tom Stathes found a Kodascope copy of the last reel at a flea market.

    There was an exciting escape from a fire, some recovered smuggled diamonds and an opportunity for Max Davidson to do some of his lovely pained reaction takes. It looks like a good production and Baby Peggy -- who is still alive and well as of the writing of this review -- remembers the shooting of the fire scene and her unwillingness, despite the urging of the director and her father, to go through the fire. She may have been young, but she was no fool.

    So keep on going to those garage sales and flea markets, folks. There are lots of things still missing and maybe we can find them yet.
    Cineanalyst

    Inflammable Nitrate and Child Endangerment

    Only the last reel of "The Darling of New York" survives and only then as a scratchy, decomposing 16mm Kodascope print. The results actually look rather appropriately beautiful for a reel that is about a building catching fire. It's as though the film itself were burning along with it, which given that it was made on inflammable nitrate, isn't far off the mark (although in the discussion of the film as part of the UCLA Film & Television archive tribute to Baby Peggy, water damage to the print is mentioned, somewhat ironically).

    The picture is interesting in another regard because Diana Serra Cary, as Baby Peggy later became known as, cited it as one of if not the most traumatic experiences and examples of child endangerment during her child stardom. So, when we see everyone here abandoning a child in a burning building--even a man whom she rescues leaves her behind--realize that this is exactly what the Universal studio was doing in making the film, as reportedly there was trouble with Peggy exiting through a door from which she was to escape the flames. That's real fire, and Baby Peggy was really in danger.

    Once an entirely lost film, which Cary is said to have considered especially unfortunate--all that trauma to not even have the record exist anymore. Because Hollywood didn't only disregard child well-being, they inevitably disregarded their own films. Once their commercial life was over, whether an actress or a film, they were kicked to the curb. And, as for the millions of 1920s dollars Baby Peggy pulled in, we see a guy played by comedian Max Davidson with a bunch of kids at the end of this picture and who winds up forfeiting a bag of smuggled diamonds. The way this picture goes, I'll take that as the stand-in for Baby Peggy's real father squandering all her wealth.

    Luckily, this damaged reel was rediscovered, though, and Cary lived to have her films cherished by archivists and among fans at festivals. She wrote a memoir and was the subject of an informative documentary, "Baby Peggy, the Elephant in the Room" (2012), before her death at the age of 101 this past year. History is littered with children thrust into show business who weren't so fortunate.
    5wes-connors

    Brown-Eyed Girl

    Adorable five-year-old Italian orphan "Baby" Peggy Montgomery (as Santussa) sails to America to live with her grandfather, but "The Darling of New York" innocently becomes involved with the city's seedy underworld. Universal gave their short star a bigger budget for this successful feature, which is unfortunately lost. The climactic fire scene has been preserved, however. We pick up the action with little "Santussa" being cared for by kind-hearted Gladys Brockwell (as "Light-Fingered" Kitty). Police raid her gang's hideout and a fire breaks out. This exciting sequence can be found on Flicker Alley's "Fragments: Surviving Pieces of Lost Films" (2011) and has been shown on Turner Classic Movies (TCM). In one of that complication's highlights, surviving child star Diana Serra Cary aka "Baby Peggy" recalls how the fire blazed out of control. At age 93, she's still a darling.

    ***** The Darling of New York (12/3/23) King Baggot ~ "Baby" Peggy Montgomery, Gladys Brockwell, Carl Stockdale, Pat Hartigan

    Altri elementi simili

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    Lo sapevi?

    Modifica
    • Quiz
      In one climactic scene, Santussa (Baby Peggy) escapes from a burning room. According to Diana Serra Cary (the actress), who describes the shoot in her autobiography, Santussa's on-screen panic was real. When the scene was filmed, all of the windows and doors to the room set were ignited, including, accidentally, the one that was to have been her escape route. Without a safe exit and without guidance from neither the director nor her father on the other side of the camera, the 3½-year-old was forced to carefully climb over a burning windowsill to leave the set.
    • Blooper
      During the climactic fire sequence at the end of the film, the fire is intercut with footage of horse-drawn fire trucks racing to the rescue. The footage of the fire trucks is clearly footage shot during the day, but the fire takes place at night.
    • Citazioni

      Santussa: Oo-oof!

    • Connessioni
      Featured in Fragments: Surviving Pieces of Lost Films (2011)

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    Dettagli

    Modifica
    • Data di uscita
      • 3 dicembre 1923 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Wanted, a Home
    • Luoghi delle riprese
      • Backlot, Universal Studios - 100 Universal City Plaza, Universal City, California, Stati Uniti(Studio)
    • Azienda produttrice
      • Universal Pictures
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora
    • Mix di suoni
      • Silent
    • Proporzioni
      • 1.33 : 1

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