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IMDbPro

Fantasma

Titolo originale: Phantom
  • 1922
  • Not Rated
  • 2h 5min
VALUTAZIONE IMDb
6,7/10
2059
LA TUA VALUTAZIONE
Fantasma (1922)
DrammaRomanticismo

Aggiungi una trama nella tua linguaA shiftless young man becomes obsessed with a mysterious woman and yearns to find her again.A shiftless young man becomes obsessed with a mysterious woman and yearns to find her again.A shiftless young man becomes obsessed with a mysterious woman and yearns to find her again.

  • Regia
    • F.W. Murnau
  • Sceneggiatura
    • Gerhart Hauptmann
    • Thea von Harbou
    • Hans Heinrich von Twardowski
  • Star
    • Alfred Abel
    • Frida Richard
    • Aud Egede-Nissen
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,7/10
    2059
    LA TUA VALUTAZIONE
    • Regia
      • F.W. Murnau
    • Sceneggiatura
      • Gerhart Hauptmann
      • Thea von Harbou
      • Hans Heinrich von Twardowski
    • Star
      • Alfred Abel
      • Frida Richard
      • Aud Egede-Nissen
    • 23Recensioni degli utenti
    • 28Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
  • Foto7

    Visualizza poster
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    Visualizza poster

    Interpreti principali16

    Modifica
    Alfred Abel
    Alfred Abel
    • Lorenz Lubota
    Frida Richard
    • Lubotas Mutter
    • (as Frieda Richard)
    • …
    Aud Egede-Nissen
    Aud Egede-Nissen
    • Melanie Lubota
    Hans Heinrich von Twardowski
    Hans Heinrich von Twardowski
    • Hugo Lubota
    • (as H.H. v. Twardowski)
    Adolf Klein
    • Eisenwarenhändler Harlan
    Olga Engl
    Olga Engl
    • Harlans Frau…
    Lya De Putti
    Lya De Putti
    • Veronika Harlan
    • (as Lya de Putti)
    • …
    Ilka Grüning
    Ilka Grüning
    • Baronin…
    Grete Berger
    Grete Berger
    • Pfandleiherin Schwabe…
    Anton Edthofer
    Anton Edthofer
    • Wigottschinski
    Karl Etlinger
    Karl Etlinger
    • Buchbinder Starke
    • (as Karl Ettlinger)
    • …
    Lil Dagover
    Lil Dagover
    • Marie Starke
    Heinrich Witte
    • Amtsdiener…
    Wilhelm Diegelmann
    Wilhelm Diegelmann
    • Literary Editor
    Gerhart Hauptmann
    Gerhart Hauptmann
    • Self in Opening Credits
    Ursula Nest
    • Little Girl playing near Harlan house
    • (non citato nei titoli originali)
    • Regia
      • F.W. Murnau
    • Sceneggiatura
      • Gerhart Hauptmann
      • Thea von Harbou
      • Hans Heinrich von Twardowski
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti23

    6,72K
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    Recensioni in evidenza

    6TheLittleSongbird

    Mysterious phantom

    FW Murnau was a fantastic director, all his films being extremely well made, rich in atmosphere and thematically intriguing and even daring in a way that is still quite unique and ground-breaking. It is not hard to see why his films influenced a lot of major directors, why he was one of the best and most influential directors in his day and it is sad that he didn't make more films and that he died too young. Even his lesser work is still worth seeing if mainly for historical interest.

    Lost for a long time but rediscovered and available in a not too bad print, 'Phantom' is one of Murnau's minor films. It is nowhere near on the same level as 'Nosferatu', 'Faust', 'The Last Laugh' and 'Sunrise', people will say that it is unfair to compare and that it should stand on his own. Which is fair enough, but it is hard not to when his best work is as brilliant as it is and when some other films are still worth watching but a little bland at the same time.

    'Phantom' is one of those cases. As said with a few others, the acting even for a silent film tends to be too theatrical and overdone. Was expecting more from Alfred Abel, good in other things but a bit miscast here. Not just in age but for my tastes he is too wild and comes over as borderline neurotic.

    The story for 'Phantom' is somewhat too slight for the running time, feeling like an over-stretched short film. Less intertitles and ones that didn't slow the film down too much and it being less flashback heavy would have helped a bit. Lorenz's descent felt too rushed and out of nowhere, needing a lot more time to progress, that way it would have been easier to root for him.

    Having said all of that, 'Phantom' is not a bad film despite how all of that sounds. It is beautifully directed by Murnau and as expected wonderfully made. Some very atmospheric and imaginative photography and quite transfixing imagery that allows one to provoke thought. Luckily doing so without being too heavy on it.

    Appreciated too its use of themes not explored a lot in films those days and would be considered quite bold to portray. Some of the acting comes over well, with a great performance from Grete Berger that genuinely unsettles.

    Summing up, worth uncovering but far from a Murnau essential. 6/10
    junkySTL

    An errie drama, but not the best of Murnau's films

    The story of a man Lorenz Lubota (played by Alfred Abel) who chases a woman Pfandleiherin Schwabe (Grete Berger) who keeps escaping him and is, virtually, like a phantom. This drama is not as potent as Murnau's other attempts at heart wrenching dramatic cinema (such as TABU and SUNRISE). Much like SUNRISE this film suffers from a running time that could, easily, be cut in half. There are not as many interesting elements in this story as, say, THE HAUNTED CASTLE or FAUST. But still it is worth a look for any of Murnau's dedicated fans. It includes Murnau's usually study of human suffering and torment, and his supernatural imagery (a ghostly horse carriage, and a leaning city- much like Weine's CAL
    lee_eisenberg

    expressionistic descent into obsession

    Hot off his formidable achievement with "Nosferatu", F.W. Murnau made another expressionistic film, "Phantom". This one depicts Lorenz (Alfred Abel), a clerk who becomes obsessed with a woman (Lya De Putti) who accidentally struck him with a carriage. The movie contains some neat effects to highlight Lorenz's descent into madness. There are of course the buildings, but even more impressive is the ghostly carriage that emerges from a black void. A short documentary about the production makes note of how Murnau accomplished these interesting tricks.

    One might call "Phantom" a precursor to "The Blue Angel" and "Lolita", but I wouldn't call that totally accurate. The latter two are more straightforward about their subject matter, while this one is deliberately surreal and dreamlike. But no matter how you interpret "Phantom", you can't deny that it is a very good representation of inter-war German cinema. The movie is a little slow at times, but definitely worth seeing.
    6planktonrules

    I agree with Kitchent--this is a letdown

    PHANTOM is a very heavy-handed morality tale of a simple man who inexplicably becomes infatuated with a woman after seeing her only briefly. Despite being a seemingly nice guy, he throws his life away and the film revels in this spiral as well as the parallel story of his sister who becomes a prostitute.

    While the film on technical merits isn't bad (it did have some inventive camera work), it was a major letdown since it was directed by the legendary director F. W. Murnau. Had it been done by some studio hack, then I could understand why this film was so hokey and unbelievable--but from Murnau, his fans have come to expect so much more.

    Unlike some reviews on IMDb, mine is a bit unusual in that I have now seen just about every known Murnau film in existence today (PHANTOM was the last) and so I can compare it to the body of his work. Clearly, it is the worst of his films and lacks the magic and genius that Murnau is known for having. You might be surprised to hear that although his most famous film is NOSFERATU, it may not be his best film--mostly because NOSFERATU, like PHANTOM, seems a tad old-fashioned and stilted--even for 1922. This can be forgiven in NOSFERATU because despite these lulls, the rest of the film is so transcendent and amazing--making it one of the greatest silent films of all time. There is nothing about PHANTOM that can make you overlook the very dated plot--it's just heavy-handed and not particularly memorable.

    As I said, Murnau made some truly amazing films. Aside from NOSFERATU, he is most famous for the Oscar-winning SUNRISE, but neither of these is my favorite. I love and recommend you see FAUST because the camera work and artistry is just amazing--making Goethe's story a freshness and style that just have to be seen to believed. I also liked it because I (unfortunately) have read the very long book "Faust" and found the film actually made me like the story! THE LAST LAUGH and TARTUFF are also simply wonderful films that any serious student of German cinema must see.

    So, my advice is to watch PHANTOM if you like, but if you aren't acquainted with F. W. Murnau's films, try any of the others first--otherwise you might not be able to detect his genius and deftness.
    9preppy-3

    Excellent drama

    Silent German film about a meek, mild man who seems to have no life or goals. Then he meets a blond-haired girl riding a chariot. He immediately falls in love with her. It leads to his downfall ending in murder. But there is redemption.

    This silent film was long believed to be lost. Thankfully it's been rediscovered which is great--this is a wonderful drama. My synopsis may sound a little strange but this is a hard film to describe--you have to see it to understand. It's beautifully directed by F.W. Muranu--many elaborate camera tricks and fade ins and outs. Also it deals with some touchy subjects such as prostitution (never called that but it's there). The acting is a little over the top but that's to be expected in silent movies. But there is a wonderful (if frightening) performance by Grete Berger as Mrs. Schwibe. My only complaint is that this film is shown in flashback which somewhat dilutes the drama (that's why I'm only giving it a 9). Still, this is a great silent film. It's not up to Muranu's "Nosferatu" or "Sunrise"--but then what is? Well worth seeing.

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    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      This movie was considered lost for a long time but is now available in good condition.
    • Blooper
      When Lorenz'a Aunt Schwabe reads his letter of termination, she is wearing gloves, but the close up of the letter shows a bare hand holding it.
    • Curiosità sui crediti
      In the opening credits Lya De Putti only appears credited as Mellitta. The "actress" who plays the role of Veronika Harlan appears credited only as "x x x".
    • Versioni alternative
      In 2003, Flicker Alley, LLC copyrighted a new digital version with English intertitles and a new orchestral score composed, arranged and conducted by 'Robert Israel (II)'. It was produced by Jeffery Masino and runs 117 minutes.
    • Connessioni
      Featured in Cinema Europe: The Other Hollywood (1995)

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    Domande frequenti12

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    Dettagli

    Modifica
    • Data di uscita
      • 13 novembre 1922 (Germania)
    • Paese di origine
      • Germania
    • Lingue
      • Nessuna
      • Tedesco
    • Celebre anche come
      • Phantom
    • Luoghi delle riprese
      • Bioscop-Atelier, Neubabelsberg, Potsdam, Brandeburgo, Germania
    • Azienda produttrice
      • Uco-Film GmbH
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 2h 5min(125 min)
    • Mix di suoni
      • Silent
    • Proporzioni
      • 1.33 : 1

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