Why Change Your Wife?

Swanson changes her style dramatically in the middle of the film (after the divorce), and she becomes really gorgeous. It seems like this film was made just to show her. Comparing with her, Daniels (and other characters) is not so impressive. The film itself has a simple story and maybe it is not so appealing to everyone but still interesting to see.

Why Change Your Wife was part of Cecil B. DeMille's "marriage trilogy" and is a sly and well-acted 1920 silent film that stars Gloria Swanson as a dowdy and prissy wife whose husband (Thomas Meighan) is bored with. He wants fun and romance! So he trots off to a dressmaker to buy her a negligee to spice up the marriage. But an ambitious model (Bebe Daniels) recognizes him as her mother's old boss and sets out to trap him. Of course he is putty in her hands and she causes a divorce.

After the divorce Swanson overhears two women gossiping about her in the next changing room. She decides to "jazz up her lingerie" and win the husband back. Of course they all end up at the same Atlantic City hotel where the transformed Swanson (what a bathing suit!) catches his eye anew. Through a series of plot twists, including the manic cat fight between the two women with threats of throwing acid, poor Bebe concedes defeat and (after emptying his wallet of cash) leaves him to Swanson.

Good fun and all 3 stars are terrific. Also taking center stage are the women's fashions (hilariously "exotic") and the interior decor. DeMille was the first director to understand the importance of film as a TREND SETTER and basically created the product endorsement mania so prevalent in today's films.

Sylvia Ashton is Aunt Kate, Theodore Kosloff is the violinist, Lucien Littlefeld is the butler, and William Boyd is one of the hotel guests. The hotel is quite a spot, and mention should be made of the cat and dog fight which presages the battle between Swanson and Daniels. The dog is funny, and the cat is named Toodles, which was the name of the home wrecker played by Julia Faye in the preceding "marriage" film: Don't Change Your Husband.

Why Change Your Wife? was a movie about a couple undergoing some problems. Robert keeps trying to please his nagging wife, Beth. He tries to please her without success. He tries several things to please her and she continuously turns it down, refusing to change for him. This leads Robert to go out with another women who works in a negligee shop. Eventually she gets a little saucy to spruce herself up and become more appealing in hopes to win Robert back. I loved the romantic drama and the passion behind this silent film. Though it would have been better with sound, I found it very similar to some of the popular movies out today. It was refreshing to see the humor and romantic scandals that were around back in 1920 and how they haven't differed much from the scandals of today. It was a delight to watch.

Although the plot is not as absorbing as in his classics "The Affairs of Anatol" or "Male and Female" Cecil B. DeMille makes this romantic piece of fluff intoxicating still, especially if you enjoyed the romantic and sexual tension between Gloria Swanson and Thomas Meighan in the latter film. "Why Change Your Wife?" was made a year after "Male and Female" and the audience gets to see the two as a married pair: in the first scenes Tommy is shaving and Gloria is getting dressed. The interplay between them is fabulous and funny. She is always interrupting him in front of the bathroom mirror and he can't quite manage to button the back of her dress. So typical and true to life. She lectures him on his personal tastes: "must you have a dog?" and "you should listen to classical music and not tin pan alley" and "you should stop drinking/smoking..." The film shows the affects of nagging upon a marriage, and boy is THAT true to life!

Enter Bebe Daniels. She likes men with curly hair and Tommy Meighan fits the bill. She manages to attract Tommy away from Gloria; even though we know Tommy still loves Gloria, she still needs to be taught a lesson on men and marriage. She learns her lessons the hard way, but therein lies the fun for the audience. The moral of the story here is that wives should remember they are their husbands' sweethearts first, their wives second, and that they should not forget the romance that keeps a couple together and out of the divorce courts.

I don't want to give away more of the plot but see this film. If you are a woman watch it with your husband. You won't regret it.

In 1920, Cecil B. DeMille was already the king of Paramount. Titles would show a DeMille coin and he was the producer and director in charge and already had spectacles under his belt. But he also made romantic comedies that very much are a product of their times. His most famous female star of the late teens to early twenties was Gloria Swanson, who would go on to be a major silent star in her own right during the era.

Thomas Meighan is not so well remembered today except for hard core silent buffs. Few of his films are rarely revived and he died in 1936 after a two year bout with cancer. Another major silent star who did have some successes in sound was Bebe Daniels, probably most famous for singing "You're Getting To Be A Habit With Me" and breaking her leg in 42ND STREET.

Meighan and Swanson co-starred together in DeMille's MAN AND FEMALE a year previous to this one. Here, they are introduced as husband and wife in a script written by William DeMille, Cecil's brother. While Thomas shaves, Gloria pesters him into buttoning the back of her dress. It's a humorous modern day problem and both leads are funny as they frustrate each other.

She won't even let him listen to HINDISTAN - A FOX TROT on a vintage 78 and forces him to listen to A DYING POET instead. By the way, Hindistan is another name for India. There is throughout a condescending tone to non-whites. but it's not as bad as some other films. In fact, DeMille would be guilty of that throughout his career but I do bear in mind he wasn't alone and many were worse. More fun to watch, though, is what passed for high fashion in 1920. I don't think anyone would be caught dead today wearing what passed for bathing suits back then.

It is at the store where Meighan meets Daniels who gets to play a total vamp, even comically putting a heart size mole on her arm. She literally seduces him on the spot. While they go out, poor Gloria has her violin recital playing A DYING POET without her husband. Later on, straight laced Gloria Swanson reads about their marriage following her divorce. Well, two can play this game. Gloria goes to the store herself and gets herself some outrageous clothes and has several admirers follow her to a rich resort that has a great swimming pool where guests can sit. Somehow, Meighan and Swanson get back together while Daniels gets the violin player.

I really doubt people really lived like this in 1920, but romantic escapist films are made today. A fun little picture.