Number, Please?

The Boy (Harold Lloyd) is heartbroken for The Girl (Mildred Davis). She's with The Rival (Roy Brooks) at the seaside carnival. She loses her dog General Pershing. The Boy sets off to find it. OMG SAVE THE DOG! The Merry-o-around is scary as heck. I can't stop thinking about that scene. It ends up being funny, but it starts off as awkwardly scary. I honestly lost track of the story when it actually gets to "Number, Please". I was wondering what is happening with the phone call. The purse is a good gag especially when there is another dog. The dogs are the center of two great gags. They really save the day.

NUMBER, PLEASE? (1920)

*** (out of four)

Harold Lloyd two-reeler has Lloyd trying to mend a broken heart by going to an amusement part where he meets a lovely young lady but he must compete with her boyfriend. The first reel is wonderfully funny with all sorts of great gags including one where Lloyd is in the last cart of a ride with everyone else's hats hitting him. The second reel loses a lot of its punch but overall this was still a pretty good short that shows off what was to come in Lloyd's career.

Available on DVD through Kino and New Line.

This is a very good short comedy, with some good material and a fine job by Harold Lloyd as one of his slightly amoral but still sympathetic characters. Lloyd was as good as anyone was at taking a simple situation and building it up with as much comic material as he could fit into it without going too far. The telephone booth sequence here is a great example, and it is as impressive in its creativity as it is enjoyable to watch. The rest of "Number, Please" also works pretty well, and while there isn't much of a story to speak of, Lloyd is creative enough that you barely notice. Lloyd's style works well in this one, and it's a very entertaining feature.

A Hal Roach HAROLD LLOYD Comedy Short.

A young fellow desperately tries to win back the affections of his ex-girlfriend during a madcap day at a seaside pleasure pier.

Silent screen genius Harold Lloyd has a wonderful showcase for his comedic talents in this extremely funny little film. Among the difficulties confronting Harold are a couple of contrary canines, several suspicious cops, a grossly incompetent telephone operator and a rapacious goat. The sequences involving the crazy mirrors, the phone booths and the small black boy are absolute gems.

Mildred Davis--his future real-life wife--is the object of Harold's affections. Stout Roy Brooks plays the determined Rival.

Robert Israel has composed an excellent film score which perfectly complements Harold's antics on the screen.

Hijinks ensue at an amusement park when Harold Lloyd decides to compete with another for the affections of his true love. There are quite a few set pieces to earn giggles from its audience, and a couple to earn outright guffaws. There's some funny business with a carousel, but the funniest bit in the movie involves a stolen purse that both Lloyd and his rival desperately try not to get caught holding. As always, Lloyd is a delightful screen presence, and his silent comedy persona instantly makes you root for it.

I saw this as a double bill with Lloyd's "Grandma's Boy" at the Pickwick Theatre in Park Ridge, Illinois as part of a summer silent movie festival. Let's keep festivals like that alive.